Latest News

James Admin Building
a, McGill, News

McGill continues salary adjustments following implementation of Pay Equity Act

In 2001, the Quebec Government passed the Pay Equity Act, which aimed to remedy sex-based wage disparities by compensating female workers. (more…)

a, Arts & Entertainment, Music

Pop Rhetoric: Grimes – The future of music in the internet age

When Claire Boucher, a Montreal-based pop artist who also goes by the stage name Grimes, called herself “the future of music” in a 2012 interview with Demo Magazine, it seemed like a pretty confident statement, and something you would expect to hear from Kanye West. But regardless of how you feel about someone making such a bold claim, Grimes actually seems to represent where music is going in 2014.

Not only is she one of today’s most dynamic and original artists, but her and her peers—such as the R&B influenced album-of-the-year contender FKA Twigs or retro-futurist soul superstar Janelle Monáe—are firmly placed at music’s creative vanguard. These artists are also reaching these creative heights while attaching themselves in some form to the umbrella of ‘pop music,’ a genre where the majority of artists are preoccupied with replicating a dominant sound. These trailblazers reflect the internet age we are now living in; they draw on a range of influences only familiar to people who grew up in the era of the internet. Yet these artists also maintain a distinct sound and persona in their songs and videos while highlighting the growing obsoletion of macro-genre labels like ‘pop’ and ‘indie.’

Boucher first began performing and recording as Grimes while studying neuroscience at McGill in the late 2000s. After being expelled from university for missing too many classes, Boucher released her first two LPs, Geidi Primes and Halfaxa, in 2010. These two records definitely sound like what we would come to expect from a Grimes release; they’re complete with her trademark musical motifs: Dreamy electronic instrumentals, hauntingly distant vocals, and of course, those catchy pop melodies.

Following the release of these two albums, Boucher quickly found a sizable following on the internet, gaining recognition from indie publications like Pitchfork as well as communities on Tumblr and 4Chan. Her popularity and praise further increased with the breakout record Visions, an album released to almost universally-positive critical recognition. On this LP, Grimes ditched the more DIY production of her previous LPs to create more refined melodies and form more cohesive, emotionally affecting tracks. On Visions, Grimes uses the tension between those pop-esque and more underground elements to create different emotional and tonal effects, whether it be the raw vulnerability of “Oblivion” or the love-fuelled joy of “Genesis.”

Like many of her peers, Grimes has many different influences: Styles as disparate as trap, vaporwave, K-pop, industrial, and bubblegum-pop are all present in her work. In one interview, Boucher talks gushingly about how Mariah Carey is one of her favourite artists and biggest inspirations. In another interview she even labels Grimes as “ultimately a pop project.” She also commented on how pop music “hits right in the pleasure centre.” In her performances, she says she tries to capture the spirit of “punk-pop”—not talking about creating songs inspired by Blink-182, but about bringing a subversive punk mentality to the pop genre. Grimes’ ability to transcend genres and labels has also brought into question whether contemporary music can even be defined by macro-genres. Is her music really as “pop” as she says? Is it “indie”, or is it even “electronic”, as the iTunes store claims? In this era, is organizing iTunes libraries the only real purpose of genre labels?

But what is the future of “the future of music?” Grimes has not yet released a follow-up to Visions, although a new album is most certainly in the works. Throughout this year, Grimes’ actions seem to suggest a further approach to “the mainstream.” This attracted the ire of many in her internet fanbase when she released “Go,” a trap banger initially written for Rihanna. Yet despite this change in style, “Go” is one of Grimes’ most confident tracks yet, complete with a drop that definitely hits that “pleasure center.”

I don’t know what Grimes’ next album is going to sound like—she unfortunately recently scrapped her new album, possibly in response to the negative “Go” reaction—but however you choose to label the direction in which her new music goes, I’m confident it will be original and unforgettable.

a, Basketball, Sports

From the cheap seats: Pop vs. Jock

Max Berger (MB): Pop Montreal was dubbing its third Win Butler-hosted Pop vs. Jock charity basketball game as the “crossover sports-culture event of the year in Montreal.” (more…)

a, Features

Memories unravelled

In 1953, Henry Molaison underwent an experimental surgery known as bilateral temporal lobectomy to treat the severe epilepsy he had been experiencing. His surgeon removed his medial temporal lobe, including a structure known as the hippocampus—a part of the brain involved in the storage of long-term memory—in hopes of curing the condition. While Molaison emerged from the surgery no longer facing chronic seizures, he could not retain any new information and had lost his ability to form memories. Despite his memory loss, Molaison’s surgery would allow researchers to contribute invaluable information to the field of neuroscience.

To this day, scientists struggle with understanding the inner workings of the memory process. Through the development of more advanced technology and different molecular approaches to the topic, researchers have been able to make major strides in further elucidating the mechanisms behind our minds. In particular, neurological research in Montreal has brought about some of the most revolutionary and exciting findings that have helped further our understanding of this mysterious organ and its roles in forming memories.

Brenda Milner, a Canadian neuropsychologist working at the Montreal Neurological Institute (MNI), was one researcher who contributed extensively to the study of memory by examining the effects of Molaison’s surgery on his brain. Specifically, she investigated the cause of his inability to retain any short-term memories and convert them into long-term memories, despite retaining his long-term memories from before the operation. Short-term memories are formed just after processing an incident, and can store only around seven items for a short period of time, compared to long-term memories that can store vast amounts of information for infinite periods of time.

Milner and her doctoral advisor, Donald Hebb, speculated that the other side of Molaison’s hippocampus—the unoperated side—was probably damaged in some way as well, a condition known as a bilateral lesion. Their hypothesis was confirmed years later when an autopsy was carried out on a similar patient’s brain. The hippocampus tissue on the unoperated side in the second patient was, in fact, damaged and wasting away.

However, it was Milner’s behavioural studies on Molaison that served as the breakthrough point for her. By encouraging him to participate in a set of rigorous experiments, Milner investigated the extent of his inability to form long-term memories. First, she sent Molaison through a maze, where he had to learn to navigate through trial and error. Molaison showed no improvement with three days of practice. Next, she challenged him with a sensorimotor task, where he had to draw a star guided by the reflection of his hand. The task became easier with practice, and within three days of repeating the drawing, Molaison’s performance was perfect—although he could not recall ever having completed the task before.

“He had absolutely no memory of all these trials he had been through,” Milner said in a previous interview with the McGill Journal of Medicine.” There was a total dissociation between his experience and his excellent performance.”

From these behavioural studies, Milner concluded that there are multiple memory systems, which she divided into episodic memory—the recall of autobiographical events, as well as procedural memory, which is the memory for performing an action—the same memory system Molaison used to improve during his drawing activity.

Despite Milner’s discoveries, it would take time and the development of technology beyond behavioural science until further breakthroughs in memory research could be made. These achievements included the development of magnetic resonance imaging (MRI) during the 1970s and functional magnetic resonance imaging (fMRI) in the 1990s.

Both technologies harness radio waves to form images of the body, providing researchers with the unprecedented ability to visualize the interior of the brain. Stephen Frey and Marilyn Jones-Gotman are two McGill professors who used fMRIs to advance their research. Before her retirement in 2009, Jones-Gotman used fRMIs to take images of the brain in different situations— such as comparing pleasant and unpleasant sensory stimuli—with the intent to further her understanding of how the brain responds to stimulus.   

Also advancing this field of study is Karim Nader, a professor at McGill who is working on elucidating the mechanisms behind long-term memory storage. Moving beyond Milner, who used a human model, he is looking into how recalled memories can be changed and even erased, by studying memories in rats.

“When a memory is retrieved, it is transformed into a vulnerable state in which it can be lost, changed or strengthened depending on the experimental manipulation,” Nader states on his laboratory website. “We have been asking questions at the behavioural, physiological, and molecular levels of [memory] analysis [through studying rats].”

Nader’s lab research in 2000 showed that if a memory of fear is reactivated, these long-term and previously stable memories become unstable once more. It’s up to the brain to make new proteins in order to store these reactivated memories again. Using a type of medication known as a beta-blocker, his team discovered that they could prevent the re-storage of these memories—essentially erasing them. This finding has given rise to exciting possibilities for developing a treatment for post-tramautic stress disorder (PTSD) patients.

Similarly, Sylvain Williams, an associate professor of psychiatry at McGill, is trying to gain a better understanding of how the hippocampus functions in forming memories at the molecular level. With the development of a technology known as optogenetics, which allows researchers to control genetically modified neurons with light signals, the lab is able to monitor the neural activity of live animals.

Previously in 1954, scientists began to measure brain activity through theta waves and frequencies. These waves are responsible for processing and storing memories of various types of information depending on the behavioural activity, where longer beta and gamma waves are produced during deep sleep, and shorter theta waves are produced during conversations and  while learning.

While researchers previously believed that these waves passed through the hippocampus region in strictly one direction, Williams’ team is investigating the possibility that they can actually move in both directions.

“There are many other different kinds of neurons and projections that have not been described in the hippocampus,” Williams said. “In order for us to understand how the hippocampus works and how information is treated, […] we need to find first all these circuits, characterize them, and understand them.”

To produce these theta waves, a host of different neurons are involved. Williams’ lab is studying a type of neurotransmitter called gamma-aminobutyric acid (GABA). In 2014, his team discovered that when GABA neurons in the subiculum—the last region of the chain of information flow in the hippocampus—are activated, they can actually move in the reverse direction to affect previous regions in the hippocampus.

“[Scientists previously] thought information was passed out passively to the hippocampus and then the subiculum,” Williams said. “But [now] this is not so, because the subiculum may also control how the information is treated in the preceding regions.”

The team is currently trying to figure out whether these GABA neurons play different roles depending on the types of activities. Using optogenetics, the researchers are pushing the boundaries of previous studies with animal models. They are actually able to compare the neural activity of rats that are exploring, sitting, or dreaming,

“We show [that] it does occur, and is very important in […] sleep,” Williams said. “[This] really provides [a] new perspective on information processing in the hippocampus, [and] suggests that it’s more complicated than we expected. The way information is processed in the hippocampus has to be looked at again using our data as a backbone.”

The field of neuroscience and neuropsychology has made huge leaps in understanding the mechanisms by which memory functions, aided and abetted by the rise of technologies. From crude operations on humans without a complete understanding of the different parts of the brain, to fine-tuning the genetic make-up of single neurons to manipulate the hippocampus of rats, Montreal continues to serve as a hub for researchers who are further advancing the process of unraveling the mysterious processes of memories.

Currently, the Language and Memory Laboratory at McGill coordinates research from a variety of Montreal-based investigators, with the goal of advancing studies in memory formation. Directed by Debra Titone, the Canada Research Chair of Cognitive Neuroscience of Language and Memory, the lab uses a vast array of cognitive neuroscience and imaging techniques to compare normal and disordered populations, such as those suffering from schizophrenia.

While scientists have just scraped the surface of uncovering the many neurons involved in processing memories, the continued development of technology and insights gained through studying animal models has enabled researchers to accumulate a knowledge base from which today’s scientists can build their experiments and apply their studies to diseases of human memory.

Montreal Canadians
a, Sports

Point counterpoint: O captain my captain or The more the merrier

Head Coach Michael Therrien ruffled a few feathers in the hockey world this offseason when he announced that the Canadiens would be dividing the team’s leadership duties among four alternate captains. The wisdom behind having a sole captain is that it provides a veteran presence for the team to rally around and look to in pressure situations. On the other hand, however, a team can risk appearing fickle and amature if it is constantly appointing a new captain—or even worse, giving the coveted ‘C’ to a rookie or sophomore player who hasn’t earned his proverbial ‘stripes’ yet.

Click each perspective to read more

The more The merrier

Nicole Spadotto

Controversy has arisen from Montreal Canadiens Head Coach Michel Therrien’s decision to deviate from the standard leadership configuration of a captain and three assistants. Instead, the Canadiens have opted to name four assistant captains and this, while unorthodox, is a good decision. A core group of leaders is needed for any team to be successful because a variety of leaders are able to fill different leadership roles; some leaders choose to motivate vocally while others choose to lead by example. A lack of a singular captain does not leave a leadership void – in fact, not having one captain gives all players equal responsibility to play a leadership role, both on the ice and in the locker room. Once a team begins to rely on one person to provide leadership and motivation, its individual players become more one-dimensional.

As a Leafs fan, I remember the era when Mats Sundin was the only source of leadership on the team, with the rest of the team relying on him to point the way. When Sundin was injured several other members on the team took on an increased leadership role, and the Leafs began winning more games without their captain. When a group holds accountability, the pressure on individuals is lessened. Wearing the ‘C’ puts an enormous amount of pressure on a player. The Habs have a very young leadership group of players that have not proven themselves under pressure. Too much pressure too early in a career can ruin a budding prospect. We recently saw Alex Ovechkin crumble under the pressure of captaincy; he is only now getting back into his groove.

Naming a captain is akin to declaring a franchise player, which makes trading away a captain very difficult. This gives rise to a costly inefficiency for many front offices. For example the aging Shane Doan of the Arizona Coyotes is not immensely talented at this stage in his career, but the Coyotes have clearly stated that Doan is the only player they will not trade. The Canadiens, arguably, don’t have any franchise players other than Carey Price, and perhaps P.K. Subban. But, giving the letter to Subban becomes difficult to justify given his young age, selfish play on the ice, and controversial media image. In the future, Subban or even Brendan Gallagher will likely be named captain, but neither is ready for the role and all that it encompasses right now. Easing them into leadership roles is a smart move, especially considering the captain is accountable to fans and media for the performance of the team.

Much of the leadership and culture of a team comes from the coach. Whether it is a captain, or a team of assistants that conveys this message is a moot point. The Canadiens have no obvious leadership choice for this upcoming season, and to force leadership upon a player not equipped to handle the responsibility makes no sense, especially considering they have a close-knit team of players that can take on the role together.

O captain, my captain

Alex Sirois

The Montreal Canadiens have opted to go with four alternate captains this season rather than going the traditional route of appointing one captain.
Following the departure of veteran Brian Gionta to free agency, the Canadiens were left without a captain. Although unorthodox, this is not the first time a team has decided against selecting a captain and in favour of a group of assistant captains. This past season the Columbus Blue Jackets were led by Jared Boll, Jack Johnson, Brandon Dubinsky, and Mark Letestu, and reached the playoffs for the second time in club history. In the 2008-2009 season, the abysmal Toronto Maple Leafs were led by a triumvirate of Francois Beauchemin, Tomas Kaberle, and Mike Komisarek.

In this case, Head Coach Michel Therrien has made a mistake in putting his trust in veterans Andrei Markov and Tomas Plekanec, as well as young stars Max Pacioretty and P.K. Subban. That is not to say that none of these players deserve to lead the Canadians. Although they are all more than capable of leading their team to victory when it comes to the wire, no player on the Canadians deserves to don the ‘C’ more than Andrei Markov.

Injuries have kept Markov off the ice for long periods of time, he missed all but seven games in the 2010-2011 season due to knee injuries. It’s inarguable that it is imperative that a captain stays on the ice as much as possible. This season will be Markov’s 15th season as a Montreal Canadian; a milestone very few have reached in the hallowed franchise’s history. A player of Markov’s stature, with over 800 games and 442 points in his career, has earned his stripes after years of suiting up for the Habs. In addition, he has worn the ‘A’ since the 2009-2010 season. For comparison, this would be like working for a company for 15 years, expecting a promotion, then being forced to share your current role with new employees instead. For the cohesion of the team and out of respect to a player who has given so much yet received so little, Markov should assume captaincy over the Habs this year–there’s a reason he’s known around the locker room as “The General”.

Furthermore, it’s hard to understand the point that the front office was trying to make by selecting four assistant captains. Instead of showing direction, Therrien’s decision comes off as convoluted and misdirected. If you’re grooming P.K. Subban for captainc–and they most likely are–then why not just give it to him now? The former Norris Trophy winner is coming off a stellar season in which he reached the 50-point mark for the first time, and tallied 14 points in 17 postseason outings.

In an interview with CBC Montreal sports anchor, Douglas Gelevan, Subban touched on the topic of having four alternate captains this season, saying: “I always feel like I’m auditioning, even to keep my job”.

On the whole, Therrien’s moves this off-season are puzzling. Lack of respect and lack of direction is what plagues this team at the moment. If the front office cannot show strong leadership then why would its players? The move didn’t work for Ron Wilson’s Leafs a few seasons ago and it won’t work for Therrien’s Canadians now.

VS
on the ice and in the locker room. Once a team begins to rely on one person to provide leadership and motivation, its individual players become more one-dimensional.As a Leafs fan, I remember the era when Mats Sundin was the only source of leadership on the team, with the rest of the team relying on him to point the way. When Sundin was injured several other members on the team took on an increased leadership role, and the Leafs began winning more games without their captain. When a group holds accountability, the pressure on individuals is lessened. Wearing the ‘C’ puts an enormous amount of pressure on a player. The Habs have a very young leadership group of players that have not proven themselves under pressure. Too much pressure too early in a career can ruin a budding prospect. We recently saw Alex Ovechkin crumble under the pressure of captaincy; he is only now getting back into his groove.

Naming a captain is akin to declaring a franchise player, which makes trading away a captain very difficult. This gives rise to a costly inefficiency for many front offices. For example the aging Shane Doan of the Arizona Coyotes is not immensely talented at this stage in his career, but the Coyotes have clearly stated that Doan is the only player they will not trade. The Canadiens, arguably, don’t have any franchise players other than Carey Price, and perhaps P.K. Subban. But, giving the letter to Subban becomes difficult to justify given his young age, selfish play on the ice, and controversial media image. In the future, Subban or even Brendan Gallagher will likely be named captain, but neither is ready for the role and all that it encompasses right now. Easing them into leadership roles is a smart move, especially considering the captain is accountable to fans and media for the performance of the team.

Much of the leadership and culture of a team comes from the coach. Whether it is a captain, or a team of assistants that conveys this message is a moot point. The Canadiens have no obvious leadership choice for this upcoming season, and to force leadership upon a player not equipped to handle the responsibility makes no sense, especially considering they have a close-knit team of players that can take on the role together.

Maple Leafs were led by a triumvirate of Francois Beauchemin, Tomas Kaberle, and Mike Komisarek.In this case, Head Coach Michel Therrien has made a mistake in putting his trust in veterans Andrei Markov and Tomas Plekanec, as well as young stars Max Pacioretty and P.K. Subban. That is not to say that none of these players deserve to lead the Canadians. Although they are all more than capable of leading their team to victory when it comes to the wire, no player on the Canadians deserves to don the ‘C’ more than Andrei Markov.

Injuries have kept Markov off the ice for long periods of time, he missed all but seven games in the 2010-2011 season due to knee injuries. It’s inarguable that it is imperative that a captain stays on the ice as much as possible. This season will be Markov’s 15th season as a Montreal Canadian; a milestone very few have reached in the hallowed franchise’s history. A player of Markov’s stature, with over 800 games and 442 points in his career, has earned his stripes after years of suiting up for the Habs. In addition, he has worn the ‘A’ since the 2009-2010 season. For comparison, this would be like working for a company for 15 years, expecting a promotion, then being forced to share your current role with new employees instead. For the cohesion of the team and out of respect to a player who has given so much yet received so little, Markov should assume captaincy over the Habs this year–there’s a reason he’s known around the locker room as “The General”.

Furthermore, it’s hard to understand the point that the front office was trying to make by selecting four assistant captains. Instead of showing direction, Therrien’s decision comes off as convoluted and misdirected. If you’re grooming P.K. Subban for captainc–and they most likely are–then why not just give it to him now? The former Norris Trophy winner is coming off a stellar season in which he reached the 50-point mark for the first time, and tallied 14 points in 17 postseason outings.

In an interview with CBC Montreal sports anchor, Douglas Gelevan, Subban touched on the topic of having four alternate captains this season, saying: “I always feel like I’m auditioning, even to keep my job”.

On the whole, Therrien’s moves this off-season are puzzling. Lack of respect and lack of direction is what plagues this team at the moment. If the front office cannot show strong leadership then why would its players? The move didn’t work for Ron Wilson’s Leafs a few seasons ago and it won’t work for Therrien’s Canadians now.

Editors’ pick: Nicole. While Markov has earned his place in Canadiens’ history, a true team player does what is best for his team. When a team appoints a single captain, they must have full confidence in the player’s ability to lead the team for years to come. Therrien’s decision took a lot of courage, but with no clear choice for team captain, its a decision that will benefit the Habs in the long run.


car on fire
a, Arts & Entertainment, Music

Album Review: Train – Bulletproof Picasso

San Francisco band Train returns with its seventh studio album, Bulletproof Picasso, which has as much musical evolution from its previous album as the near-identical album covers suggest.

(more…)

a, Arts & Entertainment, Music

Deep Cuts: Covers that one-upped their originals

“I Will Survive”

Artist: Cake

Album: Fashion Nugget (more…)

a, Arts & Entertainment, Music

Album Review: Slash – World on Fire

Legendary guitarist Slash once again teams up with Myles Kennedy and The Conspirators to remind the world that rock ‘n’ roll is still very much alive. The former Guns N’ Roses member’s third solo album is packed with 17 tracks that showcase both Slash’s well-known edgy yet sleek guitar work and Kennedy’s transcendent vocals.

The album wastes no time thrusting fans straight into its aggressive opening title track. A throwback Slash guitar riff starts off the groovy and dynamic verse that Kennedy ignites with his delivery. Undoubtedly the strongest track on the album, “World On Fire” is an immediate reassurance that Slash and his bandmates haven’t lost any of their energy since Slash’s previous album Apocalyptic Love.

The passion Kennedy pours into each song is breathtaking—particularly on the seven-minute ballad “Battleground,” in which he soars beautifully from high, powerful octaves down to gentle, caressing whispers. “Iris Of The Storm” is another album highlight, opening up with an uplifting guitar hook and unfolding into a melodic tune that will creep under your skin and captivate you.

However, the album has its weak points. Like Apocalyptic Love, many of the tracks sound strikingly similar and can get repetitive. Also, while “World On Fire,” “Battleground,” and “Iris Of The Storm” are great songs, they simply cannot compete with the utter brilliance of Apocalyptic Love’s “Anastasia” or “No More Heroes.”

World On Fire may not be quite as phenomenal as its predecessor, but it is still definitely one of the most outstanding rock albums of 2014. Slash and Kennedy’s chemistry is undeniable, and anyone who enjoyed the previous album is sure to appreciate the sequel.

People's Climate March
a, McGill, News

Protesters march at People’s Climate March Montreal

Approximately 5,000 people participated in the Montreal branch of the worldwide People’s Climate March demonstration last Sunday afternoon. (more…)

a, Arts & Entertainment, Music

Album Review: Bahamas – Bahamas is afie

Many of us fell in love with Afie Jurvanen’s  Bahamas project when he released Barchords (2012), an homage to broken-hearted people in Montreal. Now, Jurvanen has renewed our affections with his latest release, which has revamped elements of his usual low-key, under-produced sound.

The album starts with “Waves,” an upbeat song—at least for Bahamas—with all his classic elements: High-pitched guitar strumming, a moving chorus in the background, and Jurvanen’s seemingly not-even-trying, silky folk croon. Bahamas knows how to use a semitone step-up in his melody to break the purposeful simplicity of his lyrics and keep the listener curious as to what’s going to happen next.

Despite his knack for being unpredictable, songs like “Half Mine” and “Nothing to Me Now” are the uniform, hard-to-avoid filler songs in between the creative genius of tracks like “Stronger than That,” “All the Time,” and “Like a Wind.”

Jurvanen laments an unrequited love in “All the Time” using Black Keys-like blues elements like low resonating electric guitar and unique vocal arrangements to make this one of those catchy songs you can rock along to. “Like a Wind” is an epic falling-out-of-love song, with intense bass and percussion to accent the most emotional parts and unique electric guitar riffs interwoven with a lamenting backup chorus.

If you enjoy the musical stylings of singer-songwriters like Jack Johnson and M. Ward, you will probably love this album. While it might not introduce any groundbreaking musical themes, it offers unique songs and seamlessly weaves in popular influences to create a diverse musical experience.

Read the latest issue

Read the latest issue