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McGill, News, SSMU

SSMU General Assembly votes for motion to strike on Oct. 7 for divestment from genocide

by Amelia H. Clark on

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Over 500 students gathered in person and over Zoom at the Sept. 29 Students’ Society of McGill University (SSMU)’s Fall General Assembly (GA) to vote on a motion to strike on Oct. 7 for McGill’s divestment from Israel’s genocide.

The one-day solidarity strike motion calls on McGill to accept the same three demands guiding the SSMU’s strike for Palestine in April 2025, all of which remain unmet. The first and second demands cite the SSMU’s Policy on Harmful Military Technology to demand that McGill divest from companies that profit from Israel’s military action in Gaza, and end any research or financial relationships between the university and these companies. The strike motion’s third demand calls on McGill to drop all disciplinary cases filed against students involved in popular organizing and advocacy for Palestine, and grant students immunity for similar future protests. 

These renewed demands follow McGill’s decision to file a court order in the summer of 2025 for an injunction which would have indefinitely banned on-campus protests impacting McGill students, faculty, or property, in response to the SSMU student strike for Palestine in April 2025. The Quebec Court rejected the injunction on Sept. 30, stating that its broad scope would leave ample room for arbitrary interpretation that could be weaponized to restrict freedom of speech. 

The GA began with a report from the Executive Committee presented by SSMU President Dymetri Taylor, which primarily outlined the requirements for applying for the currently vacant roles of Vice-President (VP) Finance and VP Internal on the SSMU’s Board of Directors. Chair Acadia Knickerbocker then introduced a questioning period wherein students expressed curiosity about the positions, specifically regarding the positions’ hours and why the roles are now hired rather than elected. 

After a 10-minute recess to address technical difficulties with link-sharing for the Zoom, the meeting met quorum, and the GA proceeded with a five-minute presentation on the strike motion by its mover, Sumayya Kheireddine. 

Kheireddine began by telling attendees that over the last 723 days that McGill has not divested from Israeli manufacturing, Israel has murdered over 65,000 people in Palestine using weapons produced by the companies that the university supports. Therefore, Kheireddine expressed, divesting from the corporations responsible is not just a political imperative, but a moral duty.  

“The F-35 and F-16 jets supplied by these companies have dropped more than 85,000 tons of bombs since October 2023, killing and injuring more than 179,000 Palestinians and obliterating Gaza,” Kheireddine said. “All of this is made possible by universities like ours, which collaborate in their research with [Israel], are invested in [genocide], and profit from it.”

After a motion-specific question period, the strike was passed with a large majority in favour, and the bill entered a ratification voting period. The vote needed to meet a quorum of at least 10 per cent of undergraduates in order to be put into effect. After a six-day voting period, the motion for a strike passed, with 67.5 per cent of voting students in favour. 

In an interview with The Tribune, one voter in favour of the motion, who attended the April special GA for a strike and corresponding demonstrations, stated that events like these encourage activists to continue fighting for divestment by demonstrating the strength in numbers that is necessary to create change.

“We want open negotiations [with McGill],” the voter, who wished to remain unnamed, said. “We want more transparency [from McGill], and by showing up we get that point across. Showing up as a collective does also increase our morale and makes us feel like we’re not alone in these thoughts.”

In an interview with The Tribune, a representative of Students for Palestine’s Honour and Resistance (SPHR) said that although this victory marks a positive trend towards divestment, students should remain consistently engaged with pro-Palestinian activism, as the fight for liberation is far from over. The representative, who wished to remain unnamed, also encouraged students to show their continued support for Palestine by attending a rally on Oct. 7, starting at 1:00 p.m. at Concordia.

“The students have proven time and time again that they stand with Palestine and they demand divestment,” the representative stated. “So when is McGill going to listen to the student demand?”

Student Life

How and where to cut ties with apartheid 

by Tamiyana Roemer on

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As Israel continues its genocide in Gaza, it remains critical that students support the Palestinian people’s struggle for freedom. Central to this struggle is the Boycott, Divestment, and Sanctions (BDS) Movement, which uses global economic and cultural pressure to challenge systems of occupation and apartheid. This strategy allows consumers to take meaningful action with every purchase; each choice is intentional and impactful. To help you participate effectively and uphold your commitment to boycotting, The Tribune has compiled a list of responsible alternatives to companies targeted by the BDS movement.

McDonald’s

The BDS National Committee calls for a global boycott of McDonald’s, citing its support for the Israeli Defense Forces (IDF) through providing free meals and displaying complicity on its social media channels. The boycott is intended to put pressure on the company to sever ties with its Israeli franchisees for supporting genocide, and on its Malaysian franchisees for targeting and attempting to silence solidarity activists. For those looking for alternatives, Burger Bros on St.-Laurent offers juicy burgers, generous milkshakes, Lebanese poutine, and a wide range of halal options at affordable prices. Open as late as 3:30 a.m. on Fridays and Saturdays, it’s a solid choice for late-night fast food you can actually feel good about.

Coca-Cola

Coca-Cola’s Israeli franchise operates in illegal settlements and its subsidiaries profit from occupied land, making the company complicit in war crimes under international law. If you want to support a local, ethical alternative, look no further than Zamalek. Inspired by the vibrant Egyptian hibiscus tea karkadé, Zamalek offers multiple flavours from cola to hibiscus ginger. These refreshing canned drinks are available throughout the city—from supermarkets to restaurants. Beyond great taste, Zamalek’s partnerships reflect solidarity, from backing fundraising efforts for a family within the Gaza strip to sponsoring the Copa Palestina tournament. For another great option, consider supporting Salaam Cola the next time you’re eating out. From Mintar to Pumpui, restaurants all over the city stock this ethically-sourced cola, which pledges 10 percent of profits to charities supporting Palestine.

Domino’s Pizza

Domino’s Pizza stayed silent when its branches in Israel supported genocide and donated to the IDF. For those looking to support local alternatives, Fugazzi Pizza operates in multiple locations across the city. Fugazzi is known for its 12-inch artisanal pizzas, starting at just $11 CAD. The menu includes a well-priced lunch special featuring a pizza and drink for $11.95, ideal for a quick and satisfying midday option. Fugazzi also offers two combo deals that provide added value for those dining with others or looking to keep meals affordable. In addition to quality ingredients and creative flavours, choosing Fugazzi means supporting a local business that isn’t tied to international chains complicit in human rights violations.

Reebok

Reebok sponsors the Israel Football Association, which includes teams based in illegal settlements built on occupied Palestinian land. For a local alternative, Lolë is an activewear brand that offers functional clothing for physical activities like yoga and running. Founded in Montreal, this label also offers outerwear suited for the city’s unforgiving winters. Additionally, the company emphasizes sustainability: Lolë utilizes recycled plastics in its production processes, reducing the environmental impact of its products. Major brands like Reebok can be tempting because of their wide availability and heavy promotion, but Lolë has several locations in the Montreal area, allowing for a convenient—and ethical—shopping experience.

Art, Arts & Entertainment

Powerful photographs and untold stories at the World Press Photo Expo

by Armen Erzingatzian on

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The main floor of the market consists of overpriced souvenir shops and a few artisanal stores, visited mostly by tourists. It feels disconnected, fake. However, on the ground floor, facing de la Commune street, you will likely experience something more honest and engaging than in any other museum, monument, or exhibition in Montreal. 

This year, the World Press Photo Expo returned to Marché Bonsecours for its annual exhibition. World Press Photo, celebrating its 70th anniversary this year, is an independent non-profit that aims to deepen understanding of the world’s complexities, promote dialogue on overlooked topics, and inspire action through photojournalism and documentary photography. The non-profit holds an annual contest and exhibits the winning photographs in over 80 locations worldwide.

The diversity and scope of the exhibition blow its audience away. It showcases the work of 42 photographers from 30 different countries, representing all corners of the world and centring a vast range of identities. The exhibition masterfully directs attention to the subjects and their stories in stand-alone photographs, such as Samar Abu Elouf’s portrait Mahmoud Ajjour, Aged Nine—which won World Press Photo of the Year—and photo series such as Protests in Georgia, by Mikhail Tereshchenko. These images tell tales of resilience, resistance, war, pain, love, politics, and climate change. Some draw their power from the scene’s beauty, while others capture the raw emotion of their subject. The best do both.

Through Ebrahim Alipoor’s Bullets Have No Borders, visitors walk with kolbars—border carriers—through the mountains of Iranian Kurdistan. These labourers carry heavy goods on their backs from Iraq and Turkey into Iranian Kurdistan under harsh conditions for little pay. The Iranian state’s marginalization of Kurdish people and the ensuing unemployment in Kurdistan leads many to pursue this line of work, deemed illegal by the Iranian government, putting them at risk of being shot by security forces and border patrols. Yet, many kolbars see this activity as legitimate, as they feel ties to Kurds across the Iranian state borders—boundaries that they do not acknowledge. 

Alipoor, like many other photographers at the Expo, tell accounts that escape mainstream media, providing his audience with a more intimate and emotional narrative than traditional media can offer. The gentle smiles and soft camaraderie of the kolbars lie in stark contrast with the harsh, blinding light and the ragged, cracked rock of the Kurdish mountains. Warmth emanates from the photographs despite the lack of colour. 

In Maria, photographed by Maria Abranches, we follow Ana Maria, a resident of Lisbon, Portugal, throughout her daily activities as a carer and domestic worker. At the age of nine, Ana Maria was trafficked from Angola under false promises of education. Abranches wields natural lighting to create a vignette that surrounds Ana Maria and her possessions across a series of five images, creating the illusion that light radiates from her. She has found warmth and comfort in her occupation in a world that has mistreated her.

While many photographs convey pain and trauma, they are not restricted to those experiences. A common thread that ties the stories together is fortitude, strength, and compassion. It’s found in the subtle act of resistance of Afghan women dancing to music in their home, in the crowds of Bangladeshi and Kenyan youth rising against oppression and corruption, in the hands of healthcare workers and family members tending to an injured Palestinian boy lying on the hospital ground, and in the eyes and the collaboration of Eritrean women who tend to each other in the face of pain, trauma, and loss.

The photographs exhibited in Marché Bonsecours act as windows into countless realities and draw out empathy, admiration, and anger from viewers, fueling discussion and inspiring action, just as World Press Photo aspires to do. 

Consult the critical and self-aware guide provided by the Expo for more reflection and visit before October 13th. 

Lacrosse, Sports

McGill Redbirds triumph in Legacy Game, honouring Indigenous roots of lacrosse

by Jenna Payette on

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The McGill Redbirds lacrosse team claimed their fourth consecutive win in the annual Legacy Game series, defeating the University of Ottawa Gee-Gees 13-9 on the evening of Sept. 30. Nearly 600 fans stood witness to the highly entertaining match-up at Percival Molson Stadium. While the scoreboard reflected another strong Redbirds performance, the Legacy Game carried a significance far beyond sport.

Held annually on Canada’s National Day for Truth and Reconciliation, the Legacy Game honours survivors of the residential school system and commemorates children who never returned home from these schools, promoting awareness of Canada’s history of violence against Indigenous Peoples and ongoing reconciliation efforts. For McGill, the game has become a way to blend athletics with thoughtful reflection, paying tribute to the Indigenous roots of lacrosse—the Creator’s Game.

The evening opened with inspiring remarks from Kanien’kehá:ka (Mohawk) Elder and Akwesasne Lacrosse Hall of Famer Mike Kanentakeron Mitchell, celebrated for his steadfast dedication to advocating for the rights and welfare of the Mohawk Nation and Indigenous communities at large. He reminded the crowd that lacrosse is more than competition: It is medicine, a gift from the Creator, and a way to resolve disputes without violence.

From the opening whistle, the Redbirds came out firing. Fourth-year attacker Rowan Birrell started their scoring, followed by tallies from midfielder Torsten Blodgett and attacker Zach Page. Page dazzled with a behind-the-back goal before adding two more to complete a first-quarter hat trick. By the end of the opening frame, the Redbirds held a commanding 6-1 lead. 

Ottawa, however, refused to retreat. The Gee-Gees battled back with three quick goals in the second quarter, capitalizing on a brief lull in McGill’s energy. By halftime, the Redbirds led 9-5, but momentum was shifting.

Halftime featured a performance from Kanien’kehá:ka artist DJ Pøptrt, who blended Mohawk sounds with contemporary electronic music, creating a lively atmosphere that emphasized Indigenous creativity and resilience.

McGill regained control in the second half of the match, sparked by Page’s fifth goal and a steady performance full of crucial stopping from goalie Henry Komosa. Admittedly, Komosa also had some luck on his side, as Ottawa struck the Redbirds’ goalposts an impressive seven times during the game. Blodgett added two more goals in the final minutes to seal McGill’s 13-9 victory. Despite Ottawa attacker Julien Belair’s stellar six-goal performance, the Redbirds improved to 6–1–0 and claimed the top spot in the East Division of the Canadian University Field Lacrosse Association. 

Redbirds head coach Nicolas Soubry, who is in his final year with the program, reflected on the importance of this game for his team in an interview with The Tribune. 

“We’ve been able to team up with McGill Athletics and the Office of Indigenous Initiatives to create an event that focuses on letting Indigenous voices speak and share, whether that’s a point of view, an anecdote, or even music,” Soubry said. “We’re lucky to play, but the bigger focus is learning and community.”

For Soubry, the Legacy Game is always about more than the scoreboard result. 

“No matter what we do in the season, once we get to this point, it’s about winning this game,” he shared. “But more importantly, it’s about honouring the game by working hard.”

In an interview with The Tribune, Benjamin Buzby, U3 Management student and Redbirds defender, highlighted a key turning point in the match.

“A big faceoff win from Luke Nickel, then a selfless play dumping it off to Page for the goal, that was a good moment,” Buzby described. “It got the boys fired up.” 

Midfielder Preston Norris, U2 Economics, emphasized the team’s unity during the game in an interview with The Tribune.

“From the defensive side, watching the offence move the ball really well as a unit and put it in the back of the net was huge,” Norris stated. “It reassured the whole team.”

Now in its fourth year, the Legacy Game has become a cornerstone of McGill’s Indigenous Awareness Weeks, aligning sport with the work of reconciliation. The handcrafted celebratory lacrosse stick awarded to the winning team stands as a symbol of community and respect for the sport’s Indigenous roots.

As fans filtered out of Molson Stadium after yet another Redbirds win, what lingered was not only the scoreline, but the sense of honouring something much larger. Lacrosse, at its core, heals through every movement, nurtures connection, and brings communities together.

Arts & Entertainment, Music

A Virgin sacrifice, live in Montreal

by Jamie Xie on

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On Pure Heroine’s twelve-year anniversary, Lorde was reborn a Virgin at Montreal’s Bell Centre. After a four-year hiatus since Solar Power, she arrived incomplete and half-made, perpetually becoming—an invitation to get ready with her—for one tender night of confessional pop.

Discussing her fourth album, Virgin, Lorde told Apple Music: “Everything was pure possibility. That first sound feels like it’s coming from a very guttural place in my body.” She continued, “My sister said ‘it sounds like it’s coming from your womb,’” hinting at the intimate inspiration behind the Ultrasound Tour‘s title.

“Hammer” opened the electric performance under a flickering ray of light that gradually expanded, carving the stage into Lorde’s enveloping spotlight. Drawing from her 2023 experience coming off birth control, the song explores the impossible task of repeatedly discovering beauty in something as mundanely familiar as one’s own body—a process familiar to artists who reinvent themselves each album cycle. 

Since then, she has spoken openly about her struggle with premenstrual dysphoric disorder. Displaying her intrauterine device (IUD) on the x-ray album cover, she described it as “a photo of yourself that you don’t love but captures something true about you.” The concert merchandise reinforces a promise of vulnerability, including stripped-down, clear CDs. While visually striking, some failed on laser-based players, underscoring the tension between euphoric transparency and artistic performance. 

In a Rolling Stone interview, Lorde described ovulating for the first time in a decade as a profound moment of clarity where she recognized a disconnect between herself and conventional “regulated femininity.” It felt like a permission to inhabit her body fully. In “Supercut,” Lorde enacted this revelation, running endlessly on a treadmill, only to struggle and ultimately surrender; concession is a universal language, and her fragility is transformed into power.  

“I felt incredibly alone, always,” Lorde said in concert, “I sang from that place over and over and this year of my life is really making it hit home for me.”

This struggle is reflected through her accompanying performers. “Favourite Daughter” became a seamless pas de deux between Lorde and technology. Close-ups of Lorde interwove with sound booth and backstage footage, breaking the fourth wall to reveal the meta-machinery at the heart of the concert. In “Broken Glass,” two contemporary dancers revisited the eating disorder Lorde confronted during Solar Power—one convulsed on the floor as the other took bites of apples. Years earlier, she had tried to make herself smaller; now she allows herself to take up space, intertwining the physical act of liberation into the expansion of selfhood and gender.

Performed live with her chest bound in duct tape, Lorde’s “Man of the Year” exemplifies Virgin’s thesis of self-discovery and transformation as she questions what it means to be a woman—or not. In an interview with Rolling Stone, she said, “I’m a woman except for the days when I’m a man.” 

Lorde has long toyed with gender fluidity, beginning with her stage name: Chosen at sixteen, ‘Lorde’ feminizes the masculine ‘lord’—a playful commentary on the role of gender in aristocratic power. 

At the emotional precipice, Lorde—visibly moved—addressed the crowd during “Liability”’s musical prelude: “We’re the freaks, you know. It’s always surprising to me that we get the big room on a Saturday night. [….] All these people have something in common, which is so beautiful and increasingly rare. To have an hour and forty-five minutes worth of anything in common with this many people, it’s beautiful.”

In “David,” Virgin’s outro, Lorde wandered through the crowd in a radiant mirrored suit. Echoing, “Am I ever going to love again?” she refracted not just the light but the audience’s emotional gravity. On the stage screen, footage of her past self from the concert’s opening flashes in superimposition, a haunting overlay of the memory of who she was and who she has become.

Dissolving back into the crowd at the end of the night, the Ultrasound Tour makes clear that Virgin isn’t a return to naive innocence—it’s an act of surrender, a willingness to become something unrecognizable. 

“There’s a violence to making these big changes sometimes.”

Behind the Bench, Sports

Trailblazers: Four Indigenous athletes everyone should know

by Alex Hawes Silva on

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Indigenous Peoples across North America have a long history of athletic excellence, with games such as lacrosse, canoeing, and snowshoe racing forming the foundation of many Indigenous cultures and communities. These sports were not only competitions, but also core actions that held spiritual, social, and practical significance for the Indigenous Nations in which they took shape. Today, Indigenous athletes continue to make their mark on the world stage, excelling in a range of sports, from the ring to the arena. 

Figures like Mary Spencer, a three-time world champion boxer, Angela Chalmers, an Olympic medalist in track and field, Reginald Leach, a Stanley Cup champion and legendary hockey goal scorer, and Bryan Trottier, a Hall of Fame hockey player who won multiple championships, embody the strength, perseverance, and skill that are rooted in generations of Indigenous athletic excellence. 

Mary Spencer, a member of the Chippewas of Nawash Unceded First Nation, has become one of Canada’s most accomplished boxers. She began her athletic career playing basketball, but when she stepped into a boxing gym as a teenager, she discovered her true passion. Spencer went on to dominate women’s boxing on the international stage, earning three world titles and competing at the 2012 London Olympics, where women’s boxing made its Olympic debut. 

Beyond her athletic achievements, Spencer has been a role model and mentor for Indigenous youth, using her platform to promote empowerment, confidence, and the importance of chasing one’s goals. Her success story represents not only her personal dedication, but also the growing representation of Indigenous women in sports.

Angela Chalmers, from the Birdtail Sioux First Nation, is one of Canada’s greatest middle-distance runners. She came into the spotlight in the late 1980s and early 1990s, representing Canada at multiple international competitions; at the 1992 Barcelona Olympics, Chalmers won bronze in the 3,000 metres, becoming the first Indigenous woman to receive a medal in track and field on the Olympic stage. 

Chalmers’ victory was not just personal but historic, as it marked a milestone in visibility for Indigenous athletes. She continued her streak of successes by winning gold at the 1994 Commonwealth Games in Victoria. Chalmers’ career stands as a powerful example of Indigenous athletes breaking barriers and inspiring future generations.

Reginald Leach, a member of the Berens River First Nation, had a legendary career in the National Hockey League (NHL) during the 1970s and 1980s. Nicknamed “The Riverton Rifle” for his powerful shot, Leach became one of the league’s highest goal scorers. His biggest achievement came in 1975, when he helped lead the Philadelphia Flyers to a Stanley Cup championship. 

A year later, Leach made history by winning the Conn Smythe Trophy as the NHL’s playoffs’ most valuable player, becoming one of the few athletes to do so from a losing team. Leach’s success was especially meaningful given the barriers Indigenous players in Canada face in professional hockey. He has since dedicated himself to mentoring youth and promoting hockey in Indigenous communities. 

Bryan Trottier, of Cree and Métis heritage from Saskatchewan, is widely regarded as one of the greatest hockey players in NHL history. Playing primarily for the New York Islanders, Trottier helped the team capture four consecutive Stanley Cup championships from 1980 to 1983. Over his career, Trottier scored more than 1,400 points to earn a spot in the Hockey Hall of Fame. 

In addition to his remarkable hockey career, Trottier has always spoken proudly about his Indigenous roots, emphasizing the importance of representation and identity in his sports journey. After retiring as an NHL player, Trottier has continued to contribute to the game as a coach and mentor, ensuring that his athletic and cultural legacies extend to future generations. 

Together, Mary Spencer, Angela Chalmers, Reginald Leach, and Bryan Trottier exemplify the incredible talent, resilience, and cultural pride of Indigenous athletes, who both further and commemorate a long lineage of Indigenous excellence in sport. 

(Lex Roemer / The Tribune)
Science & Technology

Ships, spills, and genetic shifts: How oil pollution changes Arctic birds’ DNA

by Sarah McDonald on

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The effects of climate change are increasingly visible around the world, but nowhere are these impacts more observable than in the Arctic. The region’s temperature is rising at over two times the global average—a phenomenon that has devastating impacts on natural ecosystems. As the ice melts, it destroys natural habitats, allowing for increased human presence in areas that were previously undisturbed. 

In a recently published paper, McGill Professor Rowan Barrett in the Department of Biology analyzed DNA methylation—a biological process that regulates gene expression—to assess how anthropogenic activity—environmental changes caused by human activity—impacts wild Arctic seabirds.

“We’ve been interested in trying to get additional perspectives on both lethal and sub-lethal effects of these kinds of pollutants, and one way of doing that has been through epigenetic responses,” Barrett explained in an interview with The Tribune. “So these are responses that aren’t changing the genetic code of the organism, but they’re making changes to the genome that we can measure, that we can study.”

The researchers’ study compared the epigenetic responses of Arctic seabirds—black guillemots—from four different sites, each with varying degrees of both pollution and human presence. The first location was in Postville, Nunatsiavut, on the site of a 3000 L crude oil spill; their second site was an area with high levels of shipping traffic, yet no direct contamination. Their third site had minimal human activity, but natural oil was present; and their fourth site was a reference site, selected for its minimal human presence and lack of natural oil seeps.

“So we assayed these epigenetic responses from birds from these four different sites, and we had two broad questions,” Barrett said. “One was whether or not the anthropogenic sources of oil differed in their impacts from the natural sources of oil. And then the next question is more of a timescale question. How do chronic, long term effects of oil, so this would be from the natural seeps and also from the places where there’s increases in shipping traffic, compare with the oil spill?”

The researchers collected liver samples from black guillemots across the four different sites. Their DNA was then extracted, and methylation patterns were analyzed. Results confirmed that there are measurable differences in the genetics of birds that experienced any kind of oil-related stress. 

However, while all birds exposed to oil had common methylation pattern changes, not all changes were common. 

“There’s sort of a consistent response that we see in the genome through these epigenetic tools, but it differs between the natural and the anthropogenic sources of oil. So the particular type of response, that epigenetic response, differs in these two types of sites,” Barrett explained.

This highlights not only the scale of the impact of human activity on natural populations—human presence is literally changing animals’ genetic codes—but also provides further insight into the genome.

“This is very exploratory, this work, but now we can look into precisely what functional or physiological mechanisms are triggered by these epigenetic shifts, what are they leading to in terms of the whole organism response,” Barrett said.

Some of the genetic changes Barrett’s data highlighted had to do with fat storage and circadian rhythm regulation. These small changes can have long-lasting, sub-lethal effects. Birds need certain fat stores in order to migrate, but oil exposure limits birds’ ability to create these fat stores, which ultimately influences their migration patterns. Moreover, even if birds are able to build up the necessary fat storage, changes in their circadian rhythm regulation impact when they are ready to migrate. 

Barrett’s work is fundamental in the field of epigenetics: It provides a critical window into the specific functions of various genes, as well as the ways that these functions are limited and impaired by different types of oil pollution.

“We’re making discoveries that are important for understanding the role of epigenetics in genome evolution and basic ecological and evolutionary questions, while at the same time generating information that’s useful for government partners and communities,” Barrett said.

McGill, Montreal, News

McGill contingent joins Montreal-wide protest marking 700 days of resistance in Gaza

by Asher Kui on

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On Oct. 4, approximately 100 people gathered outside of Sherbrooke 680 for a student contingent march, organized by Students for Palestine’s Honour and Resistance (SPHR), to commemorate the International Day of Action, which acknowledges Israel’s genocide of Palestinians as well as simultaneous resistance against this genocide. 

“Israël assassine les enfants de Palestine. Israël assassine les médecins de Palestine. Israël assassine les journalistes de Palestine,” protestors chanted.

In an interview with The Tribune, a representative of the McGill student contingent who wished to remain anonymous explained what the International Day of Action signifies, and why it is important to demonstrate on this day.

“Today […] there are multiple cities across North America and the rest of the world that are mobilizing for two years of genocide in Gaza,” they said. “It’s an international day for us to mobilize on the streets to show our complicit government and people of power that students and the people […] won’t be silenced by the actions that Israel is committing in Gaza, the crimes of humanity and the crime of genocide that is being committed.”

The representative continued to emphasize that McGill’s refusal to divest from companies complicit in Israel’s genocide highlights the university’s priorities.

“Our administration sees that students are very mobilized in objecting to the university’s complicity in the genocide and in the occupation of Palestine, but they continue to refuse to divest and prioritize the donors’ money over the blood of the people in Gaza,” they said. “It’s clear that for them, it’s not about what the students want, it’s about what benefits them the most. [….] Money benefits them, and that’s what they choose.”

In a written exchange with The Tribune, McGill’s Media Relations Office (MRO) declined to comment on the student contingent march and the marchers’ calls for McGill to divest. 

At 2:10 p.m., the group outside of Sherbrooke 680, which included Profs 4 Palestine and Grad Students for Palestine, started heading east on rue Sherbrooke. At its intersection with av. du Parc, the demonstrators met La manif à vélo pour la Palestine, a group of around 200 cyclists who were also heading towards Place des Arts.

The student contingent reached Place des Arts—at the intersection of rue Ste.-Catherine and rue St.-Urbain—at 2:50 p.m. Around 1,000 protestors assembled, with multiple speakers explaining how different countries are complicit in Israel’s genocide. One speaker highlighted how only people coming together as a collective will have the power to influence the outcomes of Palestinian liberation.

“The power is not in the hands of those in the halls of [Canadian] Parliament,” they declared to the demonstrators. “The power is not in the hands of those who own bombs and weapons. The power is in the people who have something worth fighting for. There is no struggle more worthy of sacrifice than our struggle for liberation.”

In an interview with The Tribune, an organizer with Palestinian Youth Movement (PYM) Montreal mentioned the importance of Canada’s Arms Embargo Now campaign and how it has recently gained traction in the McGill community.

“[The Arms Embargo Now campaign] emphasizes the relationship between our universities and the calls for an arms embargo, especially as our universities are investing in weapons manufacturers but are also hosting research that is sometimes subcontracted by weapons companies,” they said. “McGill also hosts partnership programs with Israeli universities that are either closely tied to the Israeli occupation forces, or that are actually on stolen Palestinian land.”

The representative of the McGill student contingent also underlined that while Canada’s recent recognition of Palestine as a state is significant on the global stage, the Arms Embargo Now campaign is far more crucial in ending Israel’s genocide in Palestine.

“Now, the majority of the world recognizes Palestine, but it doesn’t change the material conditions in Gaza,” they explained. “People are still being massacred. The Western governments and the Western countries continue to provide arms to the Zionist entity. What the people want really is an arms embargo.”

Art, Arts & Entertainment

Kent Monkman’s ‘History is Painted by the Victors’ tackles colonialist mythmaking

by Noah Agne-Richards on

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In a world where history is painted by the victor, Kent Monkman takes on a personal challenge to tell an equally biased history, one painted by his subversive, heel-clad, hypersexual alter-ego Miss Chief Eagle Testickle. 

Monkman, a world-renowned queer and two-spirit artist from the Fisher River Cree Nation in Manitoba, forms his new exhibition, History is Painted by the Victors, around themes of resilience, loss, colonization, and the social ostracization and oppression of sexual and gender diversity. 

Monkman crafts the genderfluid character of Miss Chief to be simultaneously hyperfeminine in expression while possessing a commanding masculine authority. Using Miss Chief to explore themes of the artist’s ego, Monkman aspired to mock the colonial-era practice of artists such as George Catlin, who inserted themselves heroically into the battlefields they painted. Monkman places Miss Chief dramatically at the center of each piece, where she comedically seems to always steal the stage. 

The humour of her placements and renditions of the colonial narrative bring forth questions of the era’s commonly accepted truths. The exhibition plays with the idea that colonial-era painters were heavily twisting their paintings to fit harmful narratives, such as the ‘Pristine Myth,’ which depicted the pre-colonial West as virginal and uninhabited, as well as that of the ‘Noble Savage,’ which portrayed Indigenous people as a stoic, dying race. These myths fall under the harmful ideas of ‘Manifest Destiny,’ by which colonizers perceived themselves as ordained by God to bravely conquer the western lands they saw as ripe for the taking.

Flipping narratives and channelling the idea of power through sex, the exhibition has the recurring visual of Indigenous men sexually dominating white cowboys against contrastingly serene landscapes typical of settler-colonial paintings. As intended, the scene comes off humorously shocking, but raises a very serious point: The frequent characterization of Indigenous people as a dying race submitting to the conquest of the white man is just as outlandish and fabricated as the scenes and narratives in Monkman’s work. 

Thematically, the exhibition presents a whimsical, provocative lens on the key issue of marginalization. Monkman’s work starts with flamboyantly dressed Indigenous Peoples lounging in the serenely depicted Sierra Nevada, poking fun at the myth of empty land prior to European westward expansion; it quickly shifts into the more seriously depicted tragedy of residential schools, police brutality toward Indigenous Peoples, and the violence perpetuated against Indigenous women. 

Although Monkman’s work is a narrative of past events and a sombre window into how histories are often mediated, many of his paintings come across deeply hopeful. With the ambitious goal to ‘decolonize Canada,’ his work is highly popular among young, 2SLGBTQIA+, and university audiences. Monkman creates the refreshing image of a queer, inclusive, Indigenous future; a radical standpoint, as under the colonial vision, many of the communities he depicts were not intended to survive into the 21st century.  

Despite its dramatic historical reimagining, the exhibition is not a fabrication of equal falsehood to the myths it counteracts. The sexually liberated and loudly queer characters of Monkman’s image show a genuine window of Indigenous two-spirit acceptance that was restricted by colonial society. The Indigenous domination of white settlers demonstrates the historic factuality of hundreds of years of anti-colonial resistance. History is Painted by the Victors is a vibrant, surreally portrayed truth of who and what have always existed in North America. 

History is Painted by the Victors opened on Sept. 27 and runs until March 8, 2026. It is the largest solo exhibition of Monkman’s work, and can be seen at the Montréal Museum of Fine Arts on rue Sherbrooke. 

McGill, News

Faculty of Education hosts 7th annual Skátne Entewathahíta/We Will Walk Together event

by Eren Atac on

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McGill’s Faculty of Education hosted its seventh annual Skátne Entewathahíta/We Will Walk Together event on Sept. 30. The event, held on Canada’s National Day for Truth and Reconciliation, included speeches from various Indigenous leaders, a land-based activity, and a tour of Indigenous art on public display at McGill. 

The event began with opening remarks from Geraldine King, assistant professor in the Department of Integrated Studies in Education (DISE) and co-director of McGill’s Office of First Nations and Inuit Education. King emphasized the relevance of Canada’s residential school system as an ongoing issue, rather than an event of the past. 

“It’s a day of honouring what’s happened […] to not only our ancestors, but folks in my own generation who, in fact, attended residential schools,” she said. “I want everyone to acknowledge that this isn’t a part of history. It’s not an artifact. It’s not archeology, looking into what happened in the deep past. This is, in fact, very present and very real.”

Demonstrators shout “Every child matters!” and honor the thousands of Indigenous children who died in residential schools and whose bodies rarely returned home.

The next speaker was assistant professor Michelle Kennedy, part of DISE’s Contract Academic Staff. She spoke on the importance of supporting Indigenous family and friends, and being educated on their struggles with the residential school system. 

“Often, a lot of people who attend residential schools die fairly young,” Kennedy said. “I didn’t get a chance to really know my grandparents [who attended]. I spend a lot of time asking my relatives what they were like. That’s a really odd question to ask, but you have to do research about your family members, and often I find what comes out are the hardships that they experienced.”

Robert Spade, Anishinabeininii dancer, artist, and professor at McGill’s Schulich School of Music, then took the floor. Spade challenged those in attendance to find their origin stories as a way to connect with their ancestors and the past.

“Find your creation story. Do not be colonized,” Spade stated. “If you today do not have your creation story, where you’re from, [if] you don’t have that connection, you were robbed. Think about that. I have mine. Sure, they beat me in a school. They ridiculed me for speaking my language. But I have my place in the universe. Today, I am grateful for life, because nobody knows where that’s from or how to make it.”

AJ Esquega, Energy Projects Coordinator from the Kiashke Zaaging Anishinaabek (Gull Bay) First Nation, gave further remarks. He highlighted Indigenous food sourcing practices as central not only to Indigenous cultural identity, but also to community well-being, including for later generations.

“[I want] to create a very positive space so that we can all live and grow and take care of each other and the land for future generations,” Esquega said. “I’ve been growing up on the bush, not knowing that’s part of who we are, too, hunting, fishing, trapping, and learning how to field-dress a moose, […] how to cook it, and how to feed our communities and feed our families.”

Following these opening remarks, Esquega hosted a land-based activity which included birch bark etching, crafting decorative wooden canoes, and tasting birch syrup. He continued to emphasize the importance of these exercises as a way to connect with Indigenous culture, recalling how he learned them firsthand with his grandfather. 

Thousands of Montreal families, and community members march down Parc Avenue to commemorate the National Day for Truth and Reconciliation.

Approximately 30 students attended the land-based activity. One Métis attendee, Franny Hansen, U3 Nursing, explained in an interview with The Tribune that the National Day for Truth and Reconciliation is a time to honour Indigenous ancestors who endured residential schools, and to reclaim the culture they were denied.

“It’s really important for me on Truth and Reconciliation Day to remember [that] I have ancestors, my great grandparents, that went to residential schools,” Hansen said. “So it’s really important to reflect and remember all the children that [had] their culture stripped and taken away, due to colonization, due to residential schools, and to celebrate the culture that they weren’t able to celebrate.”

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