On Wednesday, July 22nd, Montreal-born jazz pianist Oliver Jones passed away at the age of 91. Jones’ start in jazz performance could be described as that of a late bloomer, yet his brilliance at the piano was evident from a young age. In 1940, he played in public for the[Read More…]
Tag: jazz
You have the best taste in music, as long as it’s yours
I was probably the most obnoxious 12-year-old to exist. I listened to 3WK Undergroundradio and looked down upon my friends whose Liked Songs on Spotify spanned the short distance from Juice WRLD to XXXTENTACION. Instead, I was passionate about jazz piano. I would sooner listen to 10 minutes of pots[Read More…]
The art of figuring it out
In the summer of 1969, a group of musicians walked on stage at the Montreux Jazz Festival in Switzerland with nothing short of a half-formed idea. In a last-minute effort, pianist Les McCann, bassist Leroy Vinnegar, and drummer Donald Dean recruited trumpeter Benny Bailey and saxophonist Eddie Harris to perform[Read More…]
‘Oscar Peterson’: A heart that yearns for liberty
On a warm summer day in August 1925, Oscar Emmanuel Peterson, one of Canada’s most respected jazz artists, was born. Growing up in the working-class, predominantly Black neighbourhood of Little Burgundy in Montreal, Peterson developed his musical skills alongside his four siblings and with the support of his loving parents.[Read More…]
What we liked this winter break
Squid Game Season 2 – Bianca Sugunasiri, Staff Writer Dec. 26 marked the release of director Hwang Dong-hyuk’s highly anticipated Squid Game Season 2. The show revolves around the titular “Squid Game,” which extorts the vulnerabilities of financially struggling Korean citizens by offering a once-in-a-lifetime opportunity to win a fortune.[Read More…]
Hannah Frances’ ‘Keeper of the Shepherd’ is the most sincere record of the year
Softly strummed chords steadily resound beneath layers of swelling vocals, grief-stricken and tenderly sincere. In her song “Husk,” Hannah Frances explores the glacial vulnerability of death, expounding grief as an absent presence and a manifestation of immortalized love. For sorrow cannot exist without the chances taken by love, and death[Read More…]
Wednesday Night Fever in the Quartier Latin
One night this semester, at a bar on St. Denis, I was watching the closing set of Growve, a jam session I regularly attend. Some professional musicians barged in at the last minute, ecstatic and hugging friends they had not seen in a while. They were there to hang out,[Read More…]
For a better future, McGill must learn from Black history
Every February, Black History Month comes around with growing support, yet there is still room for growth on behalf of institutions and individuals. Oftentimes, corporations and institutions appear to care about Black history, while truly not doing much good for anyone. These institutions shape Black History Month increasingly around Black[Read More…]
Evolution and 9 Horses’ ‘Omegah’
The genre-bending music of New York City’s chamber jazz trio 9 Horses proves that just three instruments are capable of creating anything from prog rock to folk music, with sounds both melodic and jarring. At least, it does for composer and mandolin player Joseph Brent, violinist Sara Caswell, and bassist[Read More…]
‘Approximately Close’ evokes the magic of in-person performances
On Nov. 19, Ballets Jazz Montreal dance company performed Approximately Close—Quand le temps n’est presque plus, choreographed by Ermanno Sbezzo. The performance allowed dancers to express themselves safely during a disappointing season. In the midst of the pandemic, online performances have struggled to recreate the magic of set designs, costuming,[Read More…]