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a, Behind the Bench, Football, Sports

Behind the bench : Just like they drew it up

In Super Bowl XLIX, when Russell Wilson’s pass was tipped by Malcolm Butler and somehow corralled by Jermaine Kearse—after Kearse had been knocked down and left squirming on the turf—it seemed too impossible to actually be happening. Sure, there was the difficulty of the catch itself, but that was only a small part of the disbelief that spectators were likely feeling when they saw it. As even the most casual of football fans will be able to tell you, the absurdity of Kearse’s catch had little to do with its degree of difficulty–it’s that they had seen it all play out like this before.

Unlike movies or WWE wrestling, professional sporting matches are unscripted events that can play out in a near infinite number of ways. There’s still a dramatic element involved, but it’s usually a self-contained drama that arises from a tight game going down to the wire—like a tense sitcom plotline that will have completely vanished by the next episode as characters return to their ultimately unchanged world.

From time to time, however, these arbitrary game-to-game narratives stack up just right, reaching into the well of history and pulling out a storyline that blows any movie out of the water. Kearse’s catch came against Bill Belichick and Tom Brady’s New England Patriots, who had a four-point lead with approximately 75 seconds remaining, in a Super Bowl taking place in Glendale Arizona—every single one of those conditions was also in effect when the New York Giants’ David Tyree made his improbable ‘Helmet Catch’ in Super Bowl XLII that doomed New England’s perfect season. On top of that, the Patriots had lost Super Bowl XLVI to the Giants as well when Mario Manningham pulled in a ridiculous sideline catch on the game-winning drive. The eerie similarities that characterized Kearse’s catch even continued off the field, as the integrity of the Patriots’ season was being challenged by ‘Deflategate’ in the same way that their season leading up to Super Bowl XLII was tainted by Spygate.

As it happened, rather than surrendering a game-winning touchdown and blowing their third title game in eight years, Butler intercepted the next pass Wilson threw, and vaulted the Belichick/Brady era into a new dimension of greatness. That wasn’t just an isolated game-changing play—it was Andy Dufresne crawling through a river of shit and coming out clean in The Shawshank Redemption; it was Harry Potter walking into the Forbidden Forest to meet Lord Voldemort, knowing that Dumbledore intended him to die, and then actually returning to life to defeat his nemesis. In Super Bowl XLIX, events unfolded in such a precise way that the Patriots went from watching their worst fear play out for the third time to miraculously exorcising every single one of their post-Spygate demons—it was a perfectly scripted situation that happened all on its own.

Unlike movies or WWE wrestling, professional sporting matches are unscripted events that can play out in a near infinite number of ways.

There may never be another sports narrative that rivals the Patriots’ in terms of producing such unbelievable recurring moments, but it’s hardly the only one to be layered with heightened dramatic circumstances on a big stage. When the Green Bay Packers won the Super Bowl in 2011, they were up by six points in the final minute of play and stopped a potential game-winning drive by the Pittsburgh Steelers. But when the two teams met in the previous season, the Steelers won that matchup with a game-winning drive in which they were—you guessed it—down by six. Most sports fans remember Ray Allen’s clutch game-tying three-pointer in Game 6 of the 2013 NBA Finals against the San Antonio Spurs, but what they probably didn’t know is that the 2005 Seattle Supersonics lost a series to the Spurs in Game 6 when Allen missed a potential game-winning three with Tim Duncan in his face. The irony? Allen’s 2013 shot only happened because Duncan was inexplicably left on the bench and Chris Bosh easily grabbed the rebound that was kicked out to Allen for the three-pointer.

These types of narratives aren’t always redemptive though. Brett Favre came out of retirement (for the second time) in 2009 and tried to lead his former team’s archrivals, the Minnesota Vikings, to a Super Bowl. However, his playoff run ended the exact same way it had with the Packers two years earlier: With him throwing a costly interception in overtime during the NFC Championship game. In 2011, millions of Canadians were hoping for Roberto Luongo to lead the Vancouver Canucks to a Game 7 Stanley Cup victory in the same building where he had led Team Canada to an overtime win the year before in the gold medal game. Instead, the Canucks collapsed, extending Canada’s cup drought to 18 seasons.

A great narrative in any form of creative entertainment is a testament to the mind’s ability to craft something compelling, but a great narrative in sports is a testament to the awe-inspiring power of fate. With so much going on in the world, professional sports are moneymaking spectacles that shouldn’t mean anything, but after watching something like the Kearse catch/Butler interception sequence, it can feel like they mean everything.

a, Men's Varsity, Sports

Redmen capture OUA East

 

McGill Redmen
5

 

 

RMC Paladins
1

 

Playoffs in sports are occasionally referred to as the ‘second season.’ The slate is wiped clean for all those participating, and while a high seed translates to home-ice advantage, it guarantees little beyond that. That being said, players on the Redmen (21-5-0) ice hockey team deserve to feel at least a little pleased with themselves after clinching the OUA East title with a 5-1 home win Saturday night against the RMC (0-26) Paladins.

The title-clinching win came on the heels of a gruelling 4-3 double-overtime win Friday against the Concordia Stingers in the 28th annual Corey Cup. Despite the extra time on the ice the previous night, the Redmen looked fresh against the Paladins. Junior centre Cedric McNicoll opened the scoring, but the Paladins struck back quickly and the two teams finished the first period knotted at 1-1. The goal was McNicoll’s 11th of the season and his 34th point, a total good for eighth-best in the CIS.

McGill broke the game open midway through the second frame, scoring three goals in less than four-minutes. The first of those three came off of the stick of rookie defenceman Samuel Labrecque, and was Labrecque’s sixth game-winning goal of the season, which ties a school record that has stood for 27 years. Labrecque has been a force to be reckoned with as of late, scoring seven goals over the last five games, including the overtime-winner in the Corey Cup.

Sophomore goaltender Karel St-Laurent gave McGill more of the quality play it has received all season from both of its net-minders. St-Laurent stopped 21 of the 22 shots he faced for his eighth win of the season. As the Redmen enter the playoffs, Nobes is faced with a problem that any coach would dream about: Two goaltenders who are equally worthy of playing time in the post-season. St-Laurent finishes the season with a .932 save percentage, the third-best mark in the entire CIS. The league leader, however, is St-Laurent’s teammate Jacob Gervais-Chouinard, who holds a .944 save percentage.

Fortunately for Nobes, no matter who he chooses to start game one of the playoffs, he’ll be making a good decision. Both goaltenders have been consistently solid, and deserve a lot of credit for helping lead the Redmen to the top seed in the division.

The Redmen now turn their attention to their quarterfinal, best-of-three matchup with Concordia beginning Feb. 11 at McConnell Arena. The last time McGill captured the OUA East Division crown was 2011-2012, when they went on to win the CIS Championship. Past performance does not guarantee future success, but with the number one seed in hand, you can’t blame the Redmen if they’re hoping history will repeat itself.

a, Out on the Town, Student Life

Out on the Town: Montreal poutine week

For food enthusiasts, there’s no better winter activity than experiencing Montreal’s third annual Poutine Week. This year, 49 local restaurants participated in the growing festival and contributed a wide array of unique poutine concoctions. From Bar Brutus’ “Jägerfirepoutine,” which is exactly as it sounds—served with Jäger and on flames—to Poutineville’s “Sugar Shack,” a breakfast poutine complete with maple syrup and tempura bacon strips, there were fierce competitors vying for title of Montreal’s favourite poutine. 

Biiru 

(1433 Rue City Councillors)

Yann Levy’s Japanese bistro restaurant—which opened a week after Poutine Week 2014—is a first-time contender this year. The upbeat, brilliantly designed space has a trendy pop art feel with a Japanese twist. Many local artists contributed to the hand-painted murals in and outside the restaurant. Authentic pieces from Japanese culture were also expertly arranged throughout the small space, from a historical left flag with soldier’s signatures dating from WWII to delicate origami enclosed in a beautiful metal cage.

“I wanted to make a Japanese place with no sushi that was accommodating and not intimidating for anyone,” Levy said.

Although the staples of a traditional poutine were present in the Hyottoko, Biiru infused them with bold Japanese flavours. The fries were swapped out for toragashi & BBQ sweet potato fries. To complement that dish, the gravy was miso-based, and the cheese curds were accompanied by teriyaki glazed pork shoulder, tempura flakes, and kizami nori. Somehow, the dish was still recognizable as a poutine, yet offered an authentic Japanese taste. It is easily one of the most charming comfort foods in the city. 

Monsieur Resto+Bar 

(1102 Rue De Bleury)

Monsieur is aptly named; when owner Kimberly Lallouz created the restaurant, she knew that she would become married to it. With Monsieur, Lallouz wanted to create a classic and stylish space which served non-processed ready-to-eat food. The jazzy music and the bar mounted with wine bottles gives the place a vintage feel that is both genuine and easy-going.

“The idea was simple: Conscious cooking that is both local and seasonal,” Lallouz said. “I like to call it ‘Gastronomie à petit prix [gastronomy at a small price.]’”

This year, the restaurant decided to tone it down from the dessert poutine they served in 2014 and go back to basics. “Fresh” was the idea behind the Mr. C. Verde, which included fresh fries (a mix of yukon and sweet potato), organic and local cheese curds topped with grated mozzarella for a extra stringy kick, sautéed wild mushrooms and kale, and crispy chorizo. All the ingredients came together for an indulgent poutine that does not sit heavy in the stomach. The presentation was lovely, the kind of plating that played with both colour and shape. Not only did the food make Monsieur worth a second visit, its atmosphere also encourages customers to look forward to eating there again.

La Taverne F par Ferreira 

(1485 Rue Jeanne Mance)

A modern Portuguese fusion restaurant in Places des Art, La Taverne F usually serves up food in small portions with excellent beer and wine. As a brasserie, this format allows guests to share the food while enjoying their cocktails. The restaurant caters to an older, more sophisticated crowd with a penchant for art deco and minimalist decor. Its bold, narrow design is unique and its location makes it perfect for a quick bite and drink before or after a show.

For Poutine Week, the restaurant presented the Salted Cod Ferreira Poutine, a true seaside delight. With homemade french fries, salted cod, caramelized onions, creamy sauce, cheese curds, and lemon zest, the dish was an interesting reinvention of fish and chips. Compared to poutine’s typical association with fast food, La Taverne F’s option is definitely a more classy experience. 

a, McGill, News

Divest McGill submits new proposal to Board of Governors for divestment from Shell, Enbridge

On Feb. 2, Divest McGill submitted a new proposal to the McGill Board of Governors’ (BoG) Committee to Advise on Matters of Social Responsibility (CAMSR). The new proposal outlines financial and social reasons for McGill to divest from its top 200 fossil fuel companies with the largest carbon reserves. Divest McGill, a student group that was started in Fall 2012, aims to lobby the university to divest its endowment from its fossil fuel partners in the interests of mitigating climate change. In 2013, the BoG rejected a similar proposal from Divest McGill.

The new 150-page proposal cites oil companies Royal Dutch Shell and Enbridge as examples of companies that McGill should divest from.

“These corporations should be seen as illustrative of the fossil fuel industry as a whole,” the document reads. “A key factor in our selection of these examples is their involvement in the Canadian tar sands.”

Furthermore, the proposal calls for McGill to immediately suspend any new investments in fossil fuel companies. At the moment, the university holds shares in a number of these companies, as per the McGill Investment Committee’s mandate to ensure optimal returns from investing endowment funds for the purpose of university-related activities.

“We’re asking the university to immediately divest from any companies that are […] producing, transporting, or distributing products from tar sands,” said Divest McGill member Ella Belfer, U2 Arts. “Then, within three years, [for McGill to divest] from the top 200 fossil fuel corporations.”

According to the report from the CAMSR in May 2013, Divest McGill’s original proposal was rejected based on the lack of evidence regarding McGill’s fossil fuel investments’ connection with social injury.

“The committee determined that Divest McGill had failed to demonstrate that social injury (as defined in the terms of reference) had occurred due to the actions of a company involved in either oil sands or fossil fuels,” the decision states. “Since the committee is not satisfied that ‘social injury’ has occurred, no action was considered or is recommended.”

Divest McGill’s revised proposal comes after the CAMSR changed its terms of reference on May 22, 2014. The updated terms, which “expand the definition of social injury to include grave, injurious impact […] of a company [on the] natural environment,” served as a source of cautious optimism for Divest McGill, according to Belfer.

“CAMSR itself [changed],” Belfer said. “They’ve added grave environmental damage as one of the criteria for social injury. So we’re hoping that’s going to be part of the factor influencing their decision.”

One particular change from last year’s submission includes the omission of Plan Nord—an economic development strategy by Quebec to develop natural resources extraction in the province. Divestment from Plan Nord had been one of the submissions in the original proposal.

The new 150-page document lists a number of reasons for divestment, including human-induced climate change and social injury to First Nations Peoples. 

In the time since the 2013 proposal was rejected, Divest McGill has expanded in both scope and size. According to the letter Divest McGill submitted to the CAMSR, the main petition contains over 1,500 signatures, compared to over 750 signatures for the two petitions they submitted in 2013. In addition, the group has garnered support from different demographics within the McGill community, according to members of Divest McGill. 

“We have a faculty group, we have alumni support, we have so many more students who are a part of the process and a part of our core group,” said Amina Moustaqim-Barrette, Students’ Society of McGill University VP External Affairs and member of Divest McGill. “So there’s definitely pressure coming from a lot of different angles this time, which will help us a lot.”

Furthermore, Divest McGill is hoping that the CAMSR will be more willing to engage in discussion with the group. According to the cover letter submitted to the CAMSR, the board’s previous rejection of Divest McGill’s initial proposal did not allow for dialogue.

“We need a more constructive and serious engagement—with points of disagreement or instances of requirement for further evidence clearly and precisely stated,” the letter reads.

Chair of CAMSR Stuart Cobbett declined to comment for this story.

a, Martlets, Men's Varsity, Sports

The week that was for McGill Athletics: February 10th

Athletes of the week

Samuel Labrecque

This is Labrecque’s second Tribune Athlete-of-the-Week honour, and deservedly so. The freshman defenceman has been a revelation this season and has been on fire of late, scoring seven goals in his past five games. Labrecque scored the game-winning goals in both of McGill’s weekend games. On Friday, the freshman from Granby, QC silenced the opposing Concordia crowd at Ed Meagher Arena in the annual Corey Cup game when he slotted in the puck during double overtime. On Saturday against RMC, Labrecque took a pass from centre Marc-Olivier Vachon and scored with ease. Following in the footsteps of last year’s CIS Defenceman-of-the-Year Ryan McKiernan, Labrecque has been a force to deal with on the blueline and gives the Redmen an added dimension moving forward in the playoffs. 

Alex Kiss-Rusk

Kiss-Rusk, a junior centre from Beaconsfield, QC, was dominant in the paint for the Martlets in their two weekend victories against the Concordia Stingers. Kiss-Rusk, who stands at 6’4”, is the tallest member of the Martlets and showed an innate ability to take over the game in both contests, averaging 17 points and 12.5 rebounds per game. She has displayed flashes of potential throughout her career at McGill, but has put together three straight games with double figure points and near-double figure rebounds. If she is able to continue on this trajectory, the Martlets should have no problem securing the RSEQ and will bring an unparalleled size advantage to the CIS National Championships, which may just result in a gold medal. 

Beyond the box score

Redmen Basketball 

The Redmen (8-4) split a pair of games against the Concordia Stingers (6-6) this past weekend. After coming from behind to take the first game by a score of 65-60 at home, the Redmen lost an ugly one on the road 51-44. While the Redmen dropped two of their past three games, the emergence of sophomore shooting guard Regis Ivaniukas has added a new dimension to the team’s offence. Ivaniukas scored a career-high 16 points off the bench to lead the thrilling comeback victory on Thursday night. Former starting point guard Ave Bross also had a great shooting night, coming off the bench to score 10 points. It was a different story on Saturday night. While Ivaniukas delivered once again with 12 points, the starting five went ice-cold for the Redmen. Captain Vincent Dufort and guard Dele Ogundukun shot 0-17 on the night, and turnovers plagued McGill all game. McGill will look to get back to its winning ways against Bishop’s (6-6) next weekend.

Martlet Volleyball 

Although the no. 9 CIS-ranked Martlets (11-8) entered the weekend with a legitimate chance to make the RSEQ playoffs, they lost both matchups, first to the Sherbrooke Vert et Or 2-3 (12-6) at home on senior night on Thursday and then to straight sets against Laval in Quebec City on Saturday. The weekend mired an otherwise successful season for the Martlets in which they were a challenger throughout the season in the grueling four-team RSEQ. McGill will be losing a lot of talent to graduation this spring as Marie-Christine Lapointe, Virginie Hebert, Marie-Pier Durivage, and Daphnee-Maude Andre-Morin, will all be graduating. Fortunately for the Martlets though, they have a seasoned head coach in Rachèle Beliveau, who will be tasked with reshaping the Martlet squad for next season. If Beliveau’s past record is any indication, the program will undoubtedly be able to bounce back.

Redmen and Martlet Swimming

On the first day of the RSEQ Championships the Redmen 4x50m freestyle relay was sensational with a time of 1:31.96, which won gold and set new RSEQ and McGill records. The Redmen relayers also picked up a bronze in the 4x100m medley relay, while the Martlets notched a silver medal in the 800m freestyle, 4x50m freestyle relay, and the 4x100m medley relay. The Martlets set a tean record in the 4x100m medley relay (4:12.54), On the weekend, the women were led by team captain Katie Caldwell. The junior from White Rock, BC led by example despite being hampered by a knee injury, leading the Martlets with three silver medals and two bronzes. On the Redmen side, Michael Luck—a senior from Beaconsfield, QC—led the squad with three gold medals, one silver medal, and two bronze medals. On the weekend, the Redmen finished third behind Montreal and Laval, while the Martlets finished in second. Eighteen swimmers will be flying to Victoria, BC to compete in the National Championships from Feb. 19-21.

By the numbers

8 – The Redmen hockey team’s winning streak going into the playoffs. 

1:31.96 – The record-setting, gold medal-winning time for McGill’s 4×50 relay team at the RSEQ swimming Championships. The team was composed of Gabriel Fortin, Luke Robert, Marc-Andre Benoit, and Michael Luck. 

1,001 – Games coached by Martlet volleyball Head Coach Rachèle Beliveau over 24 seasons. 

a, Arts & Entertainment, Music

Joshua Radin: The subdued singer beyond Scrubs success

Joshua Radin recently released his new album Onward and Sideways, a heartwarming set of love songs dedicated to a woman in Sweden who happens to be his new girlfriend.

“I didn’t expect it to be an album, I expected it to be love letters for her,” Radin said. “This album is different for me because it came out of a period of time and a motivation that was different.”

Radin, who is currently on an international tour across the U.S., Canada, Europe, and Australia, spoke to me from Northampton, Massachusetts during his lunch break.

“I don’t usually do college interviews, but McGill is a great school,” he said. Radin himself attended Northwestern University, where he studied visual arts, pursuing painting and then writing. As for why he chose music in the end, he said that it was both creatively fulfilling and practical.

“I like to be creative and express myself,” Radin explained. “I want to stay as open and creative as I possibly can. Music was the first thing I tried where I could actually pay the bills.”

Radin has a warm and contagious laugh and is unguarded and honest about his music. Known for pouring his heart out into his songs, Radin is always open about the meaning and inspiration behind each one.

“Most of my songs are basically journal entries,” he shared. “And I think that’s what people relate to.”

Radin’s success story is well-known among his fans. He played the song “Winter” for his friend, Zach Braff, who urged him to submit it to the creator of Scrubs. Radin’s music was then requested by others in the industry and has now been featured in hundreds of movies and TV shows. Ten years and six albums later, Joshua has toured the world and been on top charts with songs like “I’d Rather Be With You” and “Beautiful Day.”

“I’m like that seasoning in your food that no one knows is in there,” he said of his own fame. “In your iPod, you probably have a song of mine in there but you don’t know it. I’m not the bun or the meat or the lettuce or the tomato, but there’s a seasoning in there that you can’t quite put your finger on.”

Radin has, in many ways, achieved what could be considered an optimal level of fame and success.

“I love being able to walk down the streets and do something embarrassing and not have to worry about having photographers around photographing me because then it might be in every magazine,” Radin said. “I don’t know how people live like that. What a nightmare.”

Still, Radin’s music is everywhere, even if his face may not be.

“I’m drinking coffee in a restaurant right now before I have to go to sound check and my song just came on the speakers,” he laughed.

Like many university graduates, Radin was not sure what he wanted to do, and he said that he doesn’t like how young people are pressured to choose a specific path.

“If I had to give any advice to college students, I would say to take a little time and just go travel and have some experiences, and then figure out what you want to be,” Radin said. “I didn’t even know who I was at all when I was 22 and graduating college. I didn’t know how I could possibly pick a career when I had no idea who I was.”

Radin will be coming to Montreal on Monday, Feb. 9, but he has been here a few times before.

“The people are just so lovely and I love Old Montreal,” Radin said. “I’ve had some great times walking around there, especially in the summer.”

He also claimed to be prepared for winter in Montreal. “I’ve got long underwear, I’m ready to go.”

Joshua Radin will be performing on Monday, Feb. 9 at the Corona Theatre (2490 Notre Dame). Doors open at 7 p.m. Tickets are $27, $30 at the door.

Mercedes-Benz

The Mercedes S-Class Coupe is ultra-luxurious

thats-big-enough-to-generate-449-horsepower-and-516-pound-feet-of-torque
This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

a, Arts & Entertainment, Film and TV

Ann Arbor Film Festival Tour stops in Montreal for nine-film showcase

"Even though it is abbreviated, these three days represent what is happening in contemporary moving picture culture,” said David Dinnell at the opening of the 52nd Ann Arbor Film Festival Tour in Montreal. “Even just tonight contains most of the field’s genres,” he continued. “The nine pieces from six countries we are presenting include computer and hand animation, photography, documentary, and narrative works.”

This tour is meant to bring the films present at the Ann Arbor Film Festival—the oldest experimental film festival in North America—to people who may want to see these unique works but cannot travel to the festival itself. The second day of the festival tour, held at Cinematheque Quebecoise, presented—as promised—an impressive diversity of works over 86 minutes in differing styles, ranging in themes from depressing to humorous.

 

  • bbrraattss

    The showcase began with the glitchy, uneasy bbrraattss by Ian Cheng (3 minutes), a computer animated piece consisting of only a hunter and rabbit spastically bumping into each other in a barren, white emptiness. With hands that never stop unpredictably spinning, completely inexpressive expressions, and a soundtrack of only a deep bass resembling a monster’s low snore, this piece informs the viewer that they are about to experience something not commonly found in theatres.

     

  • Velocity

    Velocity by Karolina Glusiec (6 minutes) followed this jarring piece with its soothing, impressionistic hand-drawn animation of objects and ideas. The narrator described several personal memories and theories on the faculty of memory while showing doodle-type drawings of these ideas, going into detail when the description becomes specific, but showing only an outline when venturing closer to theoretical thought. A wonderful foil to the anxious opening, the audience is given the appropriate opinion that they will not be able to predict what happens next in the festival.

     

  • The Blazing World

    Next, a longer film, The Blazing World by Jessica Bardsley (20 minutes) explored the link between kleptomania and depression in teenage and adult women. Using only clips from existing films, along with deeply personal narration and subtitles, Bardsley discusses her own experience with both issues and their connection to Winona Ryder—who first portrayed a character similarly struggling in Girl, Interrupted (1999) then experienced them in her own real life. A bit long and repetitive, this “video essay” did not deliver any closing lesson or story, merely providing stories and thoughts until it abruptly ended.

     

  • Cold Open

    Cold Open by Seamus Harahan (12 minutes) pursued a similar theme of monologues exploring personal vice, but this time concentrating on alcoholism. While a man and his wife spoke on his problems related to alcohol dependence, the film presented rural scenes of life in Belfast, the home of the speakers. With even less connection between the visual and audio elements than the previous piece, this also lacked cohesion and seemed to focus too much on finding a metaphorical connection between words and image while ignoring anything for the audience to be physically attuned to.

     

  • Lagos Island

    The next three short films explore a location in unique styles. DER SPAZIERGANG by Margaret Rorison (3 min) concatenates a year’s worth of short video clips and still images into a rapid slideshow of Berlin streets, accompanied by field recordings of the streets augmented with a handmade beat sequencer. Karimah Ashadu’ Lagos Island (4 min) showed the homes of inhabitants of the titular island along the coast by encasing the camera in a wheel made of debris found on-site and rolled along a path. Although ingenuitive, this technique can make the audience dizzy as they are rolled along, inciting confusion. Mount Song by Shambhavi Kaul (9 min) explored a jungle set with correct angles and effects to make it seem truly alive. Smoke pours in, lights shake, and a breeze blows the foliage as the camera pans a convincing ‘natural’ space.

     

  • Encounters with Your Inner Trotsky Child

    The funniest film was easily Encounters with Your Inner Trotsky Child by Jim Finn (21 min), which satirized high school education films with a deadpan narration and cheesy graphics instructing the viewers in the proper process for freeing their ‘Inner Trotsky Child’ and expelling the evil communist and capitalist influences within them. Although well done, this piece goes on a bit too long and the joke wears thin.

     

  • The Great Rabbit

    The final film, The Great Rabbit by Atsushi Wada (7 min), is a stimulating, cyclic animation of a series of boys receiving balls from a rabbit on a chair, then being attacked by animals and connecting to other characters until eventually returning to receive another ball. Beautifully drawn, this calm piece provided a fitting end for the chaos and surprise of the evening.

     

a, McGill, News

Redmen football player acquitted of assault charges, returns to team

McGill Redmen football player Luis-Andres Guimont-Mota charged with assault was acquitted last Thursday and has been reinstated in the team. Guimont-Mota, Management student and running back for the Redmen football team was arrested in September 2014 after his then-wife accused him of domestic violence. According to the Global News, Guimont-Mota’s case was dropped when his then-wife did not show up to testify against him. 

After Guimont-Mota’s arrest was made public in September, McGill administration issued a statement that he had been suspended from the team. The office of Deputy Provost (Student Life and Learning) Ollivier Dyens later sent out a mass email to McGill students on Sept. 16, 2014, disclosing Guimont-Mota’s previous assault charge in 2010 without referring to him by name, and claiming he should not have been allowed to participate in the varsity sports team. 

“This individual should not have been invited to join our team,” the message read. “That was not in accordance with the values of our community.” 

The statement led to Redmen  Head Coach Clint Uttley’s resignation, who said he could not work for an organization that does not embrace equity and inclusiveness.

“The […] statement does not represent my personal morals or values with regards to sport, recruiting, and life in general,” Uttley said at the time of his resignation.

Dyens said the university administration had communicated with the coaches and looked to make progress. 

“We’re moving forward with Athletics,” he later told the Tribune. “We’re building a good system now for all involved, for the whole community.”

Dyens commented on Guimont-Mota’s acquittal and return to the team, saying that the suspension would be lifted.

“When we made the original statement, [it] said he shouldn’t have been recruited, but we did [recruit him],” Dyens said. “So now we’ve had a commitment to him, we’re going to honour that commitment [….] The charges for domestic abuse—he was suspended for those charges, not for the previous ones.”

In the Sept. 16 email, Dyens referred to previous incidents with McGill athletes, and said there would be in-depth reviews of rules and regulations governing participation in varsity sports. He elaborated on the process further. 

“We’re reviewing the McGill varsity guide, to make clear [the] code of conduct,” Dyens said. “Athletes will be able to give their input [….] We’re also discussing [with] some coaches [on] principles on athletic eligibility, on what principles we can do that.”

Former Redmen quarterback Dallon Kuprowski commented on Guimont-Mota’s return to the team. 

“I’m no longer involved, but I assume […] at this point he is just another varsity athlete who’s performing at McGill,” Kuprowski said. “[He] is expected to behave in a manner that falls in line with what McGill wishes to portray [and] what McGill expects of their student athletes.”

a, Science & Technology

BASiC breaks down barriers

The sixth annual Combining Two Cultures (C2C) conference was held this past weekend at McGill. Hosted by the Bachelor of Arts and Science Integrative Council (BASiC), the event included presentations from McGill professors specializing in integrative techniques, intensive workshops, Montreal tours, and a networking social. Initially held in 2009 at McMaster University, the conference celebrates collaboration between students and encourages the development of interdisciplinary studies. This year, students from McMaster, Guelph, and Waterloo were also in attendance. 

President of BASiC Matt Satterthwaite emphasized how crucial conferences like this can be for the development of the relatively new Arts & Science program at McGill. 

“We’re still really trying to find our identity both as a program and as a council,” Satterthwaite said. “I think being able to host a national conference like this and allowing us to bring  Arts&Sci kids from across Canada­—[getting] their experiences and see what different schools are tackling as an arts and science program­—can help us better shape our program and increase our Art&Sci community here at McGill.” 

Last year’s conference was held at Guelph University by Arts & Science student Kamelia Valkova and her own BASiC committee. Currently in her last year at Guelph, Valkova is working on a thesis that focuses on interdisciplinary studies and stresses the importance of collaboration, especially in an integrative program. 

“It’s valuable to be able to network with other students from other programs because it gives you insight into what’s good about your own program and how other programs are doing theirs,” said Valkova. “I find that every year I’ve been able to talk about what things I’m studying, and I find I always enrich my own experiences.”

Speakers for the conference included many Art&Sci professors including Ariel Fenster, Ian Gold, Margaret Somervile, and Samer Faraj. Due to a last-minute illness, professor Gabriella Coleman was not able to speak.  

The presentations focused on bringing together multiple disciplines to tackle previously stagnate subjects and bring forth new, inspiring, and enlightened ideas. Gold spoke about combining philosophical theories of social defence mechanisms such as threat and suspicion with neurological brain functions to rationalize strange beliefs. Later that day, Fenster, chemistry professor at McGill, gave a light-hearted presentation of social calculations of risks using food and wine as a backdrop for the discussion. 

Other cross-disciplinary discussions of the weekend included neuroethics, consciousness, programming, and  cross-disciplinary collaboration in health care systems. The conference consistently encouraged understanding the importance of not only bringing two different subjects together, but also building and working with them to create a whole new field greater than the sum of its parts. 

Hayley Throne and Rebecca Little attend a very similar program at Waterloo, one that integrates environmental studies within a multitude of faculties and programs. Both believe that integrative studies are monumental to many fields usually considered singular.

“The reality is real world problems don’t fall into a singular discipline, and we need experts that have knowledge of various disciplines but also people who are able to communicate with them and are able to get them to collaborate,” Little said

“Our biggest social problems are beyond one scope,” Throne said. “Being able to work together is the right way to tackle problems.”

Next year’s C2C will be held at Waterloo University in Waterloo Ontario.

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