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a, Chill Thrills, Student Life

Chill Thrills: Keeping it cool at Carnaval de Quebec

Before midterms start to constrict your weekends, take a short trip off to Quebec City—the old, charming, and snowy provincial capital just a three-hour drive away. Every year, the city hosts Carnaval de Québec, one of the world’s largest winter festivals, going on from now until Feb. 15. Almost a million people attend the festival each year, and each week offers new exciting events, ranging from the World Snowshoe Championship, the International Snow Sculpture event to the masquerade winter ball. If you are willing to face the bitter cold for countless hours, then Carnaval is an opportunity not worth missing.

 

  • Bonhomme’s Ice Palace

    The Ice Palace is a staple of the Carnival festivities. The large castle shaped as a snowflake provides an enthusiasm one might get from entering the palace from Frozen, even if it is not of the same magnitude. The massive ice bricks tower at least 20 feet in height, dividing the castle into multiple rooms. You can sit upon Bonhomme’s—the festival’s snowman mascot—throne, warm your numb hands by the fire, or, if you want to relax for a little longer, hang out in one of the beach chairs. The evening is the ideal time to explore the palace, as blue lights cast an eerie, yet surreal glow onto the large bricks of ice.

     

  • Hot tub

    Most nights at Carnaval reach a bitter -25C. While large fires litter the park grounds, the best and most exciting way to stay warm is to hop into one of the steamy hot tubs. Only a handful of festivalgoers actually take the time to enjoy the tubs; crowds of people spectate those rare few in a mix of astonishment and envy. There are multiple tubs to choose from, so you can take a bath solo or enjoy it with a large group of friends. While the alternative is to sit in one of the enclosed sauna rooms, the hot tubs will provide far more of a story to take home with you. Careful not to put your hair entirely into the tub, or be prepared to feel your locks quickly transform into icicles as the night progresses. Also remember to bring your own bathing suit and towel.

     

  • Crowning of the Carnaval Queen

    The opening ceremony on Jan. 30 welcomed the festival with music, fireworks, and dancing. The main event of the evening included the crowning of the Carnaval Queen, who was picked amongst seven different Duchesses who represented various districts across the city. The Duchesses were assigned various assignments to be completed in the weeks prior to the crowning, and whoever finished the most was crowned queen. Bonhomme himself crowned the queen with an extravagant white crown. The stage area immediately lit up with fireworks and traditional Quebec folk music filled the speakers. Soon afterward, an unnamed DJ took the stage to play hits from 2005 while a crowd danced their hearts out in snow pants. Such events take place every Friday and Saturday night, but if you are looking for a more exciting atmosphere with more modern music, it would be best to stick to Igloofest. For a more wild evening after the Carnival festivities, head to bars on Rue St. Jean.

a, News, PGSS

PGSS secretary-general resigns, cites personal issues

Post-Graduate Students’ Society (PGSS) Secretary-General Juan Camilo Pinto submitted a letter of resignation on Jan. 20 to the PGSS Board of Directors (BoD). If Pinto’s resignation is approved by the next PGSS Council on Feb. 3, he will step down from his position on Feb. 16. A nomination period for an interim secretary-general will run until Feb. 9.  The voting period for a subsequent  special election will run from Feb. 18 to 24. 

“I regret to inform you that I am resigning from my position as secretary-general of the PGSS for personal reasons.” Pinto’s resignation reads. “Although it sadness [sic] me to leave, I deeply appreciate the assistance and support you provided me during my tenure.”

The PGSS BoD placed a motion of censure on Pinto on Nov. 13, stripping him of his human resources (HR) responsibilities. According to the report of PGSS Council Director Régine Debrosse at the Dec. 3 Council meeting, the BoD’s decision was motivated by several complaints about Pinto’s behaviour from PGSS staff members, including a complaint regarding Pinto’s conduct towards staff at the PGSS Halloween party.


 

Mouse over the timeline to learn more
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OCTOBER
Pinto's executive Committee chairing duties taken over by Members Services Officer Jennifer Murray

 

 

 

 

 

 

 

NOVEMBER
PGSS BoG censures Pinto, strips him of HR responsibilities

 

 

 

 

 

 

 

DECEMBER
PGSS executive committee holds a vote of condence on Pinto, votes 'no'

 

 

 

 

 

 

 

JANUARY
Pinto submits a letter of resignation to the PGSS BoD

 

 

 

 

 

 

 

FEBRUARY
Pinto's resignation to be approved by PGSS Council.

 

 

 

 

 

 

According to PGSS Financial Affairs Officer Nikki Meadows, the censure motion was not solely a result of the incident at the PGSS Halloween party. 

“The censure was based on conduct unbecoming of that member,” Meadows said. “There were also issues with staff. The Halloween issue was one staff member, but there were also other complaints from staff members about treatment and behaviour and how things were going, so it wasn’t simply a one incident thing that led to that censure.”

On Dec. 10, the PGSS executive team voted “No” during a vote of confidence regarding Pinto’s capabilities as Secretary-General. According to Meadows, The vote of confidence aimed to express the executives’ sentiment regarding Pinto after he had been given time to improve following his censure. 

“Our bylaws don’t have a prescription for what happens for a vote of confidence,” she explained. “It’s something that the Board of Directors felt was necessary, so they asked us to take it. I think the board wanted to see where the executive committee was after giving the secretary-general some time to try to fix some of the issues that had been brought forward.”

Pinto states that his resignation was not motivated by the vote of no-confidence or the censure. 

“When the censure passed, I accepted my responsibility [for] the things that I was responsible for [and] I continued my work—proof of that is the CFS referendum,” he said, referring to the recent PGSS referendum that passed with a majority vote to disaffiliate from the Canadian Federation of Students (CFS). “The reality is that my research as a whole was suffering [….] It’s in rare cases that you have someone managing a research team plus being the president of an association, plus doing a PhD, plus doing sports. It’s a big combination that I had, so I had to pick something [to drop], and sadly it was PGSS.”

Meadows cited communication difficulties as a main issue for the PGSS executives during Pinto’s term as secretary-general. 

“If you read our bylaws, you see that one of the main hubs of communication is the secretary-general,” she said. “When that role is not functioning at optimum level, there’s going to be communication issues.”

Pinto explained that he initially had a different conception of the secretary-general’s responsibilities. 

“[In Colombia…] we approach things very directly,” he said. “It took me a long time to realize that I’m in a position where the [secretary-general] is not technically president—it’s a person who’s in charge of communicating [….] It was for me a new thing to try and figure that out.”

Going forward, Meadows stated that she is confident that the PGSS executive team will be able to continue their work as usual.

“I’m hopeful; I think we have a team that can work with anyone,” Meadows said. “I think that with [the] uncertainty lifted [on] what’s going to happen with our internal conflicts […] in some ways it makes it easier for everybody [….] We’re still making achievements on our portfolios, we’re still holding lots of events and doing lots of things, so in the end, the work still continues.” 

Pinto stated that he feels he is leaving his position on a positive note.

“I’m very happy I had the opportunity to do this, I made an impact on the graduate committee, which was my purpose when I ran for secretary-general,” he said. “I leave on a happy note, I really like my job […] and I wish I could do it more.”

He explained that he hopes future members of the PGSS executive will prepare thoroughly before running for office. 

“Institutions like this, they not only need leaders, they need good people,” Pinto said. “They need people who are willing to follow the rules […] who are thinking about the institution and not thinking about themselves [….] I will also say that a part of it is very taxing and people should study before doing this […] I would advise people […to] read the bylaws, and [to] understand the job very well.”

a, Science & Technology

Academia Week highlights 2015

  • The curious, the questions, and the answers

    From Jan. 26 to 30, the Science Undergraduate Society (SUS) hosted its annual Academia Week. The event sparked students' curiosity about science and life in academia, bringing in world-renowned scientists to present interesting questions related to their field of work.

     

    SUS Academia Week is made up of five days of lectures, workshops, and information sessions geared around academia. The week features workshops on applying to grad school, writing standardized tests, obtaining funding, and lectures on cutting-edge research ranging from healthy eating to the birth of the universe.

     

    "We look for topics that people will find really interesting," said Vivian Ng, co-director of Academia Week. "Interdisciplinary talks are something we've really been trying to drive towards [….] We never wanted it to just be hardcore science—we wanted it to be relatable to others."

     

    These interdisciplinary subjects draw students from a variety of faculties. Academia Week not only shows science students new ways to get involved with research, but also introduces students from Arts, Engineering, and Education to the role of science in the world.

     

    "People tend to think that science is just 'one thing,’ like just research or just classes,” explained Annie Tseng, Academia Week co-director. “For me, what's so important about Academia Week is that [it] exposes you to the fact that science is not just excluded to one little thing in class that you learn.”

     

    But at its core, beyond interesting applications, Academia Week is about showing people how cool science can be.

     

    "I think Academia Week inspires curiosity,” Tseng said. “Nobody is tied down to come to these talks; they come because they're sincerely interested and want to learn [….] When I see the number of people who after going to the presentations stay [to chat with the speaker,] that's the moment that makes me the happiest.”

     

     

     

  • The sound of music

    SUS Academia Week kicked off on Monday with Dr. Robert Zatorre, a neuroscientist who studies how the brain processes music and seeks to explore the neurological basis of the answer to this question.

     

    Music has been around for about as long as humans have. Archaeologists have found bone flutes dating back approximately 35,000 years and have found music in every culture, from the familiar diatonic scale to the maqams of the Middle East.

     

    To find out why music is so pervasive, scientists have turned their attention to the brain. Early brain stimulation studies in the 1960s found that when certain areas of the brain were electrically stimulated, patients were hearing music. As neuroimaging technologies grew more sophisticated, scientists were able to pinpoint exactly which brain regions are activated by music.

     

    One interesting discovery from these studies is that there is a large overlap between the brain areas activated when individuals imagine music and when they hear music. The specific structures involved are located in a range of areas in the brain, from the frontal cortex to the temporal regions located near the ears.

     

    But beyond mapping brain regions associated with music, Zatorre’s research explores why humans like music in the first place. A survey of McGill students found that it ranked above food, money, and art as a source of enjoyment, and similar studies have found that it consistently ranks in the top 10 sources of pleasure.

     

    Listening to music activates similar pathways in the brain that eating food and taking drugs like cocaine and amphetamines do. It also increases production of dopamine, a neurotransmitter associated with pleasure.

     

    To study this phenomenon more closely, Zatorre looks at the physiological experience of “chills” when listening to music. Functional brain imaging techniques allow researchers to look at what’s going on in subjects’ brains in almost real time as they undergo a chill.

     

    At the moment a subject experiences a chill, skin temperature decreases, heart rate goes up, and certain brain regions are activated. There are two major areas that light up: One in the leading-up to the chill, found in the front of the brain and associated with cognition, and another associated with the moments after the chill, found in the back of the brain and associated with emotions.

     

    Zatorre says that it’s this interplay between brain structures that makes music so enjoyable.

     

    “Humans have found a way to link up these two [brain structures] in ways we don’t yet understand, such that what starts off as an abstract set of sounds ends up being pleasure by virtue of these two systems working in sync,” Zatorre summarized.

     

     

     

  • The light at the end of the tunnel

    When we talk about death, we typically approach it from the religious and philosophical side of things. However, as part of SUS Academia Week, two speakers took the floor on Tuesday to discuss the physical realities of death.

     

    The first speaker was Christine Gaspar, president of the Cryonics Society of Canada. Cryonics, which involves cooling a recently deceased person to liquid nitrogen temperatures in order to keep their body preserved indefinitely, was introduced in 1962 by Robert Ettinger and has been increasing in popularity ever since.

     

    The basic premise behind this technology, as described by Gaspar, is that “the survival of the structure means the survival of the person.” By preserving the body through the process of cryonics, scientists hope to be maintain patients in a form of suspended animation until the future, at which point medicine will have advanced to a degree where treatment options are available to them.

     

    “Cryonics should be viewed as an ambulance,” Gaspar explained. “What we’re arguing is that the expert medical staff at the hospital, not 30 minutes from here but 30 years from now, will be able to take what was considered lethal today and, as a matter of routine, prepare and treat it successfully.”

     

    As part of her lecture, Gaspar addressed the many questions and uncertainties people had regarding the effectiveness of cryonics, and acknowledging certain flaws in the technology.

     

    “The chances are not great for this to succeed,” Gaspar admitted. “But […] the alternative is just to be put into the ground—and you are not coming back at that point.”

     

    Ultimately, Gaspar relented that much of the discomfort people feel towards cryonics is primarily ethically based.

     

    “I get a lot of vitriol about this—how dare I try to mess with the natural human life span?” Gaspar said. “And I look at this with a different moral argument [….] It’s rooted in human dignity and human life. I don’t know when I’m going to die, but I’d like to do everything I can and do everything within my power to [delay it].”

     

    The next speaker, Professor Geoffrey Noël, Director of the Anatomical Sciences Division at McGill, took the talk in a different direction to focus on what happens when people donate their bodies to science. First focusing on the importance of becoming an organ donor, Noël started with a basic discussion on how one applies to have their body donated to science, before moving into a more technical discussion of what donated bodies can be used for.

     

    “Most of the people wanting to work with these bodies are medical students,” Noël explained. “That’s still the case; but after that [is] the training of residents. These bodies are [also] used for a lot of research [….] Biomechanical studies—you don’t want a surgeon to see if you have the full mobility of your arm after surgery, you want them to know beforehand. There are some imaging techniques […] and finally of course there’s the need to test new surgical approaches.”

     

    Noël proceeded to describe various discoveries made through the use of using donated bodies in research, including the design of new prosthetics and improved treatments for scoliosis.

     

    Noël concluded his talk by driving home the ultimate benefit that donated bodies provide to those utilizing them. Everyone is different, he explained, and that’s what practitioners need to learn. Ultimately, the best way to do this is by practicing on as many different cadavers as possible, making donated bodies invaluable.

     

     

     

  • Underwater robot project

    Jonathan Tremblay, a Computer Science Ph.D. candidate at McGill, kicked off Wednesday’s SUS Academia Week talk with an algorithm, asking the audience to count the number of people in the room. Everyone in the audience stood up and through polite introductions and forced small talk, fumbled before finding a sum of 38.

    The trick is, Tremblay pointed out, the algorithm never told us to say anything to another person. But as humans, we interpreted the algorithm beyond what it asked us to do.

    “The algorithm didn’t tell you to do these things,” Tremblay said. “Humans aren’t good at following these directions.”

    Tremblay’s research focuses on creating algorithms to test video game design. He posits that if he needed to test a video game level 1,000 times, he’d need to find 1,000 friends to play the game for him.

    Tremblay uses rapidly-exploring random tree (RRT) algorithms to test game space. RRT is focused on a simple algorithm that yields powerful results in determining game space qualities.

    The algorithms get trickier when gamers have to navigate around enemies and guards, because adding another dimension of time requires recalculation.

    With the ability to run simultaneous tests and create heat maps of aggregate player movement, Tremblay is able to gather information quickly about a game level. RRT is able to efficiently answer questions such as: Where did you die? Where did you fight the guards? Where did most of the players go? Which path is safest?

    Following Tremblay’s presentation, team SONIA (Systeme d’Operation Nautique Intelligent et Autome) from Montreal’s Ecole de technologie superieur, brought its autonomous underwater vehicle (AUV) to Wednesday night’s talk.

    The undergraduate team outlined the calculations and statistics that went into the creation of its AUV. Since 1999, SONIA has been competing in an annual RoboSub completion that puts its AUV to the test with tasks that change every year.

    “All these effects cannot be planned, [so] we must always be ready to react,” explained team member Jérémie St-Jules-Prévost.

    As a result, SONIA’s AUV is equipped with spatial sensors, cameras, and acoustic pingers but maybe most importantly, “we can shoot torpedos,” he beamed.

     

     

     

  • The origins of the universe

    On Thursday, physics professor Robert Brandenberger introduced his talk by asking the audience questions that sought to push the limits of scientific inquiry.

     

    “The goal of cosmology is to understand the origin and early life of the universe,” Bradenberger said. “Where does the universe come from? What is spacetime? Was there a Big Bang? If there wasn’t a big bang, what was [there]? These are the types of questions which humanity has asked for centuries, and for a long time, these questions were thought to be outside the realm of science.”

     

    Now, however, answers to these questions lie within the domain of physics. Admittedly, the physics required to answer these questions is different from what’s covered in high school or PHYS 101.

     

    Physicists need to use Einstein’s theory of general relativity to describe the universe on a large scale. To describe the universe on scales smaller than the size of atoms, however, the rules of quantum mechanics are required.

     

    “Matter can be described on large scales by classical physics, but on small scales, classical physics breaks down—that’s where quantum mechanics takes over. If you want to describe the early universe, you need quantum mechanics. But the quantum mechanics you learn in the most advanced undergraduate physics class is inconsistent with Einstein’s theory of general relativity. So you need something better, and this is where you need superstring theory,” explained Brandenberger.

     

    According to string theory, matter at its most elementary level is made up of tiny vibrating strings. The way that these strings vibrate determines their properties—just like the way a guitar string’s vibration determines what note it produces.

     

    String theory is just one theory that attempts to describe the origins of the universe, and Brandenberger spent much of his talk describing the birth of the universe itself. Current evidence suggests that about 13 billion years ago, the universe was incredibly small, then it exploded outward, expanding exponentially in an “inflationary period” before settling down to a slower growth rate.

     

    “That’s the Big Bang,” Brandenberger said. “It’s a point, a finite time back, when the density and temperature were infinite.”

     

    The notion of infinity is at odds with what physicists observe in the universe. Ovens do not produce an infinite amount of heat, and events occur in finite amounts of time. Nonetheless, this picture of the early universe is currently the most plausible one.

     

    Brandenberger’s presentation revealed there is much we do know about the universe—its composition, growth, and constituent particles—but there is even more that we still need to learn.

     

     

     

  • Are we addicted to food?

    Professor Alain Dagher from the Montreal Neurological Institute and McGill’s Department of Neurology began Friday’s talk by explaining why it’s hard to be a koala.

     

    “It has nothing to learn about the world in order to feed itself,” Dagher explained. “The leaves of the eucalyptus tree have all of the nutrients that it needs.”

     

    Because of this, if the koala were to be placed in an environment where there was no eucalyptus, it would likely starve. Omnivores, on the other hand, can eat all foods, a trait that has allowed two species of omnivores—humans and rats—to exist almost anywhere.

     

    However, when entering into a new environment, the brain must learn about its new food sources. Omnivores will use their brain to respond to the body’s needs. If the body needs salt, the brain will trigger a response to seek out salty foods. However, the body will have had needed to be previously exposed to those foods high in salt content. In particular, it’s crucial to learn which foods are high in calories, Dagher explained.

     

    “Nothing in the brain makes sense except in the light of eating,” Dagher said. “You can consider the brain as an organ designed to find food.”

     

    Today, some are going so far as to say that hunger is an addiction to food.

     

    From an early age, we are conditioned to associate hunger and feeding via reward pathways. Babies with empty stomachs experience discomfort, cramps, and anxiety that cause the baby to cry. In response to this, the mother will feed the baby, relieving those pains. This cause-and-effect conditions the baby to associate food with pleasure.

     

    Furthermore, because of the risk associated with going out to seek calories, humans want to store calories to be able to access and use them later. So no matter how satiated a person may feel, the sight of food will still induce cravings.

     

    “The sight of food can induce craving—even when we’re not calorie deprived—and hunger is learned,” Dagher said.

     

    These traits, Dagher explained, are pushing people to label hunger as an addiction to food. When a person is addicted to drugs, the sight of the drug induces cravings. For example, the sight of a cigarette will trigger a person trying to quit smoking.

     

    Furthermore, the ability to control these cravings is based on what are often called the ‘big five personality dimensions’. The five factors are openness, conscientiousness, extraversion, agreeableness, and neuroticism.

     

    “The important ones are conscientiousness, neuroticism, and extraversion,” Dagher said.

     

    Those who have high conscientiousness and neuroticism are more likely to control their emotions, self-regulate, and will therefore be more likely to have a low body mass index (BMI). On the other hand, those who score high in extraversion were more likely to have low self-regulation and high impulsivity. These people are more likely to have higher BMIs and will live on average 10 years less than those with high conscientiousness.

     

    There is also an economic variable for food consumption.

     

    “Cognitive and emotional factors can overcome [your] taste and homeostatic system and control your behavior,” Dagher said. “A good example of this is allostasis, [the ability to predict future needs.]”

     

    According to Dagher, if a person is going on a hike, they will bring water with them, despite not immediately being thirsty, so they are planning for the future. This also applies to going to the supermarket, when we buy groceries for the week. Unfortunately, today, the less healthy foods—and therefore higher caloric foods—are cheaper, making people more inclined to purchase them.

     

    According to Dagher, 40 per cent of the recent increase in weight in the U.S. can be attributed to reduced food prices. As the cost goes down, we eat more.

     

    When this was necessary for basic survival in an agricultural society, it made sense to over-eat when food was cheap, and weight gains and losses correlated with harvest cycles.

     

    “If you’re wired to over consume when food is abundant and you have a society where food is always abundant—as opposed to certain periods of the year, especially processed food—you’re going to have significant weight gain,” said Dagher.

     

    So are we addicted to food? It’s hard to say, explained Dagher, because addiction doesn’t have a clear definition. But in order to further understand trends in obesity, it’s vital to understand how and why we respond to food.

     

     

     

a, Arts & Entertainment, Music

Pop Rhetoric: What’s in a name?

Viet Cong’s new self-titled album manages to make me feel excited about guitar-heavy jams despite living in an age where there is a glut of such music. This Calgary four-piece is on the cusp of the almost unobtainable—a career in indie rock. However, what’s up with that name? 

Is it a political statement? Do the members of Viet Cong want to critique American foreign policy and bait the political right? Or do Viet Cong seek to take on the name of an anti-American military group, ironically, to offend people of Vietnamese descent? In an interview with Impose Magazine, bassist-vocalist Matt Flegel elaborates on the band’s name choice. 

“The Viet Cong were always the badasses in movies,” he said. “I’ve looked into it a bit more since then, but I didn’t really know the history of it.”

This apolitical theme runs through their music. Viet Cong lyrics are solely about the personal—fear of death, alienation, and ennui. On “Pointless Existence” Flegel sings, “If we’re lucky maybe we will get old and die” over the faintest suggestion of a bass line and skittering drums. 

Yet despite the intent and innocence—or maybe ignorance—of the band, both the right and left were offended by the name. And though the name is perfect fodder for the right-wing outrage machine, political conservatives are relatively uninvolved in indie rock, so the majority of their most vocal critics are members of the left.

Viet Cong has no Vietnamese members, making their connection to the name suspect. That isn’t to say that if a group of Vietnamese or Vietnamese-Canadian artists chose the name instead of four white guys from Calgary that they would be free from criticism; rather, different dynamics would be at play.

The Viet Cong were a Communist/Vietnamese nationalist guerrilla group which operated in South Vietnam during U.S. occupation. The Viet Cong did not call themselves by that name, instead referring to themselves as the National Liberation Front. The name Viet Cong was a pejorative term created and used by Americans and their allies to refer to Vietnamese Communists.

Now for a dramatic understatement: The Viet Cong occupy a complicated place in Vietnamese history. Some Vietnamese viewed them as freedom fighters battling long-standing western occupation, while other Vietnamese people were brutally killed or alienated by their violent guerilla campaigns. In fact, the violence of the Vietnam War was a major impetus of Vietnamese immigration to North America. 

The cruel irony is that many immigrants who fled Vietnam faced multiple barriers after settling in North America. Especially in an American context, Vietnamese immigrants were discriminated against and ‘Viet Cong’ became a slur used to denigrate the Vietnamese who had fled the group’s violence.     

What does that have to do with a great post-rock band from Calgary? Nothing. Viet Cong’s music is brutal, austere, and overpowering. The juxtapostion of pop culture and war memories is meant to stir these types of emotion, but different groups of people have different experiences with this name. 

When I saw Viet Cong this past weekend at a packed Bar le Ritz PDB, I was incredibly impressed with the band. Exuding the confident air of a band who has found its groove after a series of near brushes with critical acclaim, the band commanded the room throughout the show. On the 11-minute album closer “Death,” the entire room swayed back and forth in unison as the song and show built to an ear-ringing end.  

I don’t think its name makes them a ‘bad’ band, but using the title Viet Cong as a sort of ahistorical signifier of loud and aggressive indie rock is incredibly myopic. 

However, the band is not rushing to defend its name. In the same interview with Impose Magazine, guitarist Monty Munro said, “We didn’t mean it to be offensive to anyone. But we do understand [….] I’m not gonna be indignant if someone’s upset about it.” 

Although there is a lot to talk about in Viet Cong’s music, the name warrants the same level of discussion and analysis. From Pitchfork’s mostly-white “People’s List” to the bassist of DIIV’s hateful reddit rants, there has been much criticism about the demographics of indie rock and the attitudes it breeds. Listening to critics  instead of defending problematic actions should be the first step towards a more inclusive musical movement. 

a, Arts & Entertainment

Album Review: Jessica Pratt – On your own love again

 

Los Angeles-based singer-songwriter Jessica Pratt is only 27 years old but returns on her second studio album, On Your Own Love Again , with an incredibly mature sound, reminiscent of an era long gone. Pratt’s music has a strong ’60s folk sound and with picked acoustic guitar and raw, bending vocals, this record delivers as an almost ethereal piece of work.

Superficially nothing more than a break-up record, delving behind the surface of the songs reveals themes more complicated than just that of the loss of a lover. Rather, the lyrics allude to the loss of loving as an instrinsic step towards loneliness. Her strikingly Kate Bush-esque voice—both haunting and somehow calming—is supported by a number of guitars and not much else. The result is akin to a series of reflective diary entries whimsically coming to life—totally private, and not for outside observations.

 

But here they are: Nine supremely well-crafted songs that bleed emotional insecurity. The almost amateurish instrumentals work in stark contrast to the intense state of confusion and loss she clearly feels.

 

“People’s faces blend together like a watercolour you can’t remember,” she opens with on “Games That I Play”—a statement that encompasses more than most of her musical peers would hope to accomplish in a lifetime. Standout track “Back, Baby” is a song that walks a fabulous line you didn’t know you wanted to hear between The Carpenters and Jenny Lewis. On album closer “On Your Own Love Again,” she tells her lover “you’re just on your own,” but with the knowing feeling that in fact, she’s the one alone.

 

Overall, the entire record remains true to its ’60s and ’70s aesthetic—it sounds old. And although it does begin to sound a lot like the “watercolour you can’t remember” that she references, it’s impossible to deny the old-world craftsmanship and songwriting that went into making this record, and for that, it’s brilliant.

a, Art, Arts & Entertainment

MMFA examines French Orientalism narrative of 1800s

 

In the midst of the frozen pipes, depressing darkness, and the icy sidewalks that accompany a typical Montreal winter, the Montreal Museum of Fine Arts (MMFA) is almost taunting the city to attend its sun-filled Marvels and Mirages of Orientalism exhibit currently on display. 

Focusing on the juxtaposition between the “staged pictorial” works of French Orientalist artists—most notably Benjamin-Constant (1845-1902)—and “documented realities” embodied in various drawings and photographs, the exhibit sets out to simultaneously reveal the raw beauty and gross stereotyping that characterizes the genre. The MMFA brilliantly succeeds in stimulating viewers’ imaginations, drawing them into a temporal snapshot of the past like moths to a light, only to smack them out of their stupor with pieces that reveal the stereotypes they might have just bought into. 

As a direct result of Napoleon’s campaign into Egypt and Syria in 1798-1801 and France’s colonial acquisition of Algeria in 1830, French Orientalism reflected the French public’s growing curiosity towards North African culture. Faced with a culture that was close geographically—yet so religiously and politically different—French artists, such as Benjamin-Constant, took to painting the hectic city life, serene desert landscapes, and women of the Orient. 

European fascination, however, quickly blurred into a form of romanticized stereotyping. The Orient as a whole was overly eroticized, women were objectified as mere components of a harem, and an increasing sense of North Africa’s ‘timelessness’, or lack of history, pervaded this inherently Eurocentric and colonial art style. This historical narrative behind Orientalism unfolds alongside the stunning art pieces of the exhibit in the form of wall-mounted paragraphs beside each work of art, and crucially grounds viewers in reality when faced with the “golden cage” of the harem.

From the very entrance of the exhibit the beauty and scale of the paintings are immediately apparent. George Rochegrosse’s Salome Dancing Before King Herod captures the complex intricacies of Moorish Architecture, captivating due to the fact that the buildings themselves seem impossible to build, let alone paint. Benjamin-Constant’s massive paintings The Last Rebels and The King Of Morocco Leaving to Receive a European Embassy both offer a glimpse into North African political organization, depicting the Sultan accompanied by the traditional royal parasol, and are stimulating from a historical perspective. At the same time, grand distortions of history are also frequent and most clearly seen in the Death of Cleopatra, by Jean Andre-Rixens, where history borders erotic-fantasy. 

The highlights of the exhibit, however, are the three contemporary Moroccan artists Yasmina Bouziane, Lalla Essaydi and, Majida Khattari, “who were invited to address these stereotypes” found in Orientalism. Lalla Essaydi’s piece Harem No. 2 is particularly striking—her photograph portrays a woman wearing a patterned blue dress seated upon a divan with the same pattern. 

This direct union between object and human, a critical response to the objectification of women found in Oriental Art, is powerfully effective in bringing these pejorative stereotypes to the fore. Essaydi “overwrites” the body of women to divert the common “voyeuristic gaze” and address the issues of “confining cultural attitudes.” The works of all three Moroccan artists seek to reclaim the artistic tradition embodied in Orientalism, but divorce it from the objectifying and restricting ideologies that unfortunately accompany it. This modern endeavour, after spending more than an hour and a half immersed in historically pejorative—albeit aesthetically beautiful—art pieces was a nice conclusion to the exhibit.

Marvels and Mirages of Orientalism ultimately offers viewers the chance to be genuinely swayed by the dreamy Orientalist depictions of 19th century North African culture, but in a way culturally correct that manages to still preserve the aesthetic beauty of the movement.

Marvels and Mirages of Orientalism runs until May 31, 2015 at the Montreal Museum of Fine Arts (1380 Sherbrooke Ouest). Student admission is $12 and $10 on Wednesday evenings.

a, Science & Technology, Student Research

This month in student research: Safina Adatia

 

New mothers are already under stressful situations, and to help minimize this, Safina Adatia has been studying the effect noise has on new mothers. Adatia, a student pursuing a Master of Science degree in family medicine, conducts her research in the postpartum ward of St. Mary’s Hospital in Montreal. 

The idea for the project came from the nursing staff’s realization that the noise levels in the hospital were affecting the mothers.

“This really spoke to me because I thought this was something that could have an immediate impact on a new mom,” Adatia explained.

After giving birth, mothers and their newborns need time to rest. Often, though, rest is interrupted by nurses, doctors, and excited family members, 

Under Adatia’s observant eye, St. Mary’s, one of the largest birthing centers in Montreal, is conducting a pilot project to institute quiet time for the mothers and newborns to bond and rest peacefully.

The project is currently being run in four phases. 

“We’re in the pre-implimentation phase,” explained Adatia. “We’re evaluating the current environment and measuring the number of interruptions that people are experiencing.” 

To do this, Adatia measures decibel levels of noise activity in the postpartum ward. She also conducts interviews with patients to determine comfort levels.

“[A] lot of new moms wished they had [a quiet-time intervention after] giving birth,” Adatia said. “[Many think] it would be amazing to have this hour, hour-and-a-half period to rest.”

The next steps, Adatia explained, will be analyzing and interpreting their obtained results. From this data, the team will enter the implementation phase and conduct trials. The fourth phase will be post-implementation, when the team decides if its work has resulted in a difference in the mothers’ experiences.

“Hopefully, quiet time gives mothers the ability [to recognize that] their own mental health is important,” explained Adatia. 

Self-care and adequate resting time for mothers is essential, as there is evidence to show that acute sleep deprivation can lead to increased risk of postpartum mental disorders and vascular dysfunction.

“In terms of the moms, I hope […] that [they] appreciate the quiet time, and take the idea of self-care beyond their time at the hospital,” Adatia said.

The feedback has been positive, she explained.

“Everyone thinks it’s a good idea–it seems like common sense,” Adatia said.

While the benefits of a mandated quiet time may not be in hot debate, Adatia has encountered some obstacles in her research.

“Basically, I think the biggest difficulty is the coordination,” she admitted. “When you have doctors, nurses, [and] labs with [different] schedules, you need to work around it.”

With so many moving parts that are involved with providing postpartum care, Adatia is working hard to find time for a daily 60-to-90 minute break. 

“Despite the logistical nightmare, this is an issue that requires attention,” Adatia said.

 

a, Martlets, Men's Varsity, Sports

Know your coaches: Track and field, Martlet and Redmen soccer, Martlet volleyball

  • Dennis Barrett – Track and Field

    Dennis Barrett has had success as both an athlete and coach at McGill, and is currently in his 30th season as a coach. After transferring to McGill from the NCAA in 1981, Barrett led the Redmen to the Québec track and field title and earned All-Canadian status–the first track athlete from McGill to do so. Since then he has coached 42 more athletes to All-Canadian honours in track and an additional 20 in cross-country. In the 1981-1982 season, Barrett placed second in Nationals for the 600m and set multiple school track records including a 1:27.92 in the 4x200m relay, a record that still stands today. Barrett has received RSEQ Coach-of-the-Year 22 times in track and 32 times in cross-country. He has led the Redmen to 10 titles in cross-country and six in track and field, and the Martlets to 22 cross-country and 16 track and field titles.

     

     

  • Rachèle Béliveau – Martlet volleyball

    Rachèle Béliveau held a 500-463-2 record in 965 career contests entering the 2014-2015 season—the most wins by any coach in any sport in the history of McGill. Béliveau, a Sherbrooke, Québec native, played volleyball at the Université de Sherbrooke for five seasons between 1982 and 1989, leading the team to three consecutive RSEQ titles. In the process, she was a two-time All-Canadian and was inducted in the Vert et Or Hall of Fame in 2009. Béliveau also appeared for the Canadian national team between 1983 and 1986 and represented her country at the 1984 Olympic games in Los Angeles. As coach, Béliveau has earned RSEQ Coach-of-the-Year four times and led the Martlets to their first ever conference championship in volleyball in the 2001-2002 season.

     

     

  • Marc Mounicot – Redmen soccer

    Marc Mounicot has been coach of the Redmen soccer team since January 2013 after serving as head coach of the Martlet soccer team for the previous 15 seasons. He led the Redmen to a 6-2-4 record and a third-place finish in the RSEQ this past season. As Martlet coach, Mounicot held a .815 regular season winning percentage in 203 games. He was selected the RSEQ Coach-of-the-Year four times and won CIS Coach-of-the-Year in 2009. He guided the Martlets to eight Quebec titles and four medals at the CIS National Championships. Mounicot ranks fifth on McGill’s all-time scoring list, having played on the team for three seasons from 1994 to 1997 as a striker, scoring 26 goals in 54 career games. A two-time All-Canadian, Mounicot led the RSEQ in scoring in his final season and was voted conference player of the year. That same season, Mounicot won the Bill Searles Trophy as team MVP and co-captained McGill to the 1997 National Championship title.

     

     

  • Jose-Luis Valdes – Martlet soccer

    Jose-Luis Valdes became the coach for Martlet soccer following former coach Marc Mounicot’s departure to coach the Redmen soccer team in January 2013. In his first season as coach, Valdes led the Martlets to an 8-3-3 RSEQ record, good for a third-place finish in the conference. Valdes had previously served 11 seasons as an assistant coach for the Martlet soccer team from 2001 to 2011 under Mounicot, helping win five conference titles during that period. Valdes played goalkeeper for the Redmen from 2001 to 2004, graduating in 2005 with a degree in physical and health education. He has been appointed to the coaching staff for the CIS women’s soccer squad that will be competing at the FISU World University Summer Games in South Korea in July 2015.

    All photos courtesy of McGill Athletics

     

     

a, McGill, News

Floor fellow contract negotions resume following training boycott

Negotiations between the floor fellow bargaining unit of the Association of McGill University Support Employees (AMUSE) and the McGill administration continued on Jan. 30, following the floor fellow’s collective decision to boycott a training session on Jan. 24 and 25.

AMUSE and the administration have been in the process of negotiating a collective agreement since October. This collective agreement would be the result of a negotiating process between McGill and the floor fellow unit of AMUSE to alter the conditions of the current floor fellow contract. Recently, this process has been hindered by contention surrounding the inclusion of what the floor fellows have defined as core values, predominantly those of anti-oppression and harm reduction, into their contract.

The Director of Labour and Employee Relations at McGill Robert Comeau cited disagreements over what could be included in a collective agreement as the main cause for this roadblock. 

“Normally, a collective agreement only defines the working conditions of the union members, so the attempt to include the ‘values associated with the role of floor fellows’ in the collective agreement is a significant departure from the norm,” he said.

Vice President floor fellow for AMUSE Christina Clemente commented on why the floor fellows want to institutionalize core values into their collective agreement.

“Part of it is writing down something about the way that residence works and functions, that’s why we’re pushing to have our approaches and philosophies written down,” Clemente explained. “A big part of it is having concrete things that will give security that residences will operate in the way we think it should. Another big thing is that the floor fellows should have some say in the decision making in what happens in residence, our jobs, and student life. We’re still working on that.”

The bargaining unit has agreed to hear a proposal from the McGill administration at the next negotiating session, which is scheduled for March. According to Amber Gross, AMUSE President, the administration appeared to be more responsive to the floor fellows’ requests since the boycott took place. 

“We are happy to see that they are changing attitude and willing to work on strategies of including these values,” Gross said.

Comeau also expressed the administration’s satisfaction with the progress made during Friday’s session. 

“While there is still a lot of work to do, we feel we may have found a way to address the union’s expectation that the ‘values’ that help govern the floor fellows roles will be included in the contract.” he stated. 

However, Comeau did express disappointment at the floor fellows’ decision to boycott the training.

“Since the beginning of the negotiations, our negotiation committee has shown openness in addressing the floor fellows’ preoccupations,” he explained. “We would have appreciated it if the floor fellows had carried on business as usual; unfortunately the Floor Fellows who [chose] not to participate will be the ones who lose out, because this training was to provide them with more tools to do their job.” 

The bargaining unit and AMUSE contend that the boycott effectively demonstrated their position to the administration without negatively impacting their students. 

“It is one of the only pressure tactics that we can use on the McGill administration that wouldn’t affect any of our students,” said Evan McIlroy, an elected bargaining representative for the floor fellow unit of AMUSE. 

Going forward, the floor fellows hope that the McGill community will take a stance on the negotiations, according to Gross. 

“We want to put information out there but don’t want [the administration] to feel that we’re pressuring our students,” Clemente said.

“We will be looking to the SSMU [Students’ Society of McGill University] Council and other student associations to take a stance and support us,” added Gross.

The floor fellows emphasized that this support is based on making the facts of the situation available without compromising the floor fellows’ position as a student support system. McIlroy stated that the floor fellows are being cautious in terms of informing their own students about the negotiation process. 

“There is a power-imbalance [between floor fellows and students] in certain ways, and we’re very aware of that,” he said.

a, Opinion

Commentary: The exaggerated plight of Canada’s middle class

There is an old saying that goes, “God must love the poor: He made so many of them.” Unfortunately for the poor, in Canadian political discourse, the ‘middle class’ captures all the attention of politicians. From Justin Trudeau and Thomas Mulcair on the centre-left, to Stephen Harper on the centre-right, politicians of all ideological stripes have various plans to help the middle class. Ostensibly beleaguered by stagnant wages and reduced economic prospects, the middle class is allegedly under strain. Given the overblown interest in those whose earnings put them in the middle of the income distribution, it is useful to ask ourselves how the middle class is actually faring. In reality, middle-income earners in Canada, though not without their problems, are faring reasonably well.

According to research, those around the middle of the income distribution, say those in the 60th percentile of income earners, have only seen a 15 per cent real rise in income since 1980, while in the same time period, the total size of the Canadian economy has doubled. Though this statistic is not false, it lacks context.

Canada experienced two particularly severe recessions in the early 1980s and 1990s. As a result of those two recessions, Statistics Canada data shows that the income of the average earner bottomed out in 1995 at approximately $40,000. Since then, the income of those people in the middle of the Canadian income distribution has risen steadily to just over $50,000 in the years preceding the 2008 financial crisis—a nearly 20 per cent increase. This income growth is true when looking at both market income (wages and salaries) and post tax and transfer income. Thus, while the 15 per cent wage gain figure is not incorrect, it is deceptive. The story of the Canadian middle class is not one of persistent stagnation, but one of initial hardship, followed by steady recovery and rising living standards. Since Canada’s economic nadir in the mid 1990s, the Canadian middle class has seen consistent rises in income.

The story of the Canadian middle class is not one of persistent stagnation, but one of initial hardship, followed by steady recovery and rising living standards.

Pundits also often sound the alarm about rising household debt. While it is true that the average amount of Canadian household debt has risen to 162 per cent of household disposable income, this does not mean that middle income Canadians are living paycheck to paycheck, crushed by an unsustainable debt burden. This is because debt only matters in relation to assets, wealth, and ability to service it. According to Statistics Canada, as of 2012, the median net worth of Canadian households hit a record high of $243,800. This means that after accounting for its debts, the average household is still wealthier than it ever has been. If Canadians were becoming poorer and faced rising debts, this would be an important public policy problem. However, the rising debt faced by Canadians is offset by rising wealth. Since middle-income families have increasing resources and wealth to service their debt obligations, it becomes hard to argue that they are drowning in debt.

This is not to suggest that middle-income earners in Canada face no challenges. It is true that income growth has not been as fast as it once was. Goods and services that are consumed heavily by middle class Canadians, such as university educations, have gotten more and more expensive. But it is unhelpful for the plight of the middle class to be exaggerated as it can lead to unsound policy where our efforts to improve the state of the middle class in Canada could be better spent elsewhere. For example, approximately nine per cent of Canadians live below the poverty line. While the proportion of Canadians living under the poverty line is much lower than those in many developing countries, the Canadian poor still have difficulties affording a decent standard of living. Within Canada, Aboriginals often face dismal economic prospects and suffer from a multitude of social problems, including higher suicide rates. In comparison, the plight of the middle class is not nearly as pressing.

The Canadian middle class, though not without challenges, is far from stagnation. Since the end of the volatile economic situation of the 1980s and 1990s, middle income Canadians have seen rising incomes and rising wealth. As a nation, Canada would be better placed trying to alleviate the far more prevalent and severe examples of human suffering that still persist in Canada, such as poverty. However, given its importance to many politicians’ electoral prospects, the middle class is likely to remain the at the centre of Canadian political discourse.

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