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Science & Technology

Rogers Place and the overlooked costs of urban development projects

by Malika Logossou on

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The creation of public sports infrastructure often sparks excitement, as many view these projects as symbols of progress and cultural pride. Yet few consider how such developments impact marginalized populations, notably Indigenous communities. A study in the International Journal of Urban and Regional Research examining Rogers Place—Edmonton’s $613.7 million CAD publicly financed hockey arena—challenges the belief that sport-related urban development projects offer community-wide benefits.

Before opening in 2016 on Treaty 6 territory, the site was home to a significant Indigenous urban street community and several non-profit social service agencies. Following the arena’s creation, residents were evicted as subsidized apartment complexes and community hubs were replaced with upmarket housing. Thus, between 2016 and 2018, Jordan Koch—associate professor in McGill’s Department of Kinesiology and Physical Education—worked alongside researchers Jay Scherer and Rylan Kafara from the University of Alberta to conduct community-based research documenting the arena’s impact on Indigenous and unhoused residents.

Koch told The Tribune in an interview that the project began after he and his colleagues witnessed residents being displaced and losing access to local social services, including the harm reduction facility known as The Hub. 

“The three of us had this longstanding relationship in this community, and we just witnessed firsthand what was happening,” he said. “This sort of thriving community being displaced, […] often aggressively, violently, and we were kind of at a loss for what to do, so we started doing what researchers do, research it […], [and] trumpet stories that we thought were underrepresented.”

The researchers interviewed 34 city centre residents, 20 frontline staff at The Hub, and 8 managers from several non-profit agencies. They also spoke with 30 city centre residents via Homeless Connect events and unhoused individuals at three facilities outside the urban core, and conducted ethnographic observations during 40 National Hockey League (NHL) game nights.

Throughout their interviews, the researchers identified three recurring themes. The first is that the increase of racialized policing and carceral redlining—systemic social control through discriminatory policing and incarceration practices specifically targeting racialized communities—increased stress and anxiety among participants. Police and private security increased surveillance, issued fines, and used other aggressive policing measures to displace Indigenous and unhoused residents to create a “comfortable” environment for hockey fans on event nights. 

Koch recalls witnessing this directly during his ethnographic observations.

“An hour before the game, […] police were sort of clearing the corridors [and] that would lead the traffic to and from the arena. [There was] this physical cleansing of the space to kind of make it a more enjoyable experience for the fans.”

Koch also shared that a South Edmonton police officer explained to him how individuals displaced from downtown relocated south. However, limited services forced police to return them downtown and then bring them back to the south on game nights, adding to this nauseating feeling of continuous displacement.

The second common theme among residents was anger and sadness over the loss of safe community spaces. Developers destroyed dead zones in the city, such as parking lots, which often served as shared homeplaces. 

The last theme the study found was that city centre residents desired to remain on Indigenous land and retain access to The Hub, viewing it as a sacred space amid ongoing colonial violence against Indigenous Peoples.

“The community has been widely displaced. Yet there was still this hope and sense of home that I thought was really important. So that, to me, was what was kind of the most surprising,” Koch said. “People’s connectedness to that space, to that land, and to each other.”

The study notes that in 2021, the Katz Group purchased The Hub, and the Edmonton Oilers Community Foundation allocated $10 million CAD to relocate it two blocks away from Rogers Place. On Sept. 30, 2023, The Hub closed, and at least 120 city centre residents have since died amid ongoing housing and drug crises.

Ultimately, this study shows that sport-driven development often fails to provide community-wide benefits and instead reflects settler colonialism in its displacement of racialized communities for the benefit of urban elites. Indigenous resilience and connection to land emphasize that urban spaces are home to many communities, which is why ethical and inclusive planning is vital when constructing sport arenas in Edmonton, Montreal, and beyond.

Art, Arts & Entertainment, Books, Film and TV

A love letter from art to autumn 

by Bianca Sugunasiri on

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Dearest autumn,

You’ve arrived once again, although you’ve made me wait an awfully long time this year. You seem content to torture me with thirty-degree weather in October. But the leaves have finally turned a crisp ochre, and with this comes the breaths of cozy inspiration. All around, artists and audiences alike snuggle up with their blankets to descend into the crackling fireplace of imagination and creativity. 

A classic fall pastime for coffee lovers involves sipping from warm mugs while rewatching their favourite 2000s sitcoms. The familiar bond between those in their twenties and their 40-minute episode, seven-season TV show is unmistakable. Gilmore Girls is my personal favourite, combining slice-of-life realness with a tinge of whimsy and the wittiest dialogue. Lorelai Gilmore (Lauren Graham) is a sparkling character who epitomizes fall vibes. Watching Rory Gilmore (Alexis Bledel) consistently make poor decisions throughout her early life crisis makes me want to rip out my hair—or hers. But there’s a certain comfort in knowing that no matter how off-kilter my day is going, Rory’s is going worse. This frustration and endearment alongside a steaming teacup is quintessentially autumn.

You, autumn, encourage everyone to slow down. Books are suddenly magical again, and a windy bite at one’s nose incites a desire to hide under the covers with a silly little fantasy novel. My personal recommendation this season is Rebecca Ross’s Divine Rivals. It is not often that I find a story with a plot that feels entirely new, but Ross achieves this, weaving together a perplexing and animated world that I couldn’t escape from. She charts the story of two young journalists competing for the role of columnist. Both share a fiery determination and darkened pasts, kept close and secret. As war rages on, the question emerges: What should we really be commenting on? Connected through magic typewriters, the two form an unlikely bond under precious aliases, becoming each others’ dearest confidants. Ross creates a whirl of warm love, sweet misgivings, and moral conundrum all in one. It’s perfectly paired with the pumpkin spice treat of choice, and the soft patter of rain. 

Autumn, despite the wonderful inspiration you are for writers, artists, creators, in addition to the atmosphere you create for art-lovers to immerse themselves in their passions, you are art in and of yourself. Stepping outside on an autumn day holds nearly inexplicable magic, but I shall do my best. It is a sensory exhibit of wonder: The crunch of bright leaves under my soles, the symphony of rustling above me, the slightly sweet, nutty smell in the air. It is art created by no one at all, but shared by everyone. Every leaf is a painting that changes from moment to moment: Sage, to copper, to bursts of sunset and teddy brown. Innocent kids, barely two feet tall, collect them, press them into books; they notice the art, even if growing up will make them forget. The clouds dance with the sun in autumn, light rays slanting through the cottony fluff and painting the world in vivid colours. 

Spring and summer may always hold the popular vote. But I will always love the slight inconvenience of a chill seeping through the knit of sweaters, of the wind tousling perfectly placed hair. There is dramatic art in the playful flair of autumn. Autumn flirts with everyone, like they’re the audience of an interactive play. You demand their attention, grasping them out of whatever self-centred haze they may be trapped in. We become a shared audience for autumn, united in the common experience of red-tipped ears and runny noses. 

Art and autumn go hand in hand. These months will pass by so quickly with the blur of midterms and travels home. But for a moment, even just a breath, try to find a piece of art this fall, in the blur of your train ride window or the stray leaf dancing across your textbook. 

Take a moment and notice it. We’ve worked very hard. 

Love, 
Art

Student Life

Act like a man, perform like a male

by Jamie Xie on

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“History repeats itself, first as tragedy, then as farce.” Thus wrote Marx in The Eighteenth Brumaire of Louis Bonaparte. Aligning itself with a long legacy of alternative male archetypes, the performative male exists in conversation with the Metrosexual, Soyboy, Nice GuyTM and Male Manipulator—each a cultural attempt to grapple with what it means to be a man in an era of progressive politics, where prized self-awareness is rewarded as social capital. 


What makes the performative male distinctive as a phenomenon is its self-conscious, nonthreatening nature. Originating in feminist criticism of men who appropriate aesthetics of political sensitivity for women’s validation, the label has since been embraced, blurred and reinterpreted as a kind of satire—part parody, part reclamation, culminating in a cultural onslaught of competitions to see who can most embody the archetype.

This spirit materialized on Sept. 26, when Sam Rudin, U2 Arts, in collaboration with Spotted McGill, hosted McGill’s first Performative Male Contest on campus, just hours after the university’s annual Lettuce Club competition. Among the wilted green remains of the Lower Field, competitors advanced through rounds of runway, dance-offs, and mock interview questions in a bracket format by ‘cheer-meter’—scaled to the music of audience uproar and applause. 

Recounting the organizational process, Rudin admits that he hadn’t initially planned to organize anything at all. He initially floated the idea of a performative male competition in a Spotted McGill confession—more of a suggestion than an intention, but when it garnered traction online, it became clear that what started out as a passing joke among his friends had become a serendipitous call to action. “At some point, I realized if I don’t do it, no one will,” he said in an interview with The Tribune

For Rudin, the competition was not so much a matter of political statement as it was an inclusive community-bonding exercise. When asked about the role of gender in this phenomenon, he told The Tribune, “Someone commented on the post asking if girls were allowed to perform and another person replied, ‘performative male is a mindset.’ Anyone can be a performative male.” 

Runner-up Anthanasios Wees, U1 Arts, echoed this sentiment, emphasizing in an interview with The Tribune that “gender and sexuality have no place as a discriminatory feature.” Wees highlighted that it’s the intent that defines a performative man, not the semantics of how ‘he’ acts. 

“It’s about the intention of illusion, pretending to be a safe space for women to gain an advantage in social circles opens you up to rightful criticism […] that’s when you start entering the world of being a performative male.”

Shahzaib Sultan, local social media influencer, winner of the Montreal performative male contest,  and self-identifying performative male, believes the city’s cultural landscape is particularly conducive to self expression. Between the fashion-forward Plateau, and Mile End’s melting pot of subcultures, Montreal naturally fosters performative expression where the line between personal style and deliberate performance often blends sincerity with self-aware Gen-Z irony. 

Though ultimately victorious, Sultan found himself at odds with the contest’s expectations, and at times, considered quitting. “Being queer in the contest, I questioned my place in that too,” he said. Navigating a space where crowds caricaturize the forms of self-expression he feels natural in, Sultan noted the environment’s inherent hostility in an interview with The Tribune: “It’s not authentic—straight men have appropriated queer culture in many ways and this is just one of them. We applaud men for being performative.” 

Despite the underlying tension, Sultan embraced the experience, choosing to reclaim the space on his own terms. The contest, built on exaggerated heteronormative clowning, prompted him to consider how his identity fit within the broader digital landscape. Getting ready for the contest felt ordinary—another familiar morning routine. In an ironic twist, it was perhaps the most genuine participant who triumphed in a contest defined by performative masculinity, revealing heart beneath a seemingly cynical spectacle.  

“I think the performative male trend has done a lot of good. People base their identity in significantly more ridiculous things than being a performative man. Good for them, it’s hard to figure out what we are,” said Wees. 

Behind the Bench, Martlets, Soccer, Sports

Tides and Roses split points as former Martlets reunite in NSL showdown

by Ivanna Zhang on

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The Halifax Tides FC played the Montreal Roses FC in a crucial Northern Super League (NSL) match on Oct. 2, which ended in a 2-2 draw. The game was the final matchup this season between three McGill Martlets Soccer alumni: Sophie Guilmette (MA ‘25), Mara Bouchard (BA ‘24), and Stéphanie Hill (BSc ‘23, MSc ‘24).

Guilmette signed with the Tides in March 2025 and plays goalkeeper for the team. In an interview with The Tribune, she expressed her excitement about playing against her former teammates.

“It’s just joy, honestly. Mara and Steph are [some] of my closest friends,” she said. “And at the end of the day, win or lose, those are my people.”

Founded in April 2025, the NSL is Canada’s first professional women’s soccer league. Its season spans eight months, starting in February and ending in October, and features six clubs: Calgary Wild FC, the Halifax Tides FC, AFC Toronto, the Montreal Roses FC, Ottawa Rapid FC, and Vancouver Rise FC. Over the course of the regular season, each team plays a total of 25 matches, facing every opponent five times.

Bouchard, who is a midfielder for the Roses, explained the uncertainty that comes with playing in a new league in an interview with The Tribune.

“I guess the first thought is, I don’t know what to expect,” she said. “Everyone is just jumping in the league where no one has any idea of how [it’s] gonna turn out.”

Guilmette discussed how part of the NSL’s importance lies in its novelty.

“Up until this year, it was not possible to play [professional women’s soccer] in Canada,” she emphasized. “I’m super privileged to be able to do that at home in front of my family and friends [now].”

Although still in its early stages, the league has already drawn significant attention from Canadian fans, attracting over 14,000 spectators to its opening matches in Vancouver and Toronto. The NSL has also secured multiple broadcasting agreements with major streaming platforms, including CBC, TSN, and the francophone Réseau des sports.

The Tides-Roses match came just two weeks before the NSL playoffs, for which the top four seeds have already been determined. Still, it was an important match, as the Roses aimed to surpass the Rapid to become the second playoff seed, while the Tides looked to end their winless streak dating back to July 12.

“We already qualified for playoffs, so for us, [we treated] this match like a playoff game,” Bouchard explained. “We’ve always had a tough time playing against Halifax this season.”

Despite numerous scoring attempts from both sides in the opening half, a breakthrough did not come until the 36th minute, when Tides midfielder Saorla Miller capitalized on a free kick. Montreal responded in the 68th, with Lorie Thibault threading a pass to fellow midfielder Charlotte Bilbault, who chipped the ball past Tides goalkeeper Anika Tóth to bring the Roses level. 

Just two minutes later, Miller restored Halifax’s lead, scoring her second goal. But the advantage was short-lived—only four minutes later, Montreal’s Chaerim Kang tipped the ball past Tóth to secure a draw.

Hill, one of the Roses’ starting defenders, sat down with The Tribune to reflect on the team’s performance.

“We were having a hard time scoring and keeping the momentum,” she said. “We were perhaps making them look quite good at some moments, and that’s on us to step it up.”

For Hill, the intensity of the game highlighted the changes between playing professionally and collegiate competition. While both seasons end in late October, McGill’s preseason starts in early August, whereas the NSL preseason begins in February, extending players’ calendars significantly.

“It’s just so different,” she explained. “I’m getting paid to do this. It’s my full-time job. We train every day from 10:00 a.m. to 2:00 or 3:00 p.m. With McGill, academics always came first. So it was school all day, and then practice [at] 6:00 p.m. or 8:00 p.m.”

Despite these challenges and adjustments, all three former Martlets spoke with gratitude about their journey to the NSL.

“I want to remove the negative connotation that comes with the word ‘challenge’ because I think it’s something that’s to be embraced,” Hill said. “Work hard, and let’s see what kind of magic can happen.”

Montreal, News

Jean-François Roberge bans gender-neutral pronouns in all official Quebec communications

by Amelia H. Clark on

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On Sept. 24, Quebec’s French Language Minister Jean-François Roberge introduced a bill banning the use of gender neutral pronouns such as ‘iel,’ ‘celleux,’ and ‘Mx.’ in all official communications from the Quebec government. Roberge plans on extending the bill to public education in the province, ranging from kindergarten to post-secondary institutions. It further applies to both patients and employees in the province’s healthcare system. 

Roberge states that the pronoun ban is necessary to protect the clarity of the French language. He claims neologisms, or newly coined words, such as ‘froeur’ cannot be conjugated properly due to the pre-existing language structure in French, causing confusion. The bill only applies to written documents, meaning a teacher can be referred to as ‘Mx.’ by students during class, but cannot be identified as such on the record. 

Although Roberge claims that the bill is not intended to alienate gender expansive communities who use the now-banned pronouns, some queer advocacy groups at McGill have expressed concerns that the ban will reduce 2SLGBTQIA+ access to government institutions and resources, while also harming the public perception of transgender and genderfluid individuals. 

The Trans Patient Union (TPU) at McGill wrote to The Tribune that this bill creates further blocks to accessing gender-affirming care in Quebec, and stated that many doctors continuously misgender patients, despite corrections from the patient or an ‘X’ marker written on their file. 

The TPU also wrote that the inclusion of neologisms in French would actually incentivize more people to communicate in the language, as gender expansive people would know that French recognizes their identity. 

“It is at times the case that bilingual nonbinary people will avoid speaking French specifically because of how challenging it can be to speak French while being correctly gendered,” the TPU wrote. “Changes which aim to make the language better include trans and nonbinary francophones can only help encourage its use.” 

A representative of The Union for Gender Empowerment (UGE) at McGill noted in an interview with The Tribune that Roberge’s decision to ban the use of gender-neutral pronouns in official communications was confusing, considering that there are no previous laws mandating the inclusion of these pronouns in government announcements. 

“The fact that this [bill] covers the government and municipalities kind of strikes me as banning a problem that doesn’t exist,” the UGE representative said. “When it comes to widening this legislation to other publicly-funded institutions, my first thought is that this undermines the autonomy of different publicly-funded institutions to decide how they want to structure and address some of their publications.”

The bill also mandates that official communications must be written in the masculine form, going against the government’s past inclusion of also the feminine form within brackets in government documentation. 

“The greatest effect of this decree will be to re-emphasize this type of convention as more expedient, and consistently remove the presence of women, which are, frankly, the majority of the population in Quebec, from references to the population as a whole, whether as workers, as citizens, or as patients,” the UGE representative said.

McGill’s Media Relations Office (MRO) stated in a written response to The Tribune that McGill plans on continuing to denounce the systematic use of the masculine pronoun, and continuing to avoid using gendered language in its announcements.

“You will see that our style guide already favours inclusivity in writing [and] that we don’t normally use the terminology targeted by the government,” the MRO wrote.

The UGE representative further questioned the purpose of the government language ban, noting that no empirical research was conducted prior to its proposal supporting its alleged benefits.

“When it comes to clarity in terms of graphic conventions, I would love to see data on the science of reading that tells me that using a parenthesis is clearer and easier to read for, say, people with dyslexia or learners of the French language,” the UGE representative said. “I don’t think it exists right now. This is merely a question of tradition, not clarity.” 

Arts & Entertainment, Film and TV

‘One Battle After Another’ and the never-ending need for resistance

by Loriane Chagnon on

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Holding on tightly to its place at the top of the box office since its release on Sept. 26, Paul Thomas Anderson’s new action thriller One Battle After Another continues to captivate and delight viewers. With it, Anderson maintains his standing as one of cinema’s best and brightest filmmakers. Inspired by Thomas Pynchon’s 1990 novel Vineland, he transforms the story through wide shots of winding midwestern roads, action-packed scenes, and a haunting score composed by Radiohead guitarist Jonny Greenwood. It features career-topping performances from Leonardo DiCaprio and Benicio del Toro, and breakout performances by Teyana Taylor and newcomer Chase Infiniti. 

One Battle After Another entraps the viewer right from the start. It opens with the rescue mission of detained immigrants conducted by the far-left revolutionary group, the French 75, whose members include ‘Ghetto’ Pat Calhoun (DiCaprio) and Perfidia Beverly Hills (Taylor). After an encounter with commanding officer Steven J. Lockjaw, (Sean Penn), whose performance is as wickedly haunting as Hans Landa’s (Christopher Waltz) in Inglorious Basterds, Perfidia and Pat’s daughter is born. Perfidia then enters witness protection, leaving her family behind. Forced into hiding, Pat and his newborn daughter—now assuming the identity of Bob and Willa Ferguson—abandon their revolutionary ways in favour of a simple life in exile.

16 years later, Lockjaw resurfaces to hunt Willa down. To protect herself, she runs away, forcing Bob to rejoin the revolution. Anderson depicts the struggles of a father and retired revolutionary with both humour and purpose, as he switches between Bob’s failed attempts to rescue his daughter and Willa’s determination to carry on the fight her parents abandoned to save her life.

By shooting in VistaVision—a high-resolution widescreen process created in the 1950s—Anderson gives his film a timeless feel, while designing the most enjoyable viewing experience for the big screen. He masterfully captures his characters’ undying determination to make the world a better place, and to escape those who threaten to end these aspirations for their own gain. 

One Battle After Another does not shy away from topics such as postpartum depression, intergenerational trauma, and the never-ending need for resistance, depicted through the father-daughter relationship of Bob and Willa, who both love and despise each other, as parents and adolescents often do.

With a run-time of 162 minutes, the film succeeds in retaining its viewers’ attention, never losing focus on the desire of Bob and Willa to reunite. Penn’s physical acting encapsulates the haunting absurdity of Lockjaw, who is portrayed as both a frightening antagonist and an irrational, law-bending, manic character. His caricatured walk, flexing of muscles, and growling mouth make for a character that is both sinister and ridiculous. Anderson is unafraid to denounce the cognitive dissonance that arises when faced with an authority that works, not for the good of the people, but for its own selfish desires. 

Strong acting, meticulous cinematography, warm colour grading, and the exploration of family, resistance, and revolution make One Battle After Another a movie that leaves no one indifferent. Anderson is at his best, as he reminds viewers that movies are meant to be digested and reflected on rather than consumed rapidly and in greater numbers. One Battle After Another will make you gasp, dance, scream, hope, and most importantly, think. 

Campus Spotlight, Student Life

At Queer McGill, trans and nonbinary community-building is stronger than ever

by Gregor McCall on

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On the chilly night of Oct. 8, students, activists, organizers, and vendors gathered on the fourth floor of the University Centre in celebration of Queer History Month. Queer McGill’s Market and Panel Discussion featured a variety of organizations and speakers focused on issues surrounding transgender and nonbinary communities. 

The heart of the conversation highlighted the importance of creating spaces where trans, nonbinary, and gender-nonconforming individuals not only feel accepted but also see their identities reflected in queer-centric spaces. Even within queer organizations and communities, as the panellists discussed, trans and nonbinary people often have to advocate for themselves—whether seeking access to gender-affirming care or fighting to see themselves represented and reflected—in ways cisgender queer people do not. At the same time, the cultural and political rise of transphobia in Canada threatens the very fabric of these communities. 

Val Munoz, a master’s student in McGill’s Department of Integrated Studies in Education, emphasized that in the wake of hateful sentiment, community-building is more important than ever. 

“[In] Quebec, there’s a recent bill that was passed [restricting] gender-neutral language or pronoun-usage anymore in official documentation. It’s still a fight to be acknowledged in the first place. So, it’s super important for us to feature trans and nonbinary specific vendors and panellists for today’s event.” 

Munoz refers to the recent decision of Jean-François Roberge, Minister of French for Quebec under the Coalition Avenir Québec government, to ban the use of gender-inclusive language in all official communications. This prohibits government officials from using the pronoun ‘iel’ or adding inclusive suffixes to gendered words, as in ‘étudiant.e.’

Institutional barriers to gender inclusivity exist beyond the governmental level and manifest in all corners of society, including at universities like McGill. Juno Cinq-Mars, U2 Education, and one of the organizers of the event, stressed that even though McGill has made progress in offering services to queer students, there is still a long way to go. 

“Overall, right now, there’s been an increase in gender-neutral washrooms, but we need to expand on that project and make sure that’s accessible in every single building. There’s no reason that I need to be running around multiple kilometres while being disabled, just because I’m trans, to find a washroom.”

Other panellists and vendors spoke of the importance of safety in community organizing. Katya Tyutyunyk, a master’s student at McGill’s School of Architecture and member of the featured organization lowkiki, highlighted that creating queer spaces apart from party culture is one of the missions of the group.

“Our purpose, initially, was to create an alternative to nightlife and give queer [folks] a space where they can build community and meet each other without having to party and drink.” 

“We mainly do a ‘third-space’ type of event where you come and hang out. We have collaging, […] we’ve done trans-centric events, we’ve done an event that was centred around braiding for Black and Indigenous People of Colour. And these are all kinds of things we want to centre with our events in terms of creating a space where people can come and become friends in the city without pressure,” Tyutyunyk added in an interview with The Tribune.

The event underscored the responsibility of allies to support queer voices and work collaboratively to ensure the proliferation of inclusive spaces. Queer History Month reminds everyone to acknowledge and celebrate the countless queer individuals and organizations who have fought against oppression and for civil rights throughout history. 

Cinq-Mars continued, “Queer issues affect everyone, not just queer people. Issues with forced gender conformity affect cis people, they affect straight people, and overall, we have to break free from the binaries of gender, and the heteropatriarchy, in order to increase the quality of everyone’s lives, not just queer people’s lives.”

Interested students can follow Queer McGill on Facebook and Instagram to stay up to date on the wide range of events, services, and programs they offer to the McGill community.

Science & Technology

Breast cancer clarified: Addressing medical advances and common misconceptions

by Sarah McDonald on

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Breast cancer is far more common than many people realize; in 2024, breast cancer accounted for 25 per cent of the new cancer cases in Canadian women. While breast cancer survival rates have improved drastically over time, researchers continue to study the disease to improve patient outcomes. 

One such researcher is Dr. Sarkis H. Meterissian, a McGill professor of surgery and oncology. As director of the Breast Centre at the McGill University Health Centre (MUHC), Meterissian’s research is centred on breast cancer management.

“We do a combination of clinical research, meaning looking at patient outcomes and trying to determine from our databases what the optimal [treatment] approach would be [….] We also do translational research […] and then finally, we have a lot of very interesting collaborations and projects with industry,” Meterissian explained in an interview with The Tribune.

These industry collaborations help pilot new and developing technologies in clinical settings—a crucial step in tailoring medical technology to patients’ needs. One partnership is with the Montreal company Noze which is working to develop an AI model that can ‘smell’ cancer and other diseases on exhaled breath. 

“[Noze] did a pilot study already, with us at the breast center, with over 140 patients, showing very promising data on sensitivity and specificity,” Meterissian said. “And now I’m leading a study which will hopefully start soon, and will include over 3000 patients.” 

Another collaboration with Polytechnique Montréal involves engineers developing a medical wand to detect cancer on the margins of surgical wounds. According to Meterissian, between 20 and 25 per cent of surgically-treated breast cancer patients have cancer recurrences and require a second operation. Should this project be successful, this technology could significantly reduce reoperation rates—a huge advance in breast cancer treatment.

As diagnostic and treatment technologies evolve, breast cancer treatment results and the overall patient experience are expected to improve.

However, despite doctors’ and researchers’ continued efforts to improve patient outcomes, there are still many misconceptions about breast cancer, which Meterissian hopes to address.

First, he wanted to clarify the most at-risk populations. He explained that while breast cancer is most common among older women, cancer cases are becoming more and more common in younger patients in general. He also emphasized that breast cancer is not influenced by genetics nearly as much as many people believe.

“Only in five to ten per cent of cases is [it] genetic, so you have the other 90 to 95 per cent that are sporadic,” Meterissian said. “In other words, a woman who has no family history can get breast cancer.”

He also described how lifestyle can influence breast cancer susceptibility. Most types of breast cancer are linked to hormone levels—the higher the levels of circulating hormones one has, the higher their risk of developing breast cancer.

“A woman who is of average weight has less circulating hormones than a woman who is 50 pounds overweight, because [the latter] will make hormones from the fat as well as from her ovaries,” Meterissian explained. 

Alcohol also has a definitive influence on breast cancer development.

“If you drink every weekend, every weekend your liver is taking a hit and your hormones are going up,” Meterissian said. “So the chances of you [getting] breast cancer will be higher if you are drinking on a regular basis than a woman who doesn’t drink.”

Another key misconception about breast cancer is that it is limited to one sex. While breast cancer is, expectedly, most common in women, it is important to remember that men can get breast cancer too—something that is forgotten all too often.

Ultimately, Meterissian shares that it comes down to noticing changes in your body. 

“The number one [piece of] advice I have for women is to be aware of their bodies,” Meterissian said. “We see so many times there’s a lump, there’s redness, and women haven’t noticed. So take the time to check.” 

McGill, News

Independent Jewish Voices celebrates Sukkot while standing in solidarity with Palestine

by Armen Erzingatzian on

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The McGill chapter of Independent Jewish Voices (IJV), a grassroots, anti-Zionist, Jewish organization, held an event on Oct. 6 on McGill’s Lower Field to celebrate the Jewish holiday of Sukkot and show their solidarity with Palestinians enduring Israel’s ongoing genocide. Sukkot is a seven-day festival of thanksgiving for the fall harvest, where observers build makeshift huts, known as ‘sukkah.’ The holiday also commemorates the 40 years that the Jewish people spent wandering after their Exodus from Egypt, during which they lived in huts. The IJV event was quickly met with heavy presence from the Service de police de la Ville de Montréal (SPVM). 

At 4:00 p.m., members of McGill’s and Montreal’s Jewish communities began building the sukkah on the Lower Field using a pop-up tent. Nearly 50 individuals gathered and made speeches, said prayers, sang, and waved four species of plants—citron, myrtle, palm, and willow—as well as banners reading, “Jews against Genocide/Free Palestine,” “Liberate Judaism from Zionism,” and “L’chaim Intifada”.

In an interview with The Tribune, an attendee who wished to remain anonymous described the significance of the sukkah-building as a demonstration of support for Palestine.

“[A sukkah is] a temporary structure […] [that] you share […] community experiences in,” they said. “We wanted to bring that here today, to be in solidarity with Palestine, [and] to show that we can make the choice to build a temporary structure like this. [….] The people of Gaza, whose homes have been destroyed, they have to live in structures like this. [….] They don’t have the choice.”

Another attendee who wished to remain unnamed explained why they felt it was important to differentiate Judaism from Zionism in times of Palestinian oppression.

“It’s very clear to me that if there is this injustice, it must be addressed, not just because it is a Jewish thing to do, but because it is the human thing,” they stated in an interview with The Tribune. “And […] in that process, we are actually addressing antisemitism, because we are showing a positive version of what Judaism can look like when people have only been exposed to Zionism.”

IJV McGill was one of the bodies who supported the Students’ Society of McGill University’s Legislative Council’s decision to adopt the Policy against Antisemitism in April 2025, which distinguishes between anti-Zionism and antisemitism. Many pro-Israel groups on campus were opposed to its adoption. The attendee spoke to this disagreement. 

“[The policy] cites […] historical precedent, […] [and] legal summaries endorsed by a lot of law professors [internationally],” the attendee explained. “I really think that this narrative of the Jewish community [being] so divided, [is] disingenuous and […] misleading. Partially because they’re like every community, […] in a state of trying to figure itself out. We’re doing everything we can to engage in this conversation.”

 “I [grew up in] a Zionist perspective,” the attendee continued. “Change is possible. [….] I do think that it is also kind of a mitzvah, a kind of important obligation to try to help people on their journey to having a more open mind.”

Meanwhile, between 4:30 p.m. and 5:00 p.m., approximately 25 SPVM officers arrived at the sukkah. Around ten SPVM Specialized Support and Intervention Section police, or riot police, stood 20 meters away from the gathering. 

In an interview with The Tribune, a community member who interacted with the SPVM described how one of the police officers was “mocking” the religious ceremony.

“One police officer explicitly said that he didn’t think this was a religious tent. He was like, ‘It’s just a gazebo,’” the attendee, who wished to remain unnamed, recounted. “[His comments were] pretty demeaning, derogatory, […] borderline antisemitic. [….] [He was] insisting that we don’t have a right to mark this religious service in the way that our faith requires that we do.”

According to the community member, around 5:30 p.m., the SPVM officers threatened to physically intervene in the gathering, claiming the structure had been illegally erected on McGill’s private property.

Though attendees took down the pop-up tent, they gathered to form the sukkah once more using their banners as walls, their bodies as pillars, and the branches in their stretched-out arms as the roof.

Commentary, Opinion

McGill Global, Montreal forgotten

by Sophia Angela Zhang on

More in Commentary:

On September 17, McGill President and Vice-Chancellor Deep Saini announced ‘McGill Global,’ a $185 million CAD plan to establish ‘satellite campuses’ abroad—branch campuses operated by McGill outside of Montreal. The announcement comes at a time of financial crisis at McGill, triggered by Quebec’s tuition hikes for out-of-province and international students. By investing in McGill Global in a time of financial insecurity, the university signals that it prioritizes global prestige over supporting its staff and students, the backbone of the Montreal campuses.

The Quebec provincial government, run by Premier François Legault, has recently doubled out-of-province tuition for English universities from approximately $9,000 CAD to $17,000 CAD in an attempt to protect the French language. Consequently, many prospective out-of-province students will likely be deterred from McGill, as the university’s tuition is no longer able to compete with that of other Canadian universities. For example, the tuition fee for the Faculty of Arts and Science for non-Ontario residents at the University of Toronto is $7,250 CAD, less than half of the current McGill equivalent. Enrollment of out-of-province and international students—whose minimum tuition is now set at $20,000 CAD—is expected to decrease dramatically as McGill becomes increasingly unaffordable. This will result in a net financial deficit for the university. McGill has announced its plan to cut $45 million from the 2025-2026 budget by laying off staff to reduce the workforce by 350-500 people, imposing a hiring freeze, and discontinuing student services, such as the Faculty of Medicine’s DEI office. 

In the midst of mass layoffs and termination of critical services for students studying at the Montreal campus, Saini maintains that satellite campuses will “expand opportunities for [McGill] students and faculty, grow [the] talent pool and amplify [McGill’s] impact.” By funding this project, the McGill brand can further its reputation and attract talent from regions where its outreach has previously been limited. However, this comes at the cost of essential services, resources, and jobs. While satellite campuses may add to a projected appearance of prestige, they inevitably neglect local McGillians, as their expensive tuition fees are used for McGill Global, a program that does not serve their needs. 

The tension between Saini’s push to broaden McGill’s international reach and the need to rebalance budgets following declines in international and out-of-province enrollment is a direct manifestation of a deeply entrenched conflict between the provincial government and anglophone universities: Language. McGill’s student body is exceptionally diverse, with approximately 25 per cent of incoming undergraduate students coming from other Canadian provinces and around 30 per cent coming from outside Canada. Still, students from Quebec consistently comprise 40-50 per cent of the annual incoming class, and about one in five McGill students have declared French to be their primary language. 

While policy solutions like tuition hikes for out-of-province students are a means through which to preserve Quebec’s French heritage, the provincial government’s hostility towards English speakers in Montreal reveals a cultural rigidity and a refusal to adapt. In pursuing the satellite campus project—likely in regions where French is not as culturally relevant—McGill is moving away from Quebec’s linguistic demands. Ironically, despite Legault’s insistence that he wants McGill to stay anchored in Quebec, the very policies meant to protect the French language may be driving McGill away from Quebec, rather than securing its future within it.


In trying to regain prestige and escape Quebec’s restrictive language laws through international expansion, McGill’s administration has prioritized its image over the well-being of students and staff. These price hikes burden students the most: On the one hand, tuition increases price out aspiring students, and on the other hand, university-sanctioned cuts to critical programs lead to a lower quality of education. If McGill is to be deserving of calling itself “a locally anchored, globally pre-eminent university,” it needs to uphold its responsibility to the students, staff, and city that built its reputation.

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