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POP RHETORIC: The late wars

I’ve never liked Conan O’Brien. I always thought his jokes were mediocre and even though he made me smile on occasion, I thought his humour was more reliant on monkey-esque moves than on actual comedy. However, this past week I’ve been hurting myself laughing as his role as The Tonight Show host seems to be nearing its end. More importantly, like many people, I’ve actually been watching the show, which I sure hadn’t been doing since he took over. In this last week as he’s packing his bags, the ratings have been through the roof.

Why are the crowds suddenly tuning in? Conan didn’t get any funnier just because he may be leaving the show. Celebrity wars have become the modern day equivalents of dog fights. Apart from curiosity, the debacle also brought out unprecedented sympathy for Conan, who is staring up with puppy eyes begging for the vote of the people. As emails, supportive articles, and rallies multiply, you can’t help but think that if half the people that claim “I’m with Coco” had simply watched his show in the first place, he wouldn’t be in desperate need of public approval. If you don’t believe me, just look at how many people’s Facebook profile picture is now a shiny redhead.

It’s time American audiences stopped rooting for the underdog and started appreciating people for their talent – or lack thereof. We can’t feel too sorry for Conan. Rumour has it that he will be walking away with a $45 million settlement and the near guarantee of returning to the air with a new show in September. Perhaps they’ll call it, “Leave this one alone, Jay.”

Leno, on the other side of the ring, is much more like the alpha dog. Who knew that late-night wars, just like the Gulf wars, were bound to repeat themselves every decade? The only difference between this scenario and the Letterman vs. Leno fight is that is that Leno has no sympathy this time around. The issue is not that he lied to Conan, but more that he teased him like a cat plays with its prey. You can’t pass on the torch, realize you’re in the dark and try to steal it back. Viewers have moved on from Leno, and his ratings show it.

Hard times tend to yield good comedy, and this affair has provided virtually all the other late night shows with enough material to end the season. Letterman, happy to distract the public from his affair and probably celebrating the fact he is no longer the biggest jerk on late-night, joked about big-chin Leno’s big attitude. Kimmel insulted Leno so much during an interview that Leno skipped half of his questions. Even The Tonight Show has become more amusing to watch as the guests, rather than promote their own projects, prefer interviewing Conan about his own future – Tarantino even offered to film his revenge movie.

As late night shows begin to mimic soap operas that ran out of plot lines, we should stop provoking them and instead watch the shows with the best writers and guests, not the best catfights.

Arts & Entertainment, Theatre

Players’ Eurydice puts a modern twist on a classic myth

Eurydice, written by Sarah Ruhl and directed by Rachel Paul, modernizes Greek mythology by setting the story of Eurydice in contemporary times. As risky as it sounds, Paul manages to pull it off.

According to Greek mythology, Orpheus (played by Marko Djurdjic) has a great musical gift and is known as the “chief among poets and musicians.” He struggles between his love for music and his love for Eurydice (played by Megan Stewart), a fondness that Eurydice recognizes but ignores. However, unlike in the classical myth, Eurydice is presented from Eurydice’s point of view.

“[It’s] a beautiful exploration of the connection between our experiences of love and loss,” says Paul, whose past McGill directorial experience includes Hair and Miss Julie. “At it’s simplest, Eurydice is about the depth of human connection.”

The audience steps into Players’ Theatre shoeless and is instantly transported into the Underworld. The theatre’s dim lighting and beautiful floor¬ – which took 10 days to paint – create a wonderous effect.

The first scene of the play is reminiscent of the first scene in Grease: two young lovers frolic together, oblivious to the world around them. This opening scene ties the audience emotionally to the two characters on stage – their raw affection is convincing and touching. This connection between actors and audience carries on throughout the entire play.

As the myth goes, Eurydice dies and ends up in the Underworld, an afterlife ruled by a crazy evil little boy (played by Cory Lipman) and inhabited by whimsical stones (played by Amelia May Haskell, Ayla Lefkowitz, and Fiona Penny), who tell Eurydice that love and memories are forbidden among the dead. Despite these rules, Eurydice reunites with her father (Francois Macdonald), and is slowly reminded of the relationship they once had. This father-daughter love is beautifully acted – for instance, when he creates for Eurydice a room out of string, even though rooms are not allowed in the Underworld.

Meanwhile, Orpheus grieves over his lost love. He learns that the only way to reconnect with his lost Eurydice is to retrieve her from the Underworld. He descends into it by playing heartbreaking music, and meets the Lord of the Underworld, who – as in the original myth – tells Orpheus the only way to be reunited with Eurydice is for him to walk away and not look back. Yet in this new version, interesting questions and a deeper understanding of the characters arise from one final twist on the classic ending.

“The play itself is really well-written,” says Paul. “It’s quirky and weird and poignant and poetic. It’s a good play. [Ruhl is] an excellent playwright.”

The most engaging aspect of the play is not the whimsical tone, but the deeper meaning within the characters’ intricate relationships; each character is so interesting that it’s truly hard to take your eyes off of any one actor throughout the play. Additionally, Djurdjic and Stewart have an undeniable chemistry that is only intensified by the script. For example, Orpheus plays a song and asks Eurydice if she will remember it, to which she replies, “I will always remember your melody; it will be imprinted on my heart like wax.” Best of all, there is depth to each character and the actors seem to have imbued their characters with a sense of authenticity.

Despite the apparent simplicity of the play’s themes, the core of the story still revolves around the struggle between life’s purest pleasure and its related hardship: love and loss. Paul does an amazing job capturing these raw emotions in her characters.

Eurydice is an inspiring play that captures the most mysterious yet beautiful parts of life, shown through the imagination and creativity of the extremely talented actors and director.

Eurydice is playing January 27-30 at 8 p.m. at Players’ Theatre. Tickets are $6 for students and seniors, and $8 for adults. For reservations email [email protected].

Behind the Bench, Sports

THIRD MAN IN: Gilbert Arenas’s fall from grace

Overflowing with confidence, talent, and charisma, Gilbert Arenas was the unofficial darling of the NBA just two seasons ago. A cocky sharpshooter who worked hard to make his way to the top of the basketball world, Arenas captivated the league with his flashy smile and graceful style of play. While he was a cold-blooded killer during crunch time, he was a pure comedian off the court, and was one of the first professional athletes to connect directly with fans through his online blog. Whatever nickname he was going by at the time – Agent Zero, Hibachi, Gil – I once loved and respected everything Arenas stood for.

But that’s all in the past. The strange and startling events of December 24, 2009 led to possibly the quickest fall from grace ever for an NBA superstar. Inside sources from the Washington Wizards’ organization leaked information regarding a gambling-related argument Arenas had with teammate Javaris Crittenton. While the details remain unclear, what we do know is that Arenas had been storing guns in the Wizards’ locker room, and used them to threaten Crittenton in the heat of their argument.

Arenas’s behavior was completely unacceptable for anyone, let alone a professional athlete. But what quickly made the matter worse was Arenas’s refusal to take the whole thing seriously. After the initial report of Arenas’s gun-related issues surfaced, he was seen dancing around in the Wizards’ pre-game warm-ups with his hands in the shape of Glock 9s, metaphorically “shooting” his teammates. The morning after pictures of Arenas toting his “handguns” inevitably found their way to the internet, Agent Zero tweeted the following: “I wake up this morning and seen I was the new JOHN WAYNE. LMAO the media is too funny.”

The minimum punishment that Arenas should receive is a suspension for the remainder of the season. But even that would not be strict enough. While the Wizards will attempt to void the rest of Arenas’s contract (four years and $78 million remaining), the NBA players’ union will probably use its extensive power to prevent the team from terminating their relationship with their star point guard. NBA Commissioner David Stern needs to set a precedent and overrule the decision of the union, terminating Arenas’s contract himself. He needs to teach Arenas a lesson – that the price for immaturity and nonchalance towards gun violence costs about $80 million.

It was Arenas’s light-hearted reaction to the issue that really put me over the edge. Gun violence results in thousands upon thousands of deaths every year, and part of the problem is that many of today’s youth think it’s “cool” to own a gun. In the past, I’ve argued that it is important to forgive athletes for many of their errors, because they are human and will make mistakes. But Arenas’s reaction has caused me to lose all respect for him. If he had apologized sincerely immediately after the incident, perhaps I would have forgiven him. But the fact that he showed no remorse and instead made light of a topic as dangerous as gun violence is pathetic.

When Arenas entered the 2001 NBA draft, he expected to be picked somewhere in the first round, ideally by his childhood favorites, the New York Knicks. But come draft night, Arenas watched every team in the NBA pass on him in the first round. Arenas chose to wear the number zero, because he felt that no one believed in him when he entered the league. Fans looked at his uniform number, and recognized it as a sign of motivation. But now, things are a lot less symbolic. Far from being a role model, entertainer, and sports star, Arenas has become the definition of his jersey number: nothing.

Sports

Redmen pick up win at tourney

In the world of sports – where every team seems to think they have a chance at the playoffs and every player parrots the same lines about winning on “Any given Sunday” – the honest and realistic goals of the McGill Redmen volleyball team are refreshing. The players and coaches talk about single games, not tournaments; about learning from mistakes, not about knocking off powerhouse teams like the Dalhousie Tigers; and about competing, not necessarily about winning.

That’s not to say that the team is content with mediocrity, but rather that the Redmen realize that they can’t suddenly go from losing 85-straight conference games in 2002-09 to being a playoff team in just one year. It’s an attitude that allows them to view their 1-2 record in the AUS-QSSF Interlocking Regular Season Tournament they hosted this weekend as somewhat successful.

“Our goals are not to beat teams like Dalhousie and Laval [who are both ranked in the top three in the country], they’re to compete against teams like Sherbrooke and Memorial,” said McGill Head Coach Simon Berleur. “Our main goal this weekend was to get revenge on [the Memorial University Sea-Hawks] who beat us last semester, and to build good habits when we play against a very good team like Dalhousie.”

The Redmen accomplished their goal by opening the tournament with a 3-1 victory over Memorial on Friday night. The McGill back row was dominant, registering 55 digs to the Sea-Hawks’ 18, and providing great first balls for setter Jean-Christophe Campbell, who finished with a game-high 40 assists. Third-year right-side hitter Mark Hodge also had a strong game with 19 kills, to lead the Redmen to their second win of the regular season.

“It was a good win for us,” said libero Jeff Porter. “I think we’re still improving, but we’ve got to compete like we did against Memorial every night.”

The outcome on both Saturday and Sunday was less positive for the Redmen, as the University of New Brunswick Reds and the Dalhousie Tigers dominated McGill in a pair of straight-set victories. Both UNB and Dalhousie physically outmatched the diminutive Redmen, and both teams used their size advantage to dominate McGill at the net – overpowering Redmen blocks and gobbling up overpasses.

“It’s always a little intimidating going up against those teams – I guess you could call most of their players ‘monsters,'” said Porter. “They’re big and talented, and they just wore us down over the course of the games.”

McGill’s height disadvantage – they have only one regular player who is over 6-foot-5 – was exacerbated over the break by the departure of 6-foot-6 power hitter Yannick Pirali. Pirali spent the fall semester on exchange from a university in Belgium and his departure has increased McGill’s troubles on the front row.

“Pirali was a key player for us last semester, and it’s difficult to adapt and try to play the same type of game without the guy who was your best player in the first semester,” said Berleur. “We’ve had to try to find someone to play in his place, but obviously we don’t have another 6-foot-6 guy with his skills on the team.”

Despite his teams struggles in the tournament, Berleur made a point of singling out libero Jeff Porter for his play in all three games. Porter had 37 digs on the weekend – at least a couple of which drew admiring murmurs from players scouting the Redmen from the stands.

“Since the beginning of the season Porter has been a guy who shows up and works hard every game,” said Berleur. “Unfortunately he can’t really be our go-to-guy because he’s a libero but defensively he’s so important to us. I thought he was probably our best player this weekend.”

Porter and the rest of the Redmen (2-10) have a near-impossible task ahead of them, however, as they must win all four of their remaining games if they hope to qualify for the playoffs. They resume conference play with a game against the Montreal Carabins (7-7) on January 29.

Letters to the Editor, Opinion

LETTER TO THE EDITOR: Gaza Remembrance Week

Our history books are filled with stained pages that compel us to criticize our predecessors for their inaction and failure to implement changes, in the hope that we will not repeat our errors and allow for the recurrence of human rights violations. From Apartheid South Africa to the massacres of Rwanda, we have time and again failed to learn from history. The most recent and ongoing tragedy is that of the Palestinian people, subject to the longest occupation in modern history.

Last year, from December 27 until January 18, Israel launched “Operation Cast Lead” a brutal military campaign against the Gaza strip and its 1.5 million people. This followed an 18-month siege on Gaza that left its population in dire conditions. The operation created a dramatic humanitarian crisis, leaving 1,417 Gazans dead, and 400,000 without running water, as well as 4,000 destroyed homes. These actions were condemned by the United Nations, along with many human rights organizations such as Human Rights Watch and Amnesty International. Moreover, Israeli war crimes as well as numerous human rights violations were carefully documented in the Goldstone report, released as part of the UN fact-finding mission in Gaza in October 2009.

One year after the Israeli incursions into Gaza, its population is still subjected to an inhumane siege which restricts essential supplies such as food and health care. This prompted Gazans to rely on tunnel-smuggled goods from neighbouring Egypt, which has just announced its intention to build a wall which stretches underground with hopes of rendering the tunnels useless and in turn cutting off the invaluable lifeline to Gaza.

In the hope that we learn from this ongoing human tragedy, take steps to end the suffering, and prevent future occurrences, Gaza Remembrance Week will be held at McGill this year, from February 1 to 5. Activities will include a week-long exhibition at Redpath library, as well as a February 5 keynote lecture by Dr. Mads Gilbert, a world-renowned Norwegian doctor who was actively involved in emergency medicine in Gaza during the conflict. Dr. Gilbert was one of the few foreign doctors allowed into Gaza and his correspondences were well documented on CNN, ABC, BBC and Al-Jazeera.

I encourage the McGill community to participate in Gaza Remembrance Week as part of a global effort to raise awareness of the plight of the Palestinian people and the ongoing tragedy that has befallen Gazans.

– Jamal DaoudPhD IV Biomedical Engineering

Letters to the Editor, Opinion

LETTER TO THE EDITOR: Oh Ricky you’re so fine

Re: “That evaluation you requested” by Ricky Kreitner (19.01.10)

Yes, Ricky, the world is that simple. Professors are desperately hanging on to the words of students so that they can “cater to [your] petty whims.” There’s no way that they might take some advice – “integrate the lectures more with the readings” or “spend more time on the anatomy section of the course and less on the functional part” – while disregarding that kid who never showed up’s advice to “like, slow way down in lecture.” The people looking at tenure applications surely can’t filter the good from the half-cocked advice either. And Professors should obviously treat us like their subordinates. As you rightly pointed out, this involves not giving a rat’s ass about how they teach the course, whether people get anything out of it, or if the information they offer is close to coherent. Being in charge means never having to listen to your subordinates to get a sense that you’re on the right track. That’s how all the best leaders operate, and if there’s anything academia is screaming out for, it’s to further isolate professors from criticism and the outside world. After all, there are so many other methods by which students can make valid criticisms of their experience here that have the possibility of being heard.

Thanks, Ricky, for your contrariness and authoritarianism. What would we do without people defending the rights of professors to act with complete immunity from criticism? And bless the coherence of your message as well. Students should definitely be angry that they’re not being treated as badly as they deserve because of their unwillingness to submit to academic rigor. Or something like that. Whatever your message was, thank you for it.

– Alex SilverU3 Psychology

Opinion

RIGHT MINDED: Opting out of QPIRG

I refuse to hand over a penny of my money to the Quebec Public Interest Research Group.

The McGill chapter of QPIRG collects a student fee of $3.75 per semester from all McGill undergraduate students. They use those funds to support working groups who advocate for “social and environmental justice.”

Thankfully, however, students can choose to opt-out of the QPIRG fee and receive a refund through Minerva, and a coalition of McGill groups is advocating that we do just that. This coalition includes Free the Children McGill, PLQ McGill (an arm of the Liberal Party), and Conservative McGill (full disclosure: I am a member of Conservative McGill), among others. It’s a testament to QPIRG’s radical politics that two of McGill’s major political societies are so strongly opposed to it.

I decided to lend my voice to the opt-out movement after taking a glance at some of the working groups approved by QPIRG’s Board of Directors. Some questionable organizations receive student funding.

The organization Tadamon! is a “Montreal-based collective which works in solidarity with struggles for self-determination, equality, and justice in the ‘Middle East'” and is a working group of QPIRG. They explicitly ally themselves with organizations that are “anti-capitalist” and oppose the use of the term “terrorism,” which they say marginalizes “targeted communities in Canada and engenders a climate of fear.” They oppose the “Apartheid” policies of Israel, comparing the conflict between the Palestinians and Israel to South African Apartheid, a parallel that is inappropriate at best. QPIRG itself is one of the sponsors of Israeli Apartheid Week, featuring events “educating” the public on Israel’s “apartheid system” and advocating for the “boycott, divestment, and sanctions” strategy of direct action against the Israeli nation.

Chaotic Insurrection Ensemble is an anarchist drumming group. They organize on anarchist principles, they support an anarchist philosophy, and QPIRG gives them your money to do it. I have no fondness for the politics of anarchy, or its supporters; I am proud to say I support a limited political authority, and I don’t want to fund a group that says such authority shouldn’t exist.

QPIRG also sponsors the Coalition Justice for Adil Charkaoui. The aspect of this organization that disturbs me most is the first of their goals: they demand the “immediate release” of all five Canadian security certificate detainees, a group that includes an alleged agent for the Vanguards of Conquest (a radical wing of Islamic Jihad), an alleged senior Al Qaeda operative, and two suspected members of the Bin Laden Network.

QPIRG claims to use student money to work towards “environmental and social justice,” but in practice they support a number of angry fringe organizations. They themselves were the publishers of “School Schmool” – the activist handbook that detailed easy ways to vandalize advertisements and happily celebrated the invention of the pipe bomb.

Controversial groups like Tadamon! should go directly to McGill students to raise funds. They could hold a bakesale, ask for donations, or submit a referendum question asking for student funds. As it is now, I have a problem with letting QPIRG use student fees to fund groups whose radical politics would make many students cringe.

Let me be clear: I have absolutely no opposition to people expressing their opinions and goals. Many of QPIRG’s working groups have admirable goals. Groups like Greening McGill and the Global AIDS Coalition are extremely worthy of student funding. But unfortunately, QPIRG also lets a small number of misguided lobby organizations dip into our pockets indirectly.

I don’t want my money to go to organizations that I disagree with. That’s why I opted out.

If an Anarchist drumming group approached you on the street and asked for your money, would you give it to them? If not, then you should opt-out of QPIRG until they stop supporting such unworthy groups. If the only way a group can get funding is through the backdoor of QPIRG, then they don’t deserve it in the first place.

Opinion

FRESH HELL: I still hate the situation

I love Jersey Shore as much as the next well-educated Midwesterner – and with as much guilt. I also get a thrill seeing people get thinner on The Biggest Loser, and cackle with delight at every shot of Mary Murphy’s super-Botoxed facehole on So You Think You Can Dance. I can’t help myself. Despite the obvious reasons why reality TV is cheapening our lives and corrupting our youth, I really like it. Chances are you do too, so don’t get all self-righteous on me.

In fact there are a few benefits to liking reality TV. It helps me bond with people I otherwise have nothing in common with; it makes me aware of the humanity of the idiotic; and it helps me consider ideas of morality. What episode of House can do all that?

First and foremost, reality TV helps with the complicated business of making new friends. Most people first changed social groups after elementary school when we were first becoming aware of the strangeness of our family lives or reading the What’s Happening to My Body? book with a flashlight in our closets. We were insecure, and so, naturally, we talked about the flaws of others to make up for it. Gossip was the glue that masked our insecurities and held our new friendships together, and although we’ve figured out divorce and body hair, there is still an element of grade-eight gossip in university life. Shared stories are shared experiences, and if you’re just meeting someone, the lives of reality TV stars are go-to gossip topics without the risk of betraying those close to you. Scripted shows aren’t as easy to bond over because the uniformly beautiful cast members with extensive medical knowledge are too obviously fake. At a fundamental level, reality TV features real people making real decisions (no matter how artificial it may seem after post-production). A discussion about reality TV can ignore the issues of education and class. It’s readily accessible to anyone with an Internet connection, and no post-secondary education is needed to rag on Heidi Montag’s new face. If the conversation builds into a discussion of the patriarchy’s control over women’s bodies, then that’s great. If not, there’s still a sense of community fostered by mutual knowledge.

Reality TV also helps me be slightly more understanding of some of the idiots I come into contact with. I have a habit of being incredibly uncharitable in my character assessments. When describing people – even those who I like – I often tend toward the brutally accurate details, instead of toward the sympathetic version of the truth. However, I’ve found that I’m much more likely to recant my indictment of personality for a TV star than for a real person, simply because I know more about the things that made them who they are. I don’t want to sit through a four-hour monologue about an enemy’s childhood, sexual history, and genealogy to understand why they irritate me. MTV knows this. So they give me small slices of Snooki’s life to help me understand why she has such a vapid, grating personality. It doesn’t mean I grow to like her, but it helps me stop dehumanizing her, and sometimes the other people in my life as well.

Watching reality TV “stars,” especially those whose lives are diametrically opposed to mine (My Super Sweet Sixteen, anyone?) also helps me form my own set of social norms. Because I don’t practice any religion, aside from the vague Christianity of “secular” North America, I’ve cobbled together my views on personal decorum from the media, my mother, and Ayn Rand. Given its genesis, there are obviously holes in my guidelines and reality TV helps me find them. By putting “normal” people in real life situations, reality TV helps me figure out who I would ally with to stay alive on a desert island, whether an apprenticeship in New York City seems fun, and whether T-back binikis are acceptable beach wear (no, unless you’re on Elimidate). Deciding that I never want to be eligible to appear on Half-Ton Mom nor Toddlers & Tiaras is a big help in terms of life planning.

Obviously, reality TV is stupid, manipulative, and probably a sign of the Apocalypse, but at the same time, it’s doing me some good, so I’d rather rally behind it than burn Jeff Probst at the stake.

News

A rich tradition: experts speak in 14th annual McGill Pain Day

Over 150 pain researchers and specialists participated in the 14th annual McGill Pain Day on Thursday, which was organized by McGill’s Alan Edwards Centre for Research on Pain and the Department of Anaesthesia. Held in the New Residence ballroom, the day-long event brought together students and researchers to discuss our understanding of, as well as the treatment and curing of pain.

The Edwards Centre, the largest pain research centre in the world, is composed of 39 researchers from the Faculties of Medicine, Dentistry, and Science in a community that promotes research for treatment and cures of chronic pain. In August, the centre will play host to the 13th World Congress on Pain.

“There are so many different laboratories studying pain on campus and in different departments,” said Dr. Cathy Bushnell, a former director of the Edwards Centre who attended the event. “Every presenter here can finally get to know each other and share their research.”

The keynote address was delivered by Dr. Rami Burstein, a Harvard University professor of anaesthesia and critical care specialist at Beth Israel Deaconess Medical Centre at Harvard. Burstein’s research on migraine pain and light exposure made headlines internationally earlier this month.

In his lecture titled “How Does Light Exacerbate Migraine Headache in the Blind?” Burstein explained how his research discoveries may provide an explanation for why light can worsen migraine headaches. Burstein’s team of researchers began with a study of blind subjects who suffered from migraines and found that, for those classified as legally blind, exposure to light worsened migraine headaches. His tests on blind subjects and then on rats revealed the existence of a light pathway that would explain how, for even the legally blind, pain receptors activated during migraines could be worsened by exposure to light.

“We are putting together a new pathway,” Burstein said.

The discovery of the pathway has opened a dialogue on the treatment of photophobia, a condition characterized by oversensitivity to light. For Burstein, and for participants and attendees alike, pain has been emphasized as an important field of scientific study, and ultimately as the starting point for finding treatment.

“Pain is a brain function, and it is as subjective as any other brain function: love, hate, emotions, or feelings,” said Dr. Fernando Cervero, Director of the Edwards Centre. “There are important cultural, social, and religious influences with pain, but what we know is that it is an unpleasant thing we want to get rid of. We need to know more about the brain and its sensations, and translate what we find in the lab to the patient. Ultimately we want to develop new pain treatments. Some are still very old, like morphine, and we need something with fewer side effects.”

Earlier in the day, event organizers facilitated a workshop for trainees, titled “Clinical and Therapeutic Implications of Peripheral and Central Sensitization during Migraine,” followed immediately by a poster session. The poster session enabled 39 teams of trainee researchers to present their findings to colleagues and experts in their fields.

The Pain Day theme brought together different faculties in scientific research to explore pain in multiple and diverse ways, ranging from the connection between pain perception and long-term yoga practice to the study of anxiety caused by chronic inflammatory pain to the implementation of an acute pain service for the Montreal Heart Institute.

As the session drew to a close, prizes were awarded by the Quebec Pain Research Network and judged by Burstein for notable posters in clinical research and basic science research. A researcher from the University of Sherbrooke received the award for best clinical research in his study of a rare neuropathic facial pain disorder. In the basic science category, two McGill research teams received an award for their studies on lower back pain and on spinal cord inflammation.

“Pain is really fascinating,” said Melissa Farmer, a post-doctoral candidate in clinical psychology at McGill who attended the event. “By definition, pain can be understood from constantly working with how the external body correlates with human experience. It becomes enhanced by our senses in ways that can’t be compared by our other sensations.”

Opinion

MY POINT … AND I DO HAVE ONE: A disingenuous debate

The American health care “debate” has been doomed from the beginning.

Rooting their campaign in blatant lies, the American Right came out swinging the moment the massive profits of certain special interests – namely the Medical Insurance/Pharmaceutical Industrial Complex – were put into question. These profiteers have for years been spending more on lobbying and bribing in Washington than even the oil and war industries. These select few who profit at the expense of millions have poured millions of dollars into spreading their lies and have successfully duped a large portion of the American public into believing that their best interests lie with those who have been profiting off of illness and poor healthcare for decades. Otherwise rational people have come to believe that providing healthcare for the millions of working Americans who cannot afford to buy in to the for-profit system will bankrupt the country, lead to government bureaucrats choosing life or death for every last patient, and be the harbinger of modern-day Bolshevism. These arguments come from on high (members of government), from below (right-wing protest groups), and even from those designated to moderate debate in our society (the media).

Of course, there is a debate to be had. The choice to provide health care or allow people to die and suffer en masse is a political one – although it seems like a rather obvious choice to most people. Nonetheless, if one is truly convinced that unnecessary death and suffering is preferable to empowering the state to restrict the profits of private insurance companies, let them say so. But please, let’s be upfront – such a position is not about stopping Islamo-Kenyan-Canadian-Communist-conspiracies, it is about prioritizing greed over human need.

On our campus a similar “debate” filled with half-truths and blatant falsehoods has been raging thanks to the “Opt-out of QPIRG” campaign. (Full disclosure: I am a member of the QPIRG Board of Directors.)

Based on the principles of democracy and consensus, the founders of the McGill chapter of the Quebec Public Interest Research Group wanted to make sure that no student who disagreed with QPIRG’s mandate of social and environmental justice should be forced to pay for its activities. To facilitate this mode of conscientious objection they created the opt-out mechanism – a procedure that allows students to obtain a refund of the $3.75 per semester student fee that they pay to QPIRG – that has subsequently been copied by many other student groups at McGill.

Today that good-faith decision by QPIRG has come back to bite it – and all of us students who care even minimally about the world around us – in the ass thanks to a campaign of misinformation and lies. Students are currently bombarded – on Facebook, via flyers in the library and in residence rooms, and on the email lists of otherwise respectable organizations – with blatant lies: QPIRG-McGill is all about radicalism, pursues an extremist agenda, and does not represent the majority of students on campus. This campaign began on high, with the administration’s questionably legal decision to take the opt-out system out of the hands of those who designed it – QPIRG – and place it under their control on Minerva. It has been pushed from below by a small group of students on the far right of campus opinion masquerading as “moderates.” And it has been reinforced by sensationalist commentary that is rooted in blatant falsehoods.

Of course, as with America health care, there is a debate to be had about the values of QPIRG. If you think that the McGill Global AIDS Coalition, Campus Crops, Greening McGill and KANATA (the Journal of Indigenous Studies at McGill) are truly representative of a fringe, radical agenda that disturbs you to the core, you should not be paying for them. However, most classmates that I’ve spoken to who have opted-out did not know that these and similar groups are the recipients of the majority of QPIRG’s resources and time. Instead, these classmates were duped by McGill’s far right into believing that the majority of QPIRG’s time is devoted to smashing bank windows, making Jewish students (like myself) feel unsafe on campus, and generally bringing about a new Russian Revolution. Rush Limbaugh and Bill O’Reilly would be proud.

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