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Local Stories, Student Life

How to host a hassle-free dinner party

Between the whirlwind of assignments and the weight of impending deadlines, opportunities to gather with friends can feel like a rare luxury. Why wait for a special occasion when you can create it yourself? This was the epiphany that prompted my first foray into hosting. While I can’t promise perfection, I aim to spare the future student host some trial and error with six lessons I learned from hosting my first dinner party. 

Lesson 1: Keep your guest list manageable

The key to a seamless dinner party starts with the guest list. Take a moment to realistically assess how many people your home can comfortably accommodate without overcrowding your space or overwhelming yourself. Don’t let your enthusiasm to host cloud your judgment. A smaller group of friends who fit comfortably will create a more relaxed, intimate evening than stacking people up in every corner of your studio apartment. 

Lesson 2: Pick a theme or focus

A theme is the secret ingredient that can turn a dinner into an experience. Whether it’s cozy comfort food, international cuisine, or breakfast for dinner, a theme can tie everything together and excite your guests. It sets their expectations and gives them something special to look forward to. Plus, if you plan on being a repeat host, themes keep things exciting and allow you to get creative without the event feeling repetitive. From the menu to the décor, centring your evening around one idea helps streamline decisions—less stress, more fun.

Lesson 3: Budget smart

Hosting a dinner party doesn’t have to break the bank. Get creative with inexpensive but filling ingredients like pasta, rice, or bread—these staples can be turned into flavourful dishes without costing a fortune. Consider shopping seasonally to take advantage of cheaper produce, and if you have the time, visit a few different grocery stores to scout out the best deals. Being strategic with your shopping will let you serve a delicious meal without the financial hangover the next day.

Lesson 4: Plan a simple but tasty menu

When it comes to the menu, simplicity is key. Stick to dishes you’ve made before or ones that are suited to your confidence level in the kitchen. Be sure to keep your friends’ dietary restrictions in mind, and make sure there’s something for everyone. If you don’t know where to begin, start with a main dish and build your sides around it by using some of the same ingredients. This way, you’ll have complimentary dishes and a streamlined shopping list. A theme is also a great way to guide your decision in terms of choosing the menu.

Lesson 5: Prep in advance

Don’t underestimate the power of preparation. One of the best ways to avoid last-minute chaos is by choosing a handful of cold dishes that can be made ahead of time. Salads or desserts that chill in the fridge overnight save you valuable time on the day of your dinner. Take it a step further by prepping ingredients in advance—chopping veggies, measuring spices, or even pre-cooking parts of the meal. That way, when it’s time to entertain, you’re focused on enjoying the evening rather than scrambling in the kitchen. The more you prepare ahead, the more you can relax and enjoy your guests. After all, you deserve to savour the time together just as much as they can. 

Lesson 6: Phone a friend

Being the host doesn’t mean you have to do everything yourself. Ask your friends to bring sides, desserts, or drinks to take some pressure off your shoulders. You might also need to borrow a few extra chairs, dinnerware, or glasses, so don’t hesitate to reach out. McGill’s Plate Club also provides free reusable dishware. Just because you’re the one taking the lead doesn’t mean you can’t lean on your guests to pitch in. Your friends don’t expect you to be the next Barefoot Contessa. A great dinner party is about collaboration, and the best evenings are the ones where everyone plays a part in creating something memorable.

Out on the Town, Student Life

The light is always greener on the other side

It’s the neverending question lingering in the back of everyone’s mind, the eternal darling in the dark of Montreal urban legend—the unspoken elephant in the room, if that elephant were green and also floating a hundred metres in the air. For decades, there have been reported sightings of an ominous green sky patch of twilight, disturbing the usual white halo of light pollution over downtown. This experience has become so widespread that it has lovingly been dubbed “the Montreal green light.”  

The Montreal green light is much more than your average folie à deux; it’s a very real enigma that haunts the recent memory of all who have encountered it. Like a mirage, it’s faint, hardly even there—never less than an arm’s length away, never more than shoulder-width apart. Nietzsche once said that if you gaze into the abyss long enough, the abyss will also gaze back into you. But does the abyss also use progressive lenses or is hindsight actually always 20/20? Only time and a little research might tell who or what this green light precisely is. 

Upon interviewing students on campus, I quickly noticed that while the experience of seeing the light is nearly universal, the interpretations of it varied fiercely. 

Karman Dhesi, U1 Science, reported sentiments shared in her social media circles, where the green light is interpreted as a UFO or some semblance of supernatural alien presence. Contrastingly, Ash Chen, U1 Science, said that many of her international friends express a fond recollection of the light as an aurora borealis sighting. Especially her friends coming from regions nearer the equator seem to disproportionately believe in the concept of the green light as an organic uniquely northern meteorological phenomenon. 

Though having never seen it in person, Helen Zhao, U2 Science, is convinced that it is the consequence of some sort of man-made incident. 

“Possibly failed fireworks, maybe a plane passing by or some sort of accident,” she said in an interview with The Tribune

And she isn’t the only one who is skeptical of a man trying to play god and flying just a little too close to the green sun. Riana Dutta, U3 Engineering, has suggested that corporate greed might be to blame. 

“I’ve been seeing it a lot more frequently now that you mention it, I used to think that it was global warming or pollution but something tells me it might be like a publicity stunt for the theatrical release of Wicked,” Dutta said. 

One thing remains universal: People want to know where this giant green haze is coming from. Like moths to a very green flame, the light straddles a thin line between being infamous and famous.  

When I turned to Google, it turned out to be easy to find that the real culprit was light pollution all along. The internet really does ruin everything. The light casts a shadow against prime suspect number one: The Desjardins Complex. 

You may be wondering how a building on the ground could project light hundreds of meters into the sky? Well, it’s elementary, my dear Watt-son. Instead of using a wide selection of halide lights to project light outwards, the bank has chosen to install industrial-scale LED lamps at the base of the building, firing light upwards—a controversial decision with light pollution activists that also raises ethical questions about the use of public space for corporate advertisement. This creates a gradient of green across the building, with all the excess firing off into the sky. Though most winter evenings the beam goes unnoticed, when the stars align and the clouds catch the light just right, they disperse it into the foreboding green halo that we all think of today. 

Despite the green light being a product of light pollution, it serves as a beacon of hope in literal dark times. 

“Ah, the Montreal Northern Lights. During winter when it gets dark out early and people are smoking and it’s freezing or depressing, it becomes sort of a little talking point. A recurring source of levity that kind of gets brought up when morale is low,” Jillian Ludl, U1 Arts, said.

Know Your Athlete, Sports

Know Your Athlete: Emilia Mastromatteo

Emilia Mastromatteo, U3 Science, is a shark among the minnows. Hailing from Kenora, Ontario, Emilia has overcome numerous challenges to become a standout swimmer in the pool. A sprinter for the backstroke, breaststroke, and butterfly 50m and 100m, she has made a name for herself within the Martlets Swimming squad. 

Her journey began at four when she joined her local swim club, the Kenora Swimming Sharks, where her mother, Janet Hyslop, is the head coach. Although coming from a family of swimmers, she initially dabbled in various sports before swimming truly captured her heart at 13. She quickly rose through the ranks, achieving national-level success in age-group competitions and catching the eye of Team Canada

Mastromatteo told The Tribune that she likes the collaborative and competitive nature of varsity, as opposed to age group swimming, due to its focus on team spirit. 

However, as she transitioned to varsity swimming, Mastromatteo faced a significant hurdle: Injury. Diagnosed with thoracic outlet syndrome, she began experiencing severe pain and numbness in her arms. Despite this setback, she remains undeterred, leaning on her support network and adjusting her training to accommodate her limitations.

“I’ve had to be really resourceful and innovative in what I do and I’m trying to be innovative with things outside of the pool,” Mastromatteo said. “I am a unique sprinter [due to my injury], so I am in the gym four or five days a week working on a lot of strength components and mobility components. I do a lot of work with healthcare: Physio, osteo, all of them, and they’ve been really helpful.” 

Her unwavering determination and positive outlook have allowed her to continue pursuing her passion for swimming, which has materialized in huge successes for the McGill team this season; she won Réseau du sport étudiant du Québec (RSEQ) Athlete of the Week on Nov. 12, and has been named McGill Athlete of the Week four times this season. 

“I have won gold in all my races to date this season,” she said. “To know that something’s working this early on in the season is really encouraging. Some of the golds are for relays so that’s been really exciting for the girls’ team, just to be a part of the relay team and get a gold with more than just yourself. I think the thing I love most about swimming is the community you build.”

This sense of community is evident in the strong bond between the McGill swimmers. Emilia has witnessed the positive impact of their supportive environment—particularly during challenging times—through the powerful sense of camaraderie between athletes, in the way they turn to each other for advice. 

“The best thing I’ve learned is to rely on older athletes who’ve done it before. So now I try to support some of the younger swimmers who kind of feel those first feelings when they’re adjusting,” she emphasized.

Mastromatteo’s dedication to her sport is matched by her academic pursuits. She credits her success to efficient time management and the support of her coaches. Looking to the future, Mastromatteo aspires to pursue a career in medicine, prompted by her own experiences with injury and rehabilitation. She also wants to stay involved in the sport as a coach, giving back to the swimming community.

Mastromatteo’s story is one of perseverance. She gave some final advice for younger athletes aiming to pursue varsity sports.

“To have a goal and stay true to that goal is really important, but try not to get so fixated on one outcome and one plan,” she said. “You have to always be open to guidance and advice from other people, especially different coaches with different perspectives.”

Recipes, Student Life

Two Thanksgiving sweet treats to bring some of home to Montreal

With American Thanksgiving quickly approaching, the sun setting earlier, and longings for comforting home-cooked meals increasingly omnipresent, homesickness for the holiday season is at an all-time high. While this time of year may be tough for Americans missing Thanksgiving, these sweet treats will hopefully offer a little taste of home.

These recipes are some of my personal favourite Thanksgiving desserts. I hope to bring my love for them to the McGill community and assuage some nostalgia amongst fellow Americans who cannot make it home this year. 

For homesick apple lovers: Comforting applesauce

This year, I wanted to bring an annual tradition of mine to Montreal: Making my grandmother’s applesauce. While applesauce may not be a traditional Thanksgiving dish, this family recipe is a big crowd-pleaser and can curb any homesickness with its cozy, fall flavours.

When it came to applesauce, my grandmother took a more simple approach—using mainly apples and sugar—but this take on her recipe adds a few elements to enhance the apple’s tartness. This applesauce tastes great as a topping on other treats and pastries, à la mode, or on its own! 

This recipe makes about 10-12 servings, and keeps well in the fridge.

Ingredients:

  • 15 McIntosh apples, or any soft apple that is not too tart 
  • 2 cups water
  • ¾ cups of white sugar
  • 1 tbsp ground cinnamon
  • 1 tsp cardamom (optional)
  • Sprinkle brown sugar (optional)

Steps:

  1. Wash and peel the apples.
  2. Slice the apples into thin cubes.
  3. In a medium or large pot, cook apple slices on medium heat for about 15-20 minutes, until the apples are softened and browned.
  4. Add water, sugar, and cinnamon, stirring frequently to prevent the apples from burning.
  5. Lightly mash the apples with a spatula to create a saucy consistency.
  6. Once the mixture is to a desired texture, add cardamom and brown sugar to taste.

For those clinging onto the last remnants of autumn: Smooth pumpkin pie

Whether you’re in charge of baking dessert for Friendsgiving, or just love the taste of a pumpkin spice latte, this pumpkin pie is perfect to whip up as fall comes to a close. Its nostalgic taste is sure to keep you going through the end of the semester, and to spark excitement for the holidays to come.

Ingredients:

  • Store-bought or home-made 9-inch pie crust
  • 3 eggs
  • ½ cup white sugar
  • ⅓ cup light brown sugar
  • 1 can pumpkin purée (or 2 cups)
  • ¾ cup heavy whipping cream
  • 1 tsp vanilla extract
  • 1 ½ tsp ground cinnamon
  • ½ tsp ground ginger
  • ¼ tsp ground cloves
  • ¼ tsp salt

Steps:

  1. Preheat the oven to 425℉ (218℃).
  2. Place pie crust on a 9-inch round tin and chill it in the refrigerator while preparing other ingredients.
  3. In a medium-sized bowl, whisk together both the white and brown sugar until they combine to a smooth texture.
  4. Add in your pumpkin purée, heavy whipping cream, vanilla extract, cinnamon, ginger, cloves, and salt. Whisk these ingredients together until they form a thick batter-like texture.
  5. Remove the pie crust from the refrigerator and pour your pumpkin pie filling into the pie crust.
  6. Bake the pie at 425℉ (218℃) for 15 minutes.
  7. Rotate the pie, to cook the filling evenly.
  8. Reduce the temperature to 375°F (190°C), and continue baking for another 35 to 45 minutes. Once this step is complete, you should be able to stick a toothpick in the center of the pie and have it come out clean. If not, let it cook a bit more until you can do so.
  9. Cool on a drying rack for 2 to 3 hours.
  10. Place the pie in the refrigerator to set overnight and enjoy!
McGill, News

Trump win leaves some students reconsidering plans to study and work in the United States

Donald Trump’s election on Nov. 5, coupled with Republican control over the U.S. Senate and House of Representatives, has left some Americans at McGill wondering whether they want to return after graduation. Many students underline concerns about what a second Trump presidency could mean for abortion access, 2SLGBTQIA+ rights, immigration policy, and economic stability.

Some argue that the Republican majorities in the Senate and House could mean that Trump will face less political resistance than he did during his last presidency. Trump’s consolidation of power and his proximity to Project 2025—which calls to restrict access to abortion, facilitate large-scale deportations, and cut funding to renewable energy programs, among other measures—makes many Americans at McGill nervous.

Massachusetts native, Izzy Rudy, U1 Arts, explained that the outcome of the election makes her wary of building her future in her home country. Threats to abortion access, environmental concerns, and Trump’s plan to withdraw from the North Atlantic Treaty Organization (NATO) were the most important issues on her mind.

“Uncertainty is my biggest concern,” Rudy told The Tribune. “I think the person in charge is unstable and erratic, and because I don’t know what he has in store, I also don’t know what I have in store for my future.” 

Hannah Hipolito, U2 Arts, was born and raised in Florida. Her concerns about the effects of a second Trump administration on abortion access and 2SLGBTQIA+ rights also have her questioning going back. Her high school career was marked by protests and counter-protests surrounding the Florida ‘Don’t Say Gay’ bill, which aimed to prevent discussion of 2SLGBTQIA+ issues in classrooms. 

“Growing up in that environment was really hard, and I would be at these protests at my school, and there would be other students waving Trump flags,” Hipolito said. “Seeing that these are my peers, reacting that way to people being queer, makes it really hard to want to go back.”

The election of Donald Trump and the rejection of an amendment to the Florida Constitution that sought to expand abortion access in her home state solidified Hipolito’s belief that the political climate in the U.S. has soured.

“Previous to the election, I was really looking at grad schools in the U.S., very set on returning,” she told The Tribune.  “However, since then, I have been kind of reconfiguring how I see the rest of my life going […] I just feel like the climate in the United States has gotten really bad, and I wonder if maybe I would just be happier somewhere else.”

Since the election, Canadian Immigration Minister Marc Miller has emphasized that Canada may have to prepare for an increase in migration from the U.S. due to Trump’s election. Wendell Nii Laryea Adjetey, Associate Professor of History at McGill, highlighted the effect that the election of Donald Trump could have on Canada as a destination for immigrants. 

“When turmoil unfolds in the United States, Canada is invariably impacted. Students, professionals, and precarious people will come in droves, reviving the myth of Canada as the refuge point,” Wendell wrote to The Tribune.  “It’s plausible that Canadian institutions might appear more appealing to global talent than U.S. counterparts.”

Jacob Wesoky, U3 Arts, is the Executive Vice Chair of Democrats Abroad Canada. This election, Wesoky led efforts to increase the voting rate of Americans living abroad by connecting Americans at McGill with the resources they need to vote through student outreach programs. Donald Trump’s election swayed his plans to eventually work in the executive branch of the U.S. government; however, as an outspoken Democrat, he feels no desire to leave his country for good.

“I think that that’s exactly what the Republicans want. They want us to give up,” Wesoky said about the temptation some Americans feel to remain abroad following the election. “I think that’s honestly a pretty dangerous sentiment. Obviously, I don’t blame people for wanting to leave and move to Canada, but at the same time, I think it’s important now more than ever to stay in the U.S.”

Letters to the Editor, Opinion

Letter to the Editor: In loving memory of student press

For years, The Link has unremittingly stressed that we have a problem. For 45 years, our necessary work in holding Concordia’s administration and student unions accountable depends on extractive work conditions and the burnout of our editors and contributors. Our staff are required to work upwards of 25 hours per week with little to no compensation. This has resulted in our masthead population consisting solely of those economically privileged and those willing to wear themselves thin by juggling numerous financial and academic responsibilities.

In the last volume, we launched the contributor freelance fund and started paying our editors a fairer wage—but both are temporary pilot projects. The project acknowledges a masthead position at The Link for what it is: A part-time job, a full-time commitment. Editors and contributors from diverse backgrounds could work and pay their bills. This pilot project has continued into Vol. 45, but will die without external funding. 

Our financial support is 23 years out of date. The funding inherited per semester from the undergraduate student body reflects the consumer price index of 2001, with our fee-levy currently at $0.19 CAD per credit per student—not including those who opt-out. Funding appropriate for costs relevant two decades ago is not enough to pay our staff and contributors for their work.

We attempted to run for a fee-levy increase four times. In the face of austerity and a precarious political climate, we’ve been denied despite stressing what is at stake.

Hear us when we say we need your help

The denial of an increase suggests an assumption that The Link has enough funding to function. This is the type of thinking that leads to our demise and nurtures a breeding ground for under-compensated labour. The notion that freelancing should remain “volunteer work” is additionally harmful and a blatant disregard for the fruitful labour writers do.

In Yasmin Nair’s 2015 Vox article entitled   “I’m a freelance writer. I refuse to work for free,” she argues for the importance of proper compensation for independent journalists. 

“The publishing industry gets away with conditions that would be considered grounds for litigation in most other workplaces,” Nair writes. “Writing is considered a mere hobby, and awful pay, combined with issues like non-payment, is rampant in the publishing industry [….] What possesses anyone who even halfheartedly claims to be a writer to willfully sabotage their fellow writers’ careers? What does it mean when even leftist writers, writers who aggressively advocate against the exploitation of workers elsewhere, nonetheless become scabs in the publishing world?” 

The Link wants to be a place that uplifts writers and multimedia creators and shows them they are talented enough to carve out a career for themselves. 

The disaster of Vol. 43—felt individually by freelancers daily and student journalists nationwide—is a prime example of the environment perpetuated by underpaying your contributors and your staff. Vol. 43 saw seven editor resignations, partly due to unsustainable working conditions. 

We cannot revert to this exploitative model wherein each masthead member who resigned departed expressing the sentiment, “I am not paid enough for this.” In this perpetuation of a work culture where only the most privileged could participate, The Link became a white-dominated space in which racism, ignorance and insensitivity against Black, Indigenous and people of colour writers and editors festered.  

All current masthead members were asked if they could do their jobs with little to no compensation. The resounding answer is a decisive no.

The Link was extractive to its staff and writers for 43 years until the publication as a whole reached its wit’s end. Our freelance fund, we found, is in part a remedy to the problem, yet without external funding, the fund will remain a pilot project pending expiration. The freelance fund is single-handedly keeping The Link afloat by ensuring we never revert to being an exploitative newspaper.

 The Link acknowledges that a freelance fund such as ours is rare amongst student newsrooms nationwide. Student publications often must treat their staff and contributors as volunteers, where occasionally, a select few receive a negligible stipend for their hard work. This is not the fault of student papers; rather, the institutional framework of universities is to blame. Freelance work is not a donation. Freelance work should not be volunteered; it’s a craft, it’s a talent, and it’s a job.

As a student-led community newspaper that caters to the broader Montreal community, The Link benefits and serves McGill students—and in fact, some of our contributors attend McGill. We are calling on McGill students to equally consider our fight for a fairer industry. The Link might not be dead, but without external funding and support from our community, it will cease to be an ethical workplace that produces ethical, advocacy-centred content—so it might as well be.

This is not an aggrandizing statement; it is a cry for help.

The Link has added a donation box to our website to help keep us alive. All profits will ensure our continuity and pay our staff and contributors

Emerging Trends, Local Stories, Student Life

New York Times Games: The lockdown trend remains alive

Glancing up from your laptop during a boring lecture and seeing a handful of people lost in today’s New York Times (NYT) Games is part of the ultimate McGill experience. Wordle, Connections, the Mini Crossword, and other beloved NYT puzzles are many student’s go-to games when they have a minute to spare, making them an integral part of many of their daily routines, whether in class, at the library, or at home.

The Tribune spoke with McGill students about what makes these addictive puzzles so popular and whether they still have the same widespread appeal they did when they first launched during the pandemic.

“[The Games] are quick and don’t take much time but still take some brain power,” Nuala O’Connell, U2 Arts, explained.  

The NYT Games seem to have found a sweet-spot between challenging and relaxing, making them a great way to start a study session as they allow students to decompress while simultaneously stimulating their mind.

“I play them at the library right before I start studying or on my study breaks so I can relax,” Anna Bistour, U2 Arts, shared in an interview with The Tribune.

“The games provide some kind of mental stimulation that is not completely devoid of logic,” said Angela Chu, U4 Arts.  Since they are also relatively quick, they’re convenient for short breaks throughout her busy days.  The combination of the post-completion rewarding feeling with the swiftness of the puzzles are irresistible features for most students. 

Another reason the games are a hit with McGillians is that they serve as great conversation starters. 

“They are the same thing for everyone so you can easily talk about them with other people,” Yuval Klein, U1 Science, shared.  

She mentioned that quick questions like “Did you do the Connections today?” provide an easy way to socialize with others. Nerds have been searching for their version of “Did you catch the game last night?” for decades, and the NYT Games seem to have finally filled this void. 

The social aspect of the games extends even beyond the McGill campus as many students love sharing their NYT scores with family. Bistour explained how many people like to send their scores to their family or friends to keep in touch with loved ones every day.

“The games can get kind of competitive when you do them with friends, which is the fun of it,” Bistour further explained.  

Chu went on to highlight how the competitive side of the games is often reflected in class when some people are careful about others “spoiling” the puzzles, as many students stress the importance of being able to do them by themselves. 

Although the NYT Games are still present in many students’ daily routines, there are some downsides to their addictiveness. 

“[I] wasn’t paying attention during lectures and it was bad for focusing on studying,” Klein said. 

She still enjoys the occasional Mini Crossword, just not during every single lecture. 

“I do not play them in lectures because they are very distracting,” Bistour highlighted. 

The level of focus these puzzles require can keep you fully distracted, preventing you from grasping important information during class.

The New York Times Games have become a staple in McGill students’ daily lives, offering a quick mental escape while encouraging interactions between students and their family and friends. These daily challenges have become so cemented in their routines that even the rushed feeling of recognition and embarrassment as you reach for the mute button when the “end of crossword” song starts playing in a silent lecture seem integral to McGill life. Although there are some less desirable aspects of the games, the overall consensus is that they are most students’ go-to amusements, and it would be difficult to imagine the campus without them.

McGill, News

Discussions of campus security and academic freedom dominate McGill Senate meeting

The McGill Senate convened on Nov. 13 to address issues such as the increased police and security presence on campus, the adjusted move-in date for first-year students, and academic freedom.

The meeting began with memorial tributes to the late Professor Michael Smith, Professor Emeritus Bohumil Volesky, and Professor James Archibald

Next, the Senate moved to its question period where the group discussed moving up the first-year move-in date to be closer to the first day of classes. SSMU Arts Senator Anzhu Wei raised concerns about how the timing would affect orientation events, arguing that it would hinder students’ adjustment to campus life. Interim Deputy Provost (Student Life & Learning) Angela Campbell explained that the change was intended to accommodate the newly-introduced Fall Reading Week, adding that the administration would consult student associations to mitigate any adverse effects.

The topic then shifted to campus security and the presence of the Service de police de la Ville de Montréal (SPVM) since the start of the term. Senators raised questions about SPVM’s communication with the university and asked whether McGill would better inform students of future security measures. SSMU Arts Senator Vivian Wright raised the example of the SPVM’s use of force on Oct. 7, and asked if McGill would discourage police from using tactics like tear gas, particularly on non-protesting students. Vice-President (Administration and Finance) Fabrice Labeau responded that the university has no control over SPVM actions. 

Senators raised concerns about the current mechanisms for reporting incidents involving campus security. They noted that these mechanisms are not widely shared with the student body. Additionally, they highlighted potential issues with ensuring the transparency and accountability of security when reports are directed to the head of security, rather than an outside actor.

“We cannot count on the formal mechanisms of grievance or rights complaints because they have evidentiary standards and don’t tell us about systemic problems,” Arts Faculty Senator Catherine Lu said. “They are also kind of intimidating. I can imagine that many people just won’t do that because they’re already being upset by a situation. Even police officers need civilian boards in which people can convey information away from internal police monitoring mechanisms.” 

Labeau repeatedly expressed that the current mechanisms for reporting incidents with security are a standard procedure. He also underlined that McGill has “fewer and fewer additional security members from outside companies on campus these days.”  

President and Vice-Chancellor Deep Saini paused the discussion of the specific security question, stating it would continue in the open discussion. SSMU VP University Affairs Abe Berglas raised a point of order, arguing that postponing the discussion violated Section 9.3 of the Senate Standing Rules. Saini assured that he was only rescheduling the topic. It ultimately was not directly revisited during the meeting.

The group also addressed the invitation of speakers to campus following United Nations Special Rapporteur on the Occupied Palestinian Territories Francesca Albanese’s talk on Nov. 3. Campbell then presented a hypothetical scenario where a pro-life speaker’s appearance led to protests and physical altercations. Arts Faculty Senator Juliet Johnson suggested that transparent and accountable security measures are essential when managing controversial events on campus.

“If we’re going to allow these controversial events, which I think we should, we obviously need to have security,” Johnson said. “It’s important for the community, on all sides of these events, to trust the role that security is going to play [….] Then security services need to be accountable and transparent [.…] So we need to inform the community about the reports in general and act on them.” 

The meeting concluded with three final items. First, the Academic Policy Committee presented resolutions to establish an M.A. and Ph.D. in East Asian Studies, both of which were approved. Then the Senate discussed proposed revisions to the Policy on Hazing and Inappropriate Initiation Practices to clarify reporting procedures, and recommended them for Board of Governors (BoG) approval. The session ended with the annual reports from the BoG, Academic Policy Committee, and Committee on Physical Development

Moment of the meeting: 

Provost and Executive Vice-President (Academic) Christopher Manfredi began the open discussion period by emphasizing McGill’s tradition of supporting diverse viewpoints, where controversial speakers are welcome unless their speech clearly violates Canadian law or hate speech provisions. Citing a 2012 report on a similar campus incident, he underscored that the issues discussed in the meeting are not new. Senators collectively agreed that the university should continue to be a space for open dialogue within the law’s strict boundaries.

Soundbite:

“I want to be able to argue and then have a beer with them after—or a cup of tea, depending on your particular poison—but I think we’re moving further and further away from that.” –– Medicine and Health Sciences Senator Terry Hébert on inviting controversial speakers to campus.

Soccer, Sports

Professional soccer players’ schedules are an increasingly heavy load

The Union of European Football Associations (UEFA)’s Nations League Matchday five of six kicked off Nov. 14, short a slew of several big-name players from the English Premier League (EPL) like Martin Ødegaard, Ollie Watkins, and Cole Palmer. This has led to questions regarding teams’ lineups, their match-ups with various contenders, and even the existence of the competition itself. Eight players withdrew from England’s Nations League squad. In a similar timeframe, eight players made the same decision to leave Ghana’s squad during their preparation for the African Cup of Nations (AFCON). 

The trend reflects growing concerns about players’ welfare amid increasingly congested itineraries. It represents a larger problem in the structure of competition in modern soccer: The international and club leagues (La Liga, Liga F, EPL, Women’s Super League, Serie A, Serie A Femminile) alike play intense schedules. In September, only days before he tore his ACL, Manchester City midfielder and 2024 Ballon d’Or winner Rodri claimed players were considering striking over the UEFA Champions League expanding its schedule for club teams

The injury he suffered darkly underscores the physical toll professional-level soccer can extract. Rodri has played nearly 200 games of televised soccer in the Premier League since his debut in 2019 and performed well enough to win the European Championship with Spain this summer. This has taken a predictable toll on the 28-year-old: He accepted his Ballon d’Or on crutches and confirmed his absence for the rest of this season, an unfortunate price for even the highest honour.

This challenge transcends borders and genders, as both men’s and women’s soccer face gruelling demands that threaten players’ health. The thread of injury among high-level players is painfully easy to follow. It certainly stretches to this year’s Nations League; other notable injuries are piling up for Spain, like 17-year-old phenom Lamine Yamal, suffering from an ankle injury, and right-back Dani Carvajal, now sitting on the sidelines following knee surgery. 

Women’s soccer is experiencing a similar surge in international and domestic competitions but without comparable resources or medical support. Ghana’s Black Queens, for example, have seen significant progress in recent years, yet they often operate with reduced access to facilities and less financial backing than their men’s counterparts. The disparity amplifies the risks women players face when navigating their schedules. As women’s soccer grows, exemplified by record-breaking attendance at events like the 2023 FIFA Women’s World Cup, there is a real danger that the same mistakes made in men’s soccer—overburdening players for the sake of revenue—will be repeated.

The absence of stars is expected to significantly alter the landscapes of matches, team dynamics and tactical approaches. While it presents a challenge for managers, it also creates opportunities for youngsters to gain minutes and an opportunity to shine on the European stage. These moments accelerate the development of emerging talents, offering a chance for them to prove themselves to their clubs and national teams.

At the same time, missing stars leads to less predictable outcomes. Levelling the playing field increases the potential for upsets, injecting excitement but underscoring the need for balanced rosters that adapt without compromising performance.

While competitions like the Nations League and AFCON qualifiers showcase the beauty of international soccer, their value must be weighed against player safety. Governing bodies, clubs, and national associations must collaborate to prioritize recovery and minimize risks. Conversations about the relevance of certain tournaments are touchy but crucial when mismanagement could make or break multimillion-dollar contracts. Players, in opting out of representing their countries this fall, are showing that priorities are shifting: It’s easy for names such as Harry Kane and Trent Alexander-Arnold to reserve their England appearances for the biggest tournaments or Thomas Tuchel’s upcoming takeover of the team, without risking overexertion and or missing out on club football’s wealth.

Players will continue playing under suboptimal conditions. However, no matter the rewards, players should not be made to play under such conditions. Despite the physical toll, as Rodri would attest, such prizes as the Ballon d’Or make the recovery sweeter, if not worth it. However, no one has yet won the award off the back of a Nations League performance.

Arts & Entertainment, Film and TV

‘Heartstopper’ Season 3 is the authentic love story we’ve been waiting for 

With innocent, warm charm, Heartstopper Season 3 thoughtfully guides its audience alongside Nick and Charlie’s love boat as the young couple steers toward adulthood. The new season introduces more mature content, but its foundations remain rooted in the light innocence that first won viewers’ hearts. As their relationship deepens, Nick and Charlie navigate the universal struggles of codependency, desire, and mental health, testing the true strength of their bond. Altogether, the audience ebbs along the twisting tides of queer love, deepening their understanding of intimacy and attachment.

Heartstopper excels in its portrayal of the teenage experience, using its warm, genuine tone to address some of life’s most difficult themes. This season, adapted from Volumes Four and Five of Alice Oseman’s comic series, centres on Charlie’s struggles with Obsessive-Compulsive Disorder (OCD) and anorexia, and Nick’s anxiety about supporting him as his boyfriend. Rather than focusing solely on Charlie, the show emphasizes his health’s ripple effect on others.

The fourth episode, “Journey,” is a standout of the season. The episode is narrated from two distinct perspectives—first by Nick and then by Charlie—allowing the audience to experience the same events through the eyes of both characters. 

Nick’s perspective offers insight into the pressure and worry he feels in trying to support Charlie as he is away receiving inpatient care at a treatment centre. We see Nick struggle with his desire to be present for Charlie while carrying the burden of his own emotions and fears about how best to care for his boyfriend. Alternatively, through Charlie’s perspective, we get a glimpse into the overwhelming isolation and guilt he experiences during his treatment. A deep sense of unworthiness clouds his thoughts, convincing him that his struggles burden those he loves. Charlie’s narration reveals how he internalizes these mental health challenges, feeling disconnected from the world around him and questioning whether Nick’s love for him is truly enough to bear the weight of his pain.

This dynamic emphasizes the importance of community and support, a refreshingly different take from the way much teenage media reduces mental health struggles to a mere aesthetic ideal. In Heartstopper, the support Charlie receives from his friends when he gets out of treatment highlights a crucial aspect of healing: Togetherness. The show reminds us that romanticizing struggle doesn’t solve the teenage mental health crisis; it only normalizes it. This season in particular demonstrates that true support comes from working together to uplift our loved ones in their hardest moments.  

The season’s final episode, “Apart,” highlights another layer of relationship complexity through Charlie and his sister Tori, whose dynamic offers a parallel exploration of love and responsibility. Tori’s overinvestment in her brother’s recovery reflects how easily care and selflessness can blur into a loss of personal identity. As Charlie begins to heal and reclaim his individuality, Tori struggles to adjust, her sense of purpose tied to being his steadfast support. In a heartwarming scene on a ferris wheel, Charlie reassures her, “You have so much love to give; you don’t have to give it all to me.” Her reply, “I’d do it all again,” encapsulates the strength of their bond while illustrating the importance of balance in relationships—caring for others without losing oneself.

Charlie’s journey captures this beautifully: After two months away, he’s had the time to reconnect with himself and strengthen his individuality. He grows confident enough to wear a t-shirt for his band’s performance at the school fair, a noticeable change from the oversized jumpers he had used as body camouflage throughout the show, and a confidence boost all loyal viewers can appreciate.

Heartstopper offers a rare and hopeful reminder in a polarized age of media: Love, though challenging, is deeply rewarding. By exploring themes of mental health, self-growth, and the strength of community, the series captures the complexities of human connection in a way that feels both deeply personal and universally resonant. As Nick and Charlie continue to grow together and apart, Heartstopper reminds us that love is not just about enduring hardships: It’s about rising above them together.

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