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Album Reviews, Arts & Entertainment, Music

Lakes of Canada blends eclectic influences in ‘We Will Outlive the Sun’

by Kevin Vogel on

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While up-and-coming indie rock bands often attempt to mimic genre-defining groups such as Arcade Fire or LCD Soundsystem, Lakes of Canada has proven itself capable of carving its own path in the music world. Their new concept album, We Will Outlive the Sun, adds innovative flavour to the industry. The Montreal-based band successfully creates a distinct sound, drawing from the unique talents of each of their members.

We Will Outlive the Sun addresses climate change and the rise of neo-fascism against a dystopian background, mixing gospel and soul harmonies with progressive rock. While tracks such as their cover of “America the Beautiful” are eerie and chilling, the music generally serves as an oddly optimistic call to action. “The Day the Walls Came Down” builds up a steady beat until the choruses progressively evolve into a happy groove. “As the Towers Fall” urges listeners to bond together and rise up in face of coming danger. “Tear it All Down” condemns wealthy elites as ‘good sinners,’ encouraging active resistance to neoliberal and capitalist power structures. The song’s chorus features powerful chords and a dense sound to accentuate the ‘ivory towers’ that generate these hierarchies.

The LP explains abstract concepts in a readily-digestible format. We Will Outlive the Sun’s lyrics artfully employ biblical allusions and motifs of apocalypse— with particular emphasis on allusions to flooding—-to affirm its subject matter. The novel sound alone warrants a listen. With this latest album, Lakes of Canada has established itself as a creative force on the Montreal music scene with a bright future ahead.

We Will Outlive the Sun was released on Oct. 6.

 

★★★★

Creative, News

McGill Tribune Monthly News Recap | October 2018

by Tristan Surman & Kyle Dewsnap on

More in Creative:

#ChangeTheName, passing a set of guidelines relating to instructor-student relationships, and the resignation of the SSMU VP External. October was a crazy month at McGill, let’s take a look back at some of the stories.

Scripted and Presented by Kyle Dewsnap
Video by Tristan Surman

Creative

Why McGill should #ChangeTheName

by Astrid Mohr on

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The Tribune sits down with Tomas Jirousek to discuss the importance of changing the ‘Redmen’ name, we cover the demonstration that took place on October 31st, and explore the history of racist images and press clippings related to the name’s history.

Video by Astrid Mohr with help from Bilal Virji and Naya Hofer

Editorial, Opinion

Fall 2018 referendum endorsements

by The McGill Tribune Editorial Board on

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Motion regarding changing the Redmen name: ‘Yes’

Since 1929, the McGill men’s varsity sports teams have been known as the ‘Redmen.’ The name represents centuries of systemic oppression of indigenous peoples, and its negative impacts on indigenous students supercede its debated intent. With repeated calls for a name change by McGill’s Indigenous Task Force, current and prospective indigenous students, and allies, The McGill Tribune stands in solidarity with indigenous voices and believes that this is a simple yet meaningful step toward truth and reconciliation.

Motion regarding the Arab Student Network fee: ‘Yes, with reservations’

The Arab Student Network (ASN) is a Students’ Society of McGill University (SSMU) service that provides opportunities for all students to engage with Arab culture through programs including internships, workshops, and SSMU mini-courses. The ASN was at the centre of an extensive social media dispute with McGill Students in Solidarity for Palestinian Human Rights (SPHR) after hosting a Q&A with Nas Daily, a vlogger whose portrayal of the Israel-Palestine conflict SPHR contest. For the vital opportunities and services the ASN provides to students, the Tribune endorses the creation of a $0.50 opt-outable fee to support its operations. However, in light of their mishandling of a public conflict with another student group, the Tribune hopes to see the ASN better engage with its constituents moving forward.

Motion regarding the SSMU Charity Fee renaming and renewal:  ‘Yes’

Formerly the Community Engagement Fund, the Charity Fund is critical to building community in the Milton-Parc neighbourhood between students and permanent residents. The Charity Fee funds initiatives like the biannual Photofund gallery, which donates its yearly proceeds to a local charity. The Tribune endorses the $0.52 opt-outable fee to support the Charity Fee, but would like to see more available information about how its funds are distributed.

Motion regarding the SSMU Environment fee renewal: ‘Yes’

The Environment Fund (Green Fund) is designed to provide financial assistance for sustainable initiatives on campus. It is available to all student organizations to assist with the cost of improving their environmental practices. Following the adoption of the SSMU Sustainability Policy in 2013, the Environment Fund falls within SSMU’s mandate to foster sustainable practices on campus, as it supports initiatives such as the Flat Bike Collective, the Union for Gender Empowerment, and Midnight Kitchen. The Tribune endorses the opt-outable $1.25 fee to allow SSMU to continue to support student groups in implementing sustainability initiatives.

Motion regarding the Plate Club fee: ‘Yes’

The Plate Club is a campus service that loans out reusable dish-ware to community groups in order to curb students’ use of disposable paper or styrofoam items. The Plate Club supports student groups, such as  Midnight Kitchen, by providing reusable dish-ware and cutlery. This motion seeks to add a $0.14 opt-outable fee to provide the Plate Club, which currently receives no funding, with a reliable source of income. While they are displaced from the University Centre during the closure, it is important to support the Plate Club, and this motion is an easy way to do so.

Motion regarding SACOMMS Discretionary funding: ‘Yes’

The Sexual Assault Centre of the McGill Student Society’s (SACOMSS) motion requests that the organization be allowed to spend 10 per cent of their budget on external affairs. This fund will aid their mandate of supporting and advocating on the behalf of survivors of sexual assault across the city and will fund services that SACOMMS itself cannot administer, like lodging an official complaint. The Tribune endorses SACOMMS’s request to support external causes in recognition of their financial transparency and excellent work providing integral services to the McGill community.

Motion regarding the Anti-Violence Fee Levy: ‘Yes’

The Tribune supports the approval of the SSMU Gendered and Sexual Violence Policy (GSVP), as the implementation guide is thorough, specific, and concrete. While the notion that students’ money would be used to fund survivors’ protection poses ethical questions, it is essential that the policy be provided with funding as soon as possible. Because SSMU is a student organization, whether the GSVP’s is funded by a fee levy or from SSMU’s general budget, students will be paying for its implementation regardless. The Tribune endorses the $0.45 levy as a necessary step toward the GSVP’s implementation.

 

A previous version of this article stated that the fee for the Plate Club would be $0.12. In fact it is the proposed fee is of $0.14. The Tribune regrets this error. 

Campus Spotlight, Student Life

A conversation on the repercussions of cultural appropriation

by Nicholas Raffoul on

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Within the context of Halloween—when people sometimes don costumes that cross a line —and the #ChangeTheName protest, the McGill Indigenous Studies Program and SSMU Indigenous Affairs organized a Nov. 1 panel titled “Understanding Cultural Appropriation” to inform students about the phenomenon and the groups it harms.

The panel featured Jennifer Guiliano, a history professor at the Indiana University-Purdue University Indianapolis, whose research focuses on Native American mascotry and university sports. Guiliano was joined by McGill’s Rachel Zellars, professor at the Institute for Gender, Sexuality, and Feminist Studies, as well as Stephen Puskas, a local Inuk artist and filmmaker. The three speakers, each from different backgrounds and research fields, had a compelling conversation on the consequences of cultural appropriation for black, indigenous, and other racialized groups.

Throughout the discussion, the speakers pointed to the consequences of cultural appropriation as well as how people can show appreciation for; indigenous groups without appropriating their culture. Zellars, who was once a DJ, explained the repercussions of cultural appropriation in music, which is common in EDM and house music production.

“Black folks who were in Chicago and Baltimore were the people who created a particular type of sound and artistry,” Zellers said. “These names are completely erased from these lineages. I’m thinking of folks, like, Masters of Work and Juan Atkins. And it’s often like young white kids like Calvin Harris who profit from these influences today.”

The panel underscored the importance of remembering the histories and sources of cultural influences and ensuring that their work and contributions are honoured. When asked how to support Indigenous culture without appropriating it, Stephen Puskas explained that it is imperative to support indigenous artists and creators.

“There are different forms of material culture,” Puskas said. “There is food, which we are happy to share with other people. Then there’s material culture that is for sale; culture that we make for other people to wear. Then there’s culture that we make for ourselves and culture that is sacred, which we don’t intend for the public to see [….] You have to understand where your indigenous material culture fits in those categories.”

Puskas’ response shed light on a different way of looking at cultural appropriation and where the line between appreciation and appropriation lies. The panel also stressed that before buying clothing, accessories, or other cultural items, one should ensure that they are made by the racialized group that they are trying to support, so they are able to benefit from the financial profit.

Although cultural appropriation comes up most when discussing Halloween costumes, Zellers, Guiliano, and Puskas all expressed that the repercussions of the practice impact indigenous, black, and other racialized groups of people year-round. People often think of cultural appropriation only in the realm of fashion and clothing, but the panel emphasized that appropriating culture extends to the economic, psychological, and historical contexts of racialized groups.

McGill, News

McGill community mourns in wake of synagogue shooting

by Lucas Bird on

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A crowd of over one hundred McGill community members gathered at the Y-intersection on Oct. 30 to hold a vigil in memoriam of the victims of a recent shooting in Pittsburgh, Pennsylvania. The shooting, in which 11 members of the Tree of Life Synagogue were killed, took place on Oct. 27. The shooter, Robert Bowers, has been indicted on 44 federal charges, 32 of which are punishable by death. After a swath of his anti-semitic posts on the social-media website Gab were publicized, it became clear that he’d targeted the synagogue purposely.

The vigil was hosted by a coalition of 19 Jewish community and religious groups including Am McGill, JQueer, Ghetto Shul, and the McGill Office of Religious and Spiritual Life. During the gathering, the group recited traditional Jewish prayers and sang commemorative songs. Executives of Jewish student groups spoke to the crowd, condemning the shooting, remembering the victims, and exploring how the McGill community could best respond. Finally, 11 candles were ceremoniously lit in remembrance of the victims. Dean of Students Chris Buddle, Vice-Principal Communications and External Relations Louis Arseneault, and Principal Suzanne Fortier were present at the event. Buddle and Arsenault lit the first candle.

Noah Lew, president of the Hillel Montreal Leadership Council, and co-organizer of the vigil, condemned the violent, anti-semitic events in Pittsburgh and violence against religion in general.

In an interview with The McGill Tribune, Lew stated that the vigil was an important exhibition of resilience.

“Things like anti-semitism and other hatreds often start with words and progress into actions,” Lew said. “We felt this was a poignant reminder to stand up against hatred worldwide.”

Lew also remarked that it was especially encouraging to have members of the administration come in support of the event.

“I think having [Fortier, Arseneault, and Buddle] there with us and participating in the ceremony was a good reminder to our community and McGill students that they are standing with us,” Lew said.

The speakers emphasized the importance of unity in religious and student communities throughout the vigil. Ariana Kaye, president of JQueer and executive member of Hillel McGill, evoked the broader consequences of the shooting.

“One of the people who was murdered was an AIDS doctor,” Kaye said. “He was really receptive and warm to patients, so I think it was also a loss in that way for the LGBTQ community.”

Kaye also commented on the importance of including intersectional identities in the Jewish community and how the vigil was an excellent example of that.

“We all suffer together, we’re all here together, we’re all mourning together,” Kaye said. “It makes me feel so great that the McGill community can all be here together no matter your race, sex, gender, class, anything.”

Rabbi Shmuly Weiss, co-director of the Chabad Student Centre of downtown Montreal, closed out the vigil by reciting “El Malei Rachamim”—a prayer for the victims. Weiss emphasized how crucial it is to avoid divisiveness in light of this event.

“Human beings are allowed to have differences,” Weiss said. “[But at synagogue], you leave it at the door, you try to connect and focus on the similarities we share.”

Weiss further stressed the importance of a collective response.

“For someone to come in and try and take that [connection through unity] away, it’s the same thing with the shooting at the mosque last year, it’s the same idea,” Weiss said. “[Perpetrators of violence] are trying to terrorize every type of thing that offers sanctuary. We have to respond by saying that we will not stop showing up, that we will not be deterred.”

The Tree of Life Synagogue is accepting donations to aid the families of victims on their website.

Emerging Trends, Student Life

Art therapy as a form of self care

by Lucy Keller on

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Starting Nov. 1, the Montreal Museum of Fine Arts (MMFA) will waive entrance fees for visitors with doctor’s prescriptions. Throughout a one-year trial period, the museum will conduct research on art’s healing capabilities with the goal of promoting the physical and psychological benefits of a cultural outing. The city-wide program is particularly valuable for students as art is effective in decreasing anxiety, stress, and depression.

Art therapy is a form of treatment which promotes self care through artistic expression and viewing. A recent study at Texas State University found that students who partook in art therapy experienced a significant decrease in anxiety compared to another group of students who received standard forms of therapy.

The MMFA’s new program will provide McGill students with an opportunity to experience the effects of art therapy in a world class setting. While there are several McGill support groups on campus, such as the McGill Art Hive Initiative (MAHI), for students to gain relief for a range of health issues, this new alternative offers a more diverse array of facilities. Nathalie Bondil, director general and chief curator of the MMFA, piloted the program in partnership with physicians from Médecins francophones du Canada (MdFC). She hopes that the initiative will popularize creating and viewing artwork as a form of self care.

“Cultural experiences will benefit health and wellness, just as engaging in sports contributes to fitness,” Bondil said. “Just as doctors now prescribe exercise, they will be able to prescribe a visit to the MMFA.”

Social work graduate student Salima Punjani, an intern in the art therapy sector of the museum, explained that this program serves as a new way for students to augment their current self-care routines.   

“I would absolutely recommend that McGill students take time out of their days to come to the MMFA,” Punjani said. “I think it is important to take breaks and to also stimulate your mind in different ways through different textures, colours, and forms. I think listening, reading and writing are great tools for learning but it is important to step out of the box.”  

McGill students who wish to take advantage of the pricing discount will need a prescription from a physician who is a member of the MdFC; however, visitors without the proper documentation can partake in the other programs offered by the museum and its community partners. According to Stephen Legari, art therapist at the MMFA, the museum’s opportunities range from a typical trip to the museum to utilizing their educational and therapeutic services to reap the benefits of art therapy. Among these facilities is the Art Hive, an open-access space for visitors to create art with the guidance of art therapists.

“I like to think of the museum in terms of its doors,” Legari said. “There are all of these different doors [through which] you can enter the museum. You can enter through the front door as a visitor, tourist, [or] member, or you can enter through the side doors as a student, […] but how we approach these doors really depends on what the individual is looking for and what are they hoping to achieve.”

Though there are art hives across the world, the MMFA Art Hive is the only one situated inside of an art museum. Legari explained that the MMFA hive’s museum setting creates a particularly distinctive experience.  

“When art therapy is practiced in a community centre, in a school, or in a clinic, it tends to look a lot like a mental health service, with the important exception that we are always working with art,” Legari said. “The foundation of our practice is [that] we believe in nonverbal communication as a means of helping people through whatever they are living with.”

Most McGill students have a non-stop schedule and often put their mental health health aside in stressful times. However, art therapy programs, such as those offered at the MMFA, provide a way for students to take control of their mental health through new and creative outlets.

Arts & Entertainment, Music

No shame, no apologies: Lily Allen sparkles at Corona Theatre

by Caitlin Kindig on

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Following the June 8 release of her electropop record No Shame, English singer-songwriter Lily Allen brought a spirited energy to Corona Theatre on Oct. 27. A few hundred concert-goers, damp and cold from the first snow of the fall, convened near the stage in anticipation of Allen’s performance.

Accompanied by her two-man band, Allen embodied a neon dream, decked from head to toe in a glitzy ensemble. Citing an ongoing cold, she ingested her medicine and began the show, emphasizing her sickly-sweet demeanor as a pop-star. She opened with the first track off her new record, “Come On Then,” in which she describes the obsessive press coverage of the breakdown of her marriage, and how humiliating it was to be the subject of public scrutiny. Filling the room with vigour, she continued on with standouts from No Shame, such as “What You Waiting For?” and “Everything to Feel Something,” which explores Allen’s past struggles with substance abuse. She also performed hits from earlier albums: “Smile” and “Knock ‘Em Out” from her first record Alright, Still “Not Fair,” and “Who’d Have Known,” from her second album It’s Not Me, It’s You, demonstrating both her growth as an artist and the timeless appeal of her music.

Allen performed an unreleased single titled “Party Line,” recalling life on tour and adventures with her friends and bandmates. Exhilarated from her performance, the crowd received the song warmly in great anticipation of its upcoming release.

The room’s energy shifted from lively to pensive when Allen performed her hit “The Fear,” which is speculated to be about celebrity culture and fame; however, Allen insists that the song is a broader commentary on social media’s influence on day-to-day life. Allen used “The Fear” to reflect on the tragic shooting at the Tree of Life synagogue in Pittsburgh, which had occurred earlier that day. Allen recounted that when she read about it on her phone, she “just kept scrolling,” citing an overwhelming sense of dread. She reminded her audience to always stay informed and aware in the face of trivial distractions.

While Allen’s more upbeat songs were energetic enough to goad fans of all ages into a frenzy, she still had a commanding ability to quiet the room. Allen performed her slower and more intimate songs, “Apples,” “Family Man,” and “Three” from No Shame with a beauty and honesty that effectively stunned the crowd into silence. These songs delve into the more private parts of her life—a contemplation on her romantic relationships, parents, and children.

“Apples” compares Allen’s marital failures to the demise of her parents’ relationship by ruminating on the decisions that led to her divorce.

“Four years and you’ve given me my beautiful babies, but it was all too much for me,” Allen sang. “Now I’m exactly where I didn’t want to be, I’m just like my mummy and my daddy, I guess the apple doesn’t fall far from the tree.”

A silence fell over the venue when Allen began “Three,” a song written from the perspective of one of her young daughters, expressing her sadness and disappointment about Allen always being away on tour.

To wrap up an emotional rollercoaster of a performance, Allen performed “Trigger Bang,” which energized the crowd enough to finish with “Fuck You,” her iconic hit from It’s Not Me, It’s You.

“I originally wrote this song after observing George W. Bush’s presidency from across the ocean, but little did I know there would be something much worse coming. Donald J. Trump, this one’s for you!” Allen quipped.

Allen’s willingness to accept her flaws and turn them into engaging music is part of what makes her such a dynamic artist. No Shame is, fundamentally, a record built on Allen’s vulnerability. The singer-songwriter’s ability to convey emotions live allowed the crowd to experience emotional highs and lows alongside her and dance through them all the same.

 

Creative, News

The McGill Tribune – Fall 2018 General Assembly Recap

by Kyle Dewsnap on

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The McGill Tribune recaps the most important parts of the Students’ Society of McGill University’s fall general assembly.

Video by Kyle Dewsnap.

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