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Recipes, Student Life

The classic champagne cocktail

Happy hour is a typical part of family life at my childhood best friend’s house, and her mother is an elegant woman who drinks her five’o’clock champagne cocktail religiously. Often sipped by leading ladies in classic black and white films – Bette Davis once famously said, “there comes a time in every woman’s life when the only thing that helps is a glass of champagne” – this sophisticated drink is a delicious relic of old Hollywood. A wonderful mix of smooth, bubbly champagne and a kick of brandy, the light and lady-like champagne cocktail is completed with a sugar cube that sits at the bottom of the glass fizzing merrily.

After rekindling my love of champagne this New Year’s, I was inspired to make my own happy hour champagne cocktail, and it turned out to be the perfect way to unwind in elegance after a long day of classes. The drink can be made using the highest quality champagne and liquor, or on the cheap with Provigo-bought sparkling wine and your choice of brandy. Though the classic champagne cocktail takes a multitude of permutations – many recipes include a dash of bitters – this easy, slightly sweeter variation is a great introduction to the drink.

Ingredients

  • 1 sugar cube
  • 1 glass champagne of your choice
  • 1 oz shot of brandy
  • DirectionsPour one shot of brandy into the bottom of a champagne flute. Fill the rest of the flute with champagne and finish by dropping in one sugar cube. Sip like a classy broad while reclining on a chaise lounge and smoking a long cigarette.

    Recipes, Student Life

    Easy paninis

    In Italy, “panino” just means sandwich, usually made up of pretty basic ingredients. On this side of the Atlantic, however, the name conjures up images of crusty bread, melting cheese and piles of meat, something that seems complicated and gourmet, but doesn’t have to be. Best of all, paninis are quick but pack a lot of flavour, and the varied ingredients make them a lot more exciting than your average sandwich.

    This panino can be made on any kind of bread, but I suggest a ciabatta roll (store a few in your freezer for the coming weeks). A thick layer of artichoke olive spread coats the bread, and is the perfect backdrop for the roasted Portobello mushroom and lightly wilted spinach. This artichoke spread is also great to keep on hand as a snack, so make a few batches to store in the freezer. Of course the most important part of this sandwich is the bubbling melted cheese, so don’t be afraid to pile it on.

    Artichoke olive spread
    Ingredients

  • 1 can artichoke hearts, drained
  • ¼ cup sliced olives, drained
  • 1 clove of garlic, peeled
  • 2 Tbsp. olive oil
  • Pinch of salt
  • Directions

    1. Place all of the ingredients in a food processor and blend until smooth.

    Portobello Panini
    Ingredients

  • 1 ciabatta roll
  • 1 whole Portobello mushroom
  • 2 Tbsp. olive oil
  • Sprinkle of salt and pepper
  • 2 slices havarti cheese
  • A few spinach leaves
  • 3 Tbsp. artichoke olive bread
  • Directions

    1. Heat the oven to 375 degrees F.
    2. Take the stalk off the mushroom and place it face up on a baking sheet. Drizzle a tablespoon of oil over it and roast for 10 to 12 minutes, until soft.
    3. Cut the ciabatta in half and evenly spread the artichoke olive spread on both halves. Place a slice of cheese on each side. Place the mushroom and spinach in between the halves.
    4. Heat a pan over medium heat with a tablespoon of olive oil. Place the sandwich in the pan, heat through flipping once until the cheese melts, about two to three minutes per side. Eat immediately.
    Student Life

    10 gadgets to look for in 2010

    1

    USB 3.0

    Ever since they were first invented in 2000, USB ports have always been basically the same. That is, until USB 3.0 drives were released. Early models include the Seagate BlackArmor PS110, which transfers data to your computer three times faster than the USB 2.0. Eventually, USB 3.0 could allow for data transfers of up to 0.4 GB per second. That means that a full-length movie could be transferred in about five seconds.

    2

    Google Nexus One

    Google’s attempt at stealing some market share from Apple is fast approaching. The phone features a sleek and functional design, as well as Google’s speedy Android operating system. But it may not be worth the money if you just use the phone for, well, phone calls.

    3

    Roxxxy

    At the 2010 Adult Entertainment Expo, a middle-aged balding engineer unveiled his creation: the world’s first sex robot (yes, it has been eagerly anticipated). Roxxxy is designed to entertain its owner both sexually and emotionally. She can have a conversation, feel you touch her, and even have an orgasm. This product is really not helping any stereotypes about engineers.

    4

    V12 Canova Laptop

    Why have a keyboard and a mouse on your laptop when you can have another screen? This laptop sports twice as many displays as any laptop on the market-though one does turn into an on-screen keyboard to make it function like most laptops. In addition, you can prop the laptop up and read it like a book.

    5

    Bioshock 2

    Bioshock places the player in an underwater world. The player then has to fight through hordes of mutants and mechanical drones to escape. The sequel hopes to be as exciting and engaging as the original game.

    6

    Project Natal

    If you’ve ever played Nintendo’s Wii, you know it’s easy to make a complete jackass of yourself (search YouTube: Wii broken TV). Fortunately, Microsoft has designed an equivalent system for the clumsy. Project Natal, set for a late 2010 release, is the first controller-free game system. Players control the game using camera-recorded motions, which are translated into movement in the game.

    7

    3D Television

    3D Television will be available in the future, although not necessarily to middle-income consumers in 2010. It also looks like silly glasses will still be required for viewing.

    8

    Apple Tablet

    Rumours suggest that the Apple Tablet (nicknamed the “iSlate”) will be officially unveiled by the end of January. Analysts are expecting it to be a cross between an iPhone and a MacBook-a giant iPhone if you will. It will feature a touch screen, but not much else is currently known.

    9

    Expensive bikes

    If you’ve been on Mount Royal in the fall, you’ve probably seen a few people with bicycles with motors. Sanyo’s Eneloop is similar, but electric: you still have to pedal, but not as hard. When you slow down, the Eneloop recharges its batteries using kinetic energy, and converts it into electrical energy. With a $2,500 price tag, it seems unlikely these bikes will be in Bixi stations anytime soon.

    10

    ioSafe Solo SSD

    The ioSafe harddrive takes backing up to the extreme. In a demonstration video, they lit it on fire, submerged it in water, and drove over it with a backhoe. After all of this, the technician took the casing apart, removed the hard disk, placed it in a new enclosure, and viewed some files on the drive. All that durability will cost you, however, up to $1,250 for the 256 GB model.

    Arts & Entertainment

    POP RHETORIC: Tyra’s people

    If I could do a case study on some of the alarming hypocrisy that characterizes media today, I would centre it on supermodel-turned-media mogul Tyra Banks. She truly embodies the modern rule of television: anyone willing to forego dignity, self-awareness, and all ironic detachments can potentially earn about $30 million a year.

    That being said, I have nonetheless derived a perverse pleasure from skipping class and watching Tyra’s latest antics on The Tyra Banks Show. Whether she’s criticizing the media or campaigning for short women as top models, the ironies of this woman’s actions never cease to captivate me. I was therefore quite dismayed when I learned that the show will soon be leaving the air forever. In its memory and honour, I’d like to recount some of my favourite – and by that I mean completely appalling – Tyra moments.

    Tyra is, first and foremost, very confused when it comes to questions of body image. She has simultaneously made her career as a supermodel – a job constructed around distorted notions of feminine physical ideals – and as a spokesperson for “everyday” women struggling with their self-esteem. In one memorable episode, Tyra goes undercover as a 350-pound woman in order to discover whether people will treat her differently. Turns out they do. And what does she do to remedy this blaring injustice? She takes off the fat suit (to reveal how hot she thankfully is), and then speaks to actual obese women to discuss how being fat “made them feel.”

    In another instance, Tyra appears onstage in the bathing suit that caused a stir in tabloids because it revealed her significant weight gain, telling critics that they could “kiss my fat ass.” The irony: she then explains how the photos were doctored, as she didn’t actually look that fat in the bathing suit. Later in the month, Tyra appeared on the cover of a magazine looking fabulous as usual next to the headline “You call this fat?”

    While it’s very altruistic of Tyra to use her own weight gain as a means of addressing the problems with society’s unrealistic standards, her involvement in the modeling industry as well as her zealous fixation on displaying her own perfect body as a statement of “fat” advocacy exposes a women who appears to have issues about what it means to have real body issues.

    Perhaps the Tyra crusade that strikes closest to home is the one where she decides to make a “petite edition” of the hit show America’s Next Top Model. The idea behind this revolutionary movement is that she could singularly change the face of the modeling industry by giving short girls a chance. Speaking as a “petite” woman, I feel neither a sense of camaraderie nor comfort from this ploy. Frankly, I like standing in the front of the chorus, I was always great at limbo, and I enjoy not worrying about finding a guy who is taller than me. I really don’t need Tyra to help assure me that I can still be regarded as womanly despite my lacking of Amazonian dimensions.

    In yet another investigative exposé, Tyra goes undercover as a homeless woman. We watch the supermodel ironically get her makeup done to look ugly, have ratty shoes placed on her feet, and have camera crews follow her as she uncovers “what it’s like to be homeless.” After discovering crack pipes along skid row and washing herself in a gas station bathroom with the cheap soap she could only afford after panhandling, Tyra breaks down and cries to cheesy background music. The slogan for this episode? “Being homeless can happen to you.” But with her own production company and a status as executive producer of three different shows, I doubt it can happen to her.

    As usual, I was left dumbfounded by the level of condescension and imbecility involved in playing dress-up for a day and believing that she now had the right to claim solidarity with a plight that could not be further from her own.

    The end of The Tyra Banks Show by no means implies the end of the Tyra empire. Tyra will continue to believe that she is a crusader of social justice. My only question is: who will become America’s next top narcissistic-attention-monger?

    Brahna Siegelberg is a Features Editor for the McGill Tribune.

    Sports

    Irwin leads the way as Martlets march past smaller Sherbrooke

    Going into Sunday afternoon’s match-up against the visiting Sherbrooke Vert et Or, Head Coach Rachel Beliveau stressed the importance of establishing a presence at the middle of the net as early as possible. Clearly, her players were listening. Sophomore middle Kaiva Mateus opened up the scoring in the first set with a thunderous solo block, and the McGill women’s volleyball team shut down the Sherbrooke offence en route to a convincing straight-set victory at Love Competition Hall.

    Senior middle Kelsey Irwin was close to unstoppable, racking up 10 kills to go along with six solo blocks against a smaller and visibly overmatched Vert et Or squad.

    “It was definitely part of our gameplan to go through the middle,” said Irwin. “With Sherbrooke that’s usually what we do. It was a good game by everyone and Kaiva [Mateus] and I did a pretty good job in the middle.”

    McGill led 8-3 at the first technical timeout of the match, and only trailed in the opening moments of the third set. The Martlets held a 14-4 edge in total team blocks, and a 47-27 advantage in overall points. While Sherbrooke had little trouble handling the serve receive, the Vert et Or simply could not cope with the dominant Martlet defence.

    “We’ve worked a lot on our blocking recently,” said Beliveau. “And the last two games we played this weekend we blocked way better than before. It’s good for us because it [makes things] a lot easier on the defence.”

    While McGill’s back-row defence certainly benefited from the activity of the team’s middle blockers, they also proved themselves to be highly capable of covering ground and digging tough shots when need be. First-year libero Daphne-Maude Andre-Morin registered a match-leading 16 digs, while All-Canadian senior Jennifer Thomson notched a dozen in a relatively quiet performance. Beliveau believes that greater attention to blocking has also helped her team recognize the importance of proper court coverage, an area of the game that will play a key factor in determining the amount of success McGill has against more physically imposing teams in the future.

    “We’ve worked hard on covering,” she said. “Today, we covered a lot of blocked balls, and we’re going to keep working on that. We’re training with a higher block now to prepare for [taller teams].”

    For at least one day, though, the Martlets were more than happy to take advantage of being the bigger side. More than half of McGill’s attacks came out of the middle, and Beliveau made it clear that much of her team’s offensive success will hinge on Irwin’s productivity.

    “Kelsey is a really good hitter, and when she’s on the front line she scores a lot of [points],” said Beliveau. “But to get to that, we need good passing or else we lose her as a hitter. Once we have the passing and the defence, we can use her well and [put her] in many different places where she becomes efficient.”

    Perhaps the most noticeable bright spot from Sunday’s game, though, was the confidence and chemistry between Irwin and sophomore setter Marcela Mansure. Mansure dished out 23 assists for the match, to go along with successive back-set kills in the second set that elicited oohs and ahhs from the partisan crowd.

    “[Masure and Irwin] are working much better together,” said Beliveau. “Their confidence is getting there.”

    Irwin echoed her coach’s sentiments, noting the initial difficulties of adapting to a new setter.

    “Marcela and I had to start the year off fresh. At first, obviously, it’s pretty tough with a new setter, but it’s been unreal. She’s a great setter and she’s been doing a great job with me and Kaiva [Mateus],” she said.

    The Martlets have 12 days off before they head across town to take on the division-leading Montreal Carabins, and very little of that time will be spent basking in the glow of Sunday’s win.

    “Montreal is a big hitting team,” said Irwin. “Our defence and our blocks have to be there, and honestly I think tonight was a good precursor to a couple weeks from now.”

    McGill certainly has the pieces to challenge the top teams in the country, but the Martlets know that they must continue to work hard and improve if they wish to make a deep run in the postseason and at Nationals. McGill faces the Carabins on January 29, before returning home to welcome the Laval Rouge et Or on January 31. QSSF playoffs begin on February 11.

    Sports

    Dismal shooting dooms Martlets against physical Rouge et Or

    Less than two weeks ago, the McGill women’s basketball team was riding high after upsetting sixth-ranked Laval on their home floor. Fast forward to Friday night, and the post-game atmosphere at Love Competition Hall was anything but celebratory. The Martlets failed to reach double figures in scoring in three out of four quarters, and connected on an abysmal 23 per cent of their field goal attempts as they were picked apart by the visiting Rouge et Or, 55-37.

    “There aren’t a lot of positives to take [from the game],” said Head Coach Ryan Thorne. “We didn’t do much well. I think the lesson to be learned is that if you don’t play well, teams will execute and make us pay for it.”

    Both squads seemed incapable of generating any offensive rhythm early in the game; with two minutes left in the opening period the score remained deadlocked at an astoundingly low 4-8. With no player standing above six feet tall in McGill’s starting lineup, the Martlets struggled to establish inside positioning and assert themselves on the glass, losing the rebounding battle 42-31. Despite poor play during the first half, though, the Martlets found themselves trailing by just three points at intermission.

    “We weren’t surprised to be down three,” said Thorne. “I think we can beat that team; we beat them already. [In the second half] we stopped executing and doing the little things. We got down early in the first quarter because we [had] a gameplan and we didn’t follow through.”

    Weak screens, slow ball movement, and forced threes certainly weren’t part of McGill’s plan, yet that was all Thorne saw from his squad on Friday night. The Martlets’ inability to take Laval off the dribble and penetrate the lane resulted in far too many contested perimeter shots, and on a night when McGill connected on just five out of 21 long-range attempts, offensive stagnancy proved deadly. Senior guard Nathifa Weekes was also critical of her team’s defensive effort in the match.

    “We had too many fouls in the first half,” she said. “Turnovers, and just poor defence all in all. If we start playing [defence] and working together, we’ll win.”

    In most cases, holding a top-10 team to 55 points and 33 per cent shooting, and forcing 24 turnovers would all but ensure a victory. However, the Martlets coughed the ball up 20 times themselves, and were limited to just six free throw attempts – a strong indication of the team’s lack of activity close to the basket.

    “We know [Laval’s] big,” said Thorne. “We’re not surprised by that. [But] if we don’t execute – if we’re not setting good screens to get people open – we’re not going to get open looks. They’re not going to give us a game, they’re going to fight. All the credit to [Laval], they played really well and fought hard, but we’ve got to execute as well.”

    Freshman guard Francoise Charest was the only Martlet player in double figures with 11 points. Sophomore forward Anneth Him-Lazerenko – the team’s best offensive player in the post – was limited to just nine points on 4-11 shooting. With eight first-year players on the roster, the Martlets are unquestionably young, but Thorne was reluctant to use his team’s youth as an excuse for their sub-par performance.

    “Yeah, our team’s young,” said Thorne. “But we have to stop saying that we’re young and start executing. We’re trying to play too fast at times and trying to make plays before we recognize what the open situation is. But we’ve [also] got four veterans who I think are solid players.”

    Veterans and rookies alike stepped up in a major way on Sunday evening, as the Martlets rebounded with a 75-59 demolition of visting UQAM. Freshman guard Marie-Eve Martin scored 16 points and the Martlets held the Citadins to just three points in the second quarter. The win brought McGill to 3-6 in conference play, and the Martlets will look to improve on that mark when they travel to Lennoxville on January 29 to take on the Bishop’s Gaiters.

    Arts & Entertainment, Theatre

    Cabaret: song and dance lighten up Nazi-ruled Germany

    “Wilkomen, bienvenue, welcome!” These opening words were never more sincerely spoken than at the Arts Undergraduate Theatre Society’s (AUTS) latest production, Cabaret. The show transports you straight to the Kit Kat Club, where inside all is fun and games while the outside world is crumbling. The play tells the love story of Sally Bowles (Callie Armstrong), a struggling dancer, and Cliff Bradshaw (Adrian Steiner), a starving author, and the life they lead filled with parties and celebration while the Nazis rapidly take over Germany.

    Cabaret is AUTS’ fourth show following three immensely successful productions, including Little Shop of Horrors, Urinetown, and Hair. The piece, explains director Julian Silverman, was chosen both for its politically-charged history and its contemporary relevance.

    Cabaret is a difficult play to stage, and AUTS masterfully uses all of Moyse Hall to capture the essence of a real cabaret. The play lets the audience leave their problems in the Montreal cold, and takes you on a journey of sensual, sexual, and dramatic beauty. Just like the Kit Kat Club, the entire cast of Cabaret is beautiful, and the quality and professionalism of the all members of the production make it hard to believe they are students.

    My hat goes off – and in this case my shirt and pants also – to the Emcee. The brilliant Nicolas Allen plays the role to perfection. Look out for him during intermission, where he not only stays in character but stares you down in a way that would make Joel Grey jealous.

    The legacy of Cabaret – whether it be the book, movie, or previous theatrical stagings – makes it impossible to enter the theatre without large expectations. As the piece evolves with every new production, it seems as though it would be difficult to ensure each new interpretation is on par with previous performances. AUTS not only stepped up to the plate but delivered all an avid Cabaret fan could hope for: passionate men and women, a fiery atmosphere, and a burlesque cabaret intermittently interrupted by the realities of Germany’s fascist beginnings.

    The most surprising aspect of the show is its overt sexuality; as a student production, it would be easy to shy away from the erotic content of the play. Silverman explains that although he was a little worried about his parents’ reaction when they witnessed a few scenes, he figured the cast should have fun with it when they can.

    Like most musicals, the song and dance allows the production to backhandedly deal with serious issues. Beyond perfecting the decadent atmosphere of the Kit Kat Club through dance moves that will make your head spin and an amazing yet simple set, the genius of the play remains in how it manages to grab the heart of the audience and transmit the atmosphere of fear from the era.

    So ladies and gentlemen, whether you have seen the play a million times or have never heard of it before, come to Cabaret, where all your troubles will be forgotten and a unique spectacle will unravel in front of your eyes.

    Cabaret plays at Moyse Hall January 21-23 at 7:30 p.m. You can reserve tickets online at http://auts-cabaret2010.blogspot.com.

    Behind the Bench, Sports

    THIRD MAN IN: An open letter to Manny Pacquiao

    Dear Manny,

    When you retired Oscar De La Hoya in 2008, how long did it take for the media to start downplaying your victory? A day? He was old, drained, and unfit. You had to win. When you ended Ricky Hatton’s career with one of the most devastating left hooks in boxing history, the haters still refused to crawl back into the woodwork. Hatton was a barroom brawler, not a boxer. He was slow, stubborn, and already damaged. How could you have lost? Even when you transformed Miguel Cotto’s face into a bruised and bloodied mask just a few months ago, there were those who were quick to dismiss the win as predictably lopsided.

    Throughout your illustrious career, there have always been individuals who have sought to make excuses for your winning ways. And time after time, you’ve shrugged off their criticism and negativity. You’ve never been one for excuses; you’ve put your faith in your family, your religion, and your people, and for that, you have become one of the most respected athletes in the world.

    And this is why I’m so upset with the events that have transpired over the past two months. In case you have missed out entirely on the media firestorm that has surrounded you and your camp from the moment the final bell sounded at the MGM Grand on November 14, let me bring you up to speed.

    The history books will show that you beat Cotto by way of TKO in 12 rounds, but everyone who watched saw that the fight was over in the fifth round. With the victory, you paved the way for perhaps the biggest showdown in the history of boxing: Manny Pacquiao versus Floyd Mayweather Jr. All the pieces were in place for a matchup unlike anything ever before, and the entire boxing world began to shake with anticipation. Then, the drug testing issue came up. Floyd’s camp wanted Olympic-style blood testing instead of the usual urine tests performed by the Nevada State Athletic Commission. Strangely, your camp refused. The “Pac-roid” chants began, and despite attempts at mediation and some concessions on both sides, the fight was declared dead three weeks ago.

    Your detractors levied new charges against you, more grievous than ever before, and for the first time that I can recall, you made excuses. Fear of needles. Superstition. Come on. I agree with what your trainer, Freddie Roach, said in an interview with ESPN last week: it’s ridiculous that any fighter should get to dictate the medical formalities surrounding a fight. However, it’s also borderline ridiculous that you and your camp could not put personal discomfort aside and save the biggest fight of your life.

    How often do two opposing forces meet at full strength with the eyes of the world upon them? As much as I hate the term, this fight would be absolutely epic. Not epic in the Toronto vernacular sense, but Paradise Lost-epic. Heaven versus Hell epic. Yoda versus the Emperor. Harry versus Voldemort. Simply put, this is a fight that needs to happen if we want the Earth to keep spinning.

    I’m still a believer. I cannot accept the possibility that you cheated your way to seven world titles in seven different weight classes. Driving in and out of Manila for over a decade, I’ve seen your face on billboards, TV screens, and newspaper covers. I cannot imagine that you would risk the faith of 90 million people by juicing up. I believe that you have it in you to stop making excuses, and do whatever it takes to fight Mayweather.

    Manny, you have nothing to lose and everything to gain by agreeing to the blood tests and fighting Floyd. But right now, the Pretty Boy is up on the scorecards, and lumilipas na ang oras, Manny. Time is running out.

    All the best,Kailan LeungSports Editor, The McGill Tribune

    Sports

    Redmen raze Stingers behind raucous Carnival crowd

    The stellar play of the men’s hockey team is bringing the legitimacy of the McGill Athletics advertising department into question. Wednesday’s annual Winter Carnival Game against Concordia looked and felt like anything but a rivalry match. A pair of hat tricks from centre Guillaume Doucet and left-winger Evan Vossen punctuated a night of absolute dominance, as the Redmen steamrolled the visiting Stingers 12-3 on before more than 1,000 spectators at McConnell Arena.

    “It’s fun, especially when there’s a big crowd like that. We wait for those games all year. We know there’s going to be lots of people,” said Doucet. “It’s always a tough game against [Concordia], and tonight we came out strong.”

    The Stingers came out aggressive and physical in the first period, but the Redmen responded at the 16-minute mark, with Vossen netting his first goal on the power play, and Doucet registering another only 27 seconds later. By the end of the first period, McGill held a healthy 21-4 advantage in shots on goal.

    The floodgates opened for McGill in the second period as Francis Verrault-Paul scored his league-leading 17th goal of the season less than two minutes into the frame. Three more goals – including Vossen’s second – increased the Redmen’s lead to six and ended Concordia starting goalie Maxime Joyal’s night. Concordia finally got on the board with a shorthanded goal from captain Marc-Andre Element, but McGill would respond with two more goals in the period, capped by Doucet’s third goal to complete his hat trick.

    With a 9-1 lead after 40 minutes, the Redmen faced a difficult choice: run up the score, or hold back.

    “You don’t want to be accused of running up the score,” said Redmen Head Coach Jim Webster. “I’m in the coaching fraternity, [and] you don’t like that. We were playing everybody, and they just kept taking more penalties.”

    By the time the final horn sounded, Concordia had racked up 100 minutes in penalties, compared to McGill’s 22. The Redmen kept their composure throughout the game, and Webster recognizes that his squad’s poise will play a crucial role in the postseason.

    “I was really pleased with my captain, Yan Turcotte, [who had the] most penalty minutes in the league last year,” he said. “If we want to win the National Championship, we need to stay on the ice. He took a crosscheck right in the face, and didn’t beat up the guy like he would have done last year. That could bring us down. I take my hat off to him.”

    Concordia received four 10-minute misconducts and three game misconducts on Wednesday. The possibility of suspensions for key Stingers players looms large.

    “It’s tough to play, because you score some goals but you can’t get involved in the scrappy stuff,” said Turcotte. “You don’t want to get suspended. I liked what I saw, we didn’t retaliate too much.”

    In the third period, the Redmen registered two shorthanded goals before Vossen finished off his hat trick with a power play goal in the final minute. Concordia scored twice in the third period, but their efforts were ultimately in vain – and Concordia’s third-period goals certainly did not dampen the spirits of McGill’s Management Carnival crowd. McGill finished the game with 61 shots on goal.

    “Everybody’s playing, everybody’s working hard. It’s tremendous,” said Webster.

    The Redmen kept the puck moving on Friday night, knocking off UQTR 2-1 in a competitive match. But McGill couldn’t muster the energy to dispatch a well-rested Carleton squad the next day. The loss snapped McGill’s 19-game home winning streak, but the Redmen remain atop the division standings.

    McGill will journey to Trois-Rivières to take on UQTR yet again on Wednesday night. The Redmen return home to face Nipissing University on January 24.

    Science & Technology

    LABprojects collaborate on the science of musical fusion

    Great things tend to happen when established musicians play with other established musicians. Take Crosby, Stills, Nash and Young and Cream, considered some of the earliest examples of the “supergroup,” or more recent bands like Broken Social Scene and The New Pornographers, whose members almost all had notable solo careers before breaking big together. And while the latter two have become pin-ups of the Toronto and Vancouver music scenes, Montreal seems to have found its own form of the supergroup in LABprojects.

    Organized by Moondata Productions, a Montreal record label, production house, and event organizer, LABprojects brings together many diverse musicians from Montreal’s independent music community for one-off shows at O Patro Vys on Mont-Royal.

    Created in 2003, LABprojects was inspired by the uncomfortably cold Canadian winter.

    “I hated touring in the winter so we invited our friends to come play with us,” says founder Matthew Lederman. “We recorded the first show and to me, it was more fun than anything I’d done up until then. We did one every two weeks and we kept selling out and we started it again the next year once a month.”

    Since then, many prominent musicians have graced the LABprojects stage, including members of Patrick Watson, Land of Talk, and the Besnard Lakes. But there’s a twist: instead of simply playing each others songs as a collective, all of the music is improvised. And while it began with a heavy jazz influence, the pop inclination of those involved has led the series to evolve into something less esoteric.

    “When I started them I was very much into the whole New York downtown jazz thing: loud, crazy, rapid changes, avant-garde weirdness,” says Lederman. “Personally, I [also] have a really strong pop sense and I’ve been working with some pop bands and the people I know have really incredible pop sensibilities, so we’ve made this series kind of more focussed improvisation.”

    The focus comes in part from the aid of a little “homework” assignment where each musician is tasked with providing a musical idea, be it melodic or rhythmic, that can be expanded upon by the group. This structure helps to ensure the music stays grounded, for the sake of both the audience and performers.

    “Sometimes it can go a little bit too far, but it’s never gotten too gratuitous,” says Lederman. “The toughest ones have been when people come with very, very complicated, precise ideas that we have to try and follow … When we just play with what we know, it’s good stuff.”

    Knowing what to play is especially important considering that many of the musicians involved only know each other in limited capacities, if at all.

    “The only challenge really is just listening to everybody the whole time because if that doesn’t happen then the whole thing goes to shit really quick,” says Andrew Barr, drummer for Land of Talk and frequent LABproject participant.

    Last Saturday’s show (featuring members of Arcade Fire, Beast, and Bell Orchestre, among others) was a perfect example of what to expect from a LABproject performance: music that is at once spacious and dense, sinister and uplifting, and entirely unexpected. The level of musicianship was such that anyone unaware of the premise would think they happened upon a well-rehearsed instrumental rock group instead of a group of musicians who had met only hours before.

    The LABproject line-up changes from show to show, meaning no two nights are the same. Unfortunately, Lederman’s busy schedule means these performances are hardly a regular thing, and are instead organized on a “when-he-can basis.” But that these shows even exist and are able to thrive after extended hiatuses is a testment to the strength of the current Montreal music scene.

    “It’s really open and connected and people are really willing to participate with each other on a level where they’re able to listen and get intimate musically,” says Barr. “It really says the town’s got a lot of life and vibrancy.”

    Lederman echoes that same sentiment.

    “[It’s] really healthy. Super healthy, I’d say. I mean, that a venue will allow us to do this and people will come out and support it? Listening back to recordings you realize that you were a part of something that’s bigger than yourself.”

    The next LABproject is in February. You can find out more at www.moondataproductions.com.

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