Articles by Annabella Lawlor

The Tribune presents: The best/worst of 2025

Best: Music Deadbeat by Tame Impala – Alexandra Lasser Tame Impala’s latest album, Deadbeat, introduces hypnotic beats and bold electronic psychedelia. The album opens with “My Old Ways,” where Kevin Parker, the musician behind Tame Impala, laments his inability to progress and evolve, instead sinking into his old habits and[Read More…]

Decolonizing the Canadian museum

A reassessment of the curatorial practices for Indigenous art In the soft hours of a pristine morn, mountainous clouds greet the crags of Lake Superior’s rocky coast. A stark-white reflection of a young sun floats atop the smooth water currents in the tranquil scene. Reposeful rock mounds puncture the wet[Read More…]

FKA Twigs liberates the body to free the soul

Pounding electric bass. Neon lights strobing across the curvatures of moving muscle, flexing and softening in rhythmic tandem. Delicate and flowering falsetto melodies. Strangers coalescing in states of hedonistic dynamism. Violent snaps of the drum, spurting its vibrational heartbeats across the dancefloor. Choral pleas for unfamiliarity and euphoric authenticity pounding[Read More…]

What we liked this winter break

Squid Game Season 2 – Bianca Sugunasiri, Staff Writer  Dec. 26 marked the release of director Hwang Dong-hyuk’s highly anticipated Squid Game Season 2. The show revolves around the titular “Squid Game,” which extorts the vulnerabilities of financially struggling Korean citizens by offering a once-in-a-lifetime opportunity to win a fortune.[Read More…]

Hannah Frances’ ‘Keeper of the Shepherd’ is the most sincere record of the year

Softly strummed chords steadily resound beneath layers of swelling vocals, grief-stricken and tenderly sincere. In her song “Husk,” Hannah Frances explores the glacial vulnerability of death, expounding grief as an absent presence and a manifestation of immortalized love. For sorrow cannot exist without the chances taken by love, and death[Read More…]

The surrealism of ‘Problemista’ elevates its poignancy

Scored with futuristically unsettling synth melodies and interjecting choral staccatos, narrator and famed arthouse actress Isabella Rosellini relays the complicated and costly process of acquiring a sponsored visa in the United States in Problemista. What begins visually as a cramped, two-room equation expands into a maze-like structure of trapdoors, fluorescent[Read More…]