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Arts & Entertainment, Film and TV

Flashback: Trainspotting exposed the underbelly of ‘90s Edinburgh

“Sometimes I think people just become junkies because they subconsciously crave ay wee bit ay silence,” is the phrase that best describes Irvine Welsh’s Trainspotting (1993)—the novel that inspired the opiate-ridden 1996 movie of the same name. With the release of its sequel T2 Trainspotting on Feb. 21, Director Danny Boyle returns with a revisited version of a long-awaited classic. Although most of this generation of students were too young to see and appreciate Trainspotting at its release, the film became a cult classic—exposing the forbidden world of narcotics through a raw and surreal lens. 

As the movie begins, it immediately sets the fast pace of drug intake, the routines of the characters, and the incredible soundtrack. To the tune of Iggy Pop’s “Lust for Life” and Underworld’s “Born Slippy (Nuxx),” the viewer encounters a stylized snapshot of the lifestyle of heroin addict and narrator Renton (Ewan McGregor), sociopathic Sick Boy (Jonny Lee Miller), naive Spud (Ewen Bremner), anger-riddled Begbie (Robert Carlyle), and athlete-turned-junkie Tommie (Kevin McKidd)—five unique and unexpectedly likeable Scots.

Disguised under dark humour and charismatic monologues, the characters are faced with the horrors of heroin addiction, withdrawal symptoms, urban poverty, and HIV. In Trainspotting, the evil is not the drug but the lifestyle that the five friends try to glamourize. Not only an iconic movie for its aesthetic—some say Renton popularized skinny jeans for men—it explores taboos and exposes the realities of working-class, ’90s Edinburgh. 

However, immediately after its release Trainspotting was criticized glorifying drug use. With its many graphic scenes of heroin injections and close ups of a deceased newborn child, Trainspotting is an obvious target for the war on drugs. 

(Madeleine Kinney / The McGill Tribune) (Madeleine Kinney / The McGill Tribune)

“Cinema does inherently glamourize everything: It has actors, and there is a stylization there,” Welsh discussed in a 2016 interview with Vice. Boyle’s direction precisely aimed to avoid depicting addicts in their daily routine without a specific focus. For instance, Renton’s overdose scene has a certain romantic atmosphere to it, mostly brought on by Lou Reed’s “Perfect Day.” Renton sinks into a crimson carpet, metaphorically representing death enveloping his body, which, however surreal and beautiful, pragmatically demonstrates the constant risk of substance abuse.

Fast-forward to 2017, the movie sequel T2 Trainspotting, partly based on the book’s sequel Porno (2002), has the four protagonists —sadly without Tommie—reunite 20 years later in a rather familiar setting. In sync with our Internet age, Renton’s “Choose Life” monologue was altered: “choose life, choose Facebook, Instagram, Twitter” amends the 1996 “choose life, choose a job, choose a career.” T2 maintains its precursor’s empowerment of the voices of “lowlife” junkies, and its upbeat tempo also seems to match the original film’s pace. Overall, fans of the original we be reassured by the   faithfulness to the first movie and book. 

Although the sequel might not live up to the cult status its predecessor bore, T2 Trainspotting will surely be a welcome revival of the iconic 90s film.

 

T2 Trainspotting will be released in Montreal cinemas on March 17th

Album Reviews, Arts & Entertainment

Album Review: Kehlani – “SweetSexySavage”

Kehlani Parrish’s latest release SweetSexySavage follows in the footsteps of Rihanna’s Good Girl Gone Bad and Aaliyah’s Age Ain’t Nothing But a Number. The Oakland native is staking out her claim in R&B’s next generation with a young, bold voice, and skillful pop songwriting.  Following her 2015 mixtape You Should be Here, SweetSexySavage has been highly anticipated, especially after its single, “Gangsta,” was featured on the star-studded and Grammy-nominated Suicide Squad soundtrack. You Should be Here launched Kehlani out of the Bay Area bubble with a feature from Chance the Rapper on the track “The Way;” SweetSexySavage follows the same trajectory of increasingly polished songwriting and innovative production. 

Kehlani strikes an incredible balance between sultry and crystal clear vocals, and her vocal range is as impressive as her breadth of musical styles. The first track,“Undercover,” starts with a classical guitar riff, then launches into an upbeat pop rhythm with full bass and synth backing. On “CRZY,” the influence from Rihanna’s ANTI is obvious, with sparse instrumentation and a heavily syncopated drum track. “Personal” also nods to Rihanna with a cheeky “na na na,” just like on 2010’s “S&M.” This reference to the greats makes sense; SweetSexySavage itself is a reference to TLC’s iconic 1994 record, CrazySexyCool. If Kehlani hopes to carve out a place for herself among these R&B icons, SweetSexySavage is an impressive start. 

Disguised within the heavily-produced pop tracks are some serious lyrical meditations on sex, love, and loss. Leading up to the release of SweetSexySavage, Kehlani was hospitalized after a suicide attempt—stemming in part from intense online bullying following rumours that she was cheating on her then-boyfriend, singer PARTYNEXTDOOR. “Advice,” “Escape,” and “Hold Me By the Heart,” the more melancholy songs on the album, can perhaps be attributed to this distress—on “Advice” Kehlani sings, “I almost lost my mind / I left myself behind / I almost crashed and fell right from the sky,”—but these tracks never lose the pop catchiness that is captivating throughout the album. 

However, the overall impression is somewhat muddled and definitely too long. At 18 tracks, the album’s length is not notably different from Kehlani’s 2015 mixtape. Despite the diverse sounds throughout, standout tracks get lost between ones that are catchy, but don’t add much depth to the overall album. Kehlani could have hit harder with 12 excellent songs rather than 18 ranging from excellent to good-but-not-interesting. On every song, Kehlani has a lot to say, and despite the inventive lyricism, the album is exhausting by the end. Although this is probably a result of the pop and R&B conditioning that favours repetitive, easy-to-sing lyrics, on her next try, Kehlani should consider hiring a good editor.  

STANDOUT TRACKS

“Distraction,” “Keep On,” “Undercover”:

SOUNDS LIKE:

Ariana Grande, Tinashe, Rihanna

BEST LYRICS:

“If I gotta be abitch, I’mma be a bad one” (CRZY)

Off the Board, Opinion

Montreal needs a better shovel for snowy sidewalks

Everyone’s been there—walking around Montreal when all of a sudden you find yourself looking up at the sky from your backside. Whether sober, drunk, or somewhere in between, Montreal’s sidewalks represent the single most dangerous threat to any student. 

Snowy, slippery wipe-outs are commonplace, and those who find themselves victim of the city’s sidewalks can at least take solace in the fact that it isn’t as embarrassing as one might think. The spectators to your spectacular fall are actually more concerned with your safety than publicly shaming you. They know it isn’t your fault and the real culprit is still at large—Montreal’s shoddy snow removal efforts.

The City of Montreal is supposedly responsible for the cleaning of roads and sidewalks after a snowfall. Unfortunately, despite boasting one of Canada’s largest budgets for snow removal, the city seems to have repeated failed in that capacity. Unless one is walking on a major street like Sherbrooke or Sainte-Catherine, it’s safe to assume that the sidewalk will resemble an outdoor skating rink. Every Montreal resident has at least one nasty bruise to show for this. 

The city’s snow removal failures also significantly harm the roads and sidewalks. Ice hastens the breakdown of infrastructure due to the constant expansion and shrinkage of ice within cracks and potholes. Efficient clearing of snow would increase the lifespan of infrastructure, saving the city money in addition to the backsides of its citizens.

 

 

 

 

Somehow, Coderre and his associates can’t seem to crack the centuries’ old riddle of snowfall.

The city ought to be more in control of this essential service. Icy sidewalks are not a monthly or weekly occurrence—this is a daily struggle against nature that is made worse by the municipal government. In January 2015, the Plateau was not given adequate funding to ensure that the main roads were adequately plowed. City Comptroller Alain Bond blamed this mistake not on the borough’s budgeting, but on poor weather forecasts. In the same year, Boulevard Saint-Laurent and Rue Saint-Denis were often difficult to traverse safely because of the piles of snow present. Borough Mayor Luc Ferrandez claimed that Montreal Mayor Denis Coderre made significant cuts to the budget and they could no longer afford any snow removal for the rest of the year. Being that this took place in early January, the rest of the long winter was torturous for those who needed to drive or walk in the Plateau. At times, getting through side streets was an exercise in futility.

Coderre himself was also angered by the city’s failures with clearing the sidewalks. He came up with 16 recommendations to improve Montreal’s snow removal policy. Coderre called for uniform standards of operation and cooperation between boroughs. Two years later, there does not appear to be any difference at all in the quality of shovelling. Braving the outdoors is still about as dangerous as travelling to Mordor. Somehow, Coderre and his associates can’t seem to crack the centuries’ old riddle of snowfall. 

Many cities manage to successfully protect the physical and emotional state of their residents through a simple sidewalk shoveling policy: Residents of Chicago, for example, must shovel the sidewalk in front of their dwelling or face fines up to $500, and are liable for any civil damages. Calgary has a similar bylaw—if a citizen fails to clear their strip of sidewalk, they must pay the cost of the city workforce doing so. This radical idea could potentially be implemented in Montreal to clear walking paths without relying on the city. 

The city needs to solve its snow removal issues. It’s embarrassing that Montreal is celebrating its 375th birthday, and still can’t seem to clear its sidewalks.

 

 

 

 

 

 

Joe Khammar is a Sports Editor at the McGill Tribune.

 

 

 

 

 

 

 
News

Trudeau’s Special Advisor on LGBTQ2 issues hosted by Liberal McGill

On Feb.10, Liberal McGill welcomed Member of Parliament (MP) Randy Boissonnault to Gerts bar for a conversation with McGill students. Boissonnault serves as Prime Minister Justin Trudeau’s appointed special advisor on issues pertaining to the lesbian, gay, bisexual, transgender, queer, and two-spirited (LGBTQ2) community and is the first to serve in this capacity.

Liberal McGill hoped the event would give students a platform to network and discuss important issues, according to the group’s Vice-President Communications June Gleed.

“The event was an opportunity for students to voice their opinions in an informal manner to [an MP],” Gleed said. “Randy is fighting for issues that many of our students are passionate about, so we appreciate that he could take the time to meet with us at McGill.”

Students spoke with the MP in a discussion geared towards important issues facing the LGBTQ2 community at McGill,  in Canada, and worldwide.
Topics of discussion were varied and included the Canadian Blood Services’ restrictions on gay men donating blood, providing safe spaces for queer youth to access mental health support, and gender-neutral bathrooms in Canada. Foreign relations with nations that deny their LGBTQ2 communities basic human rights was also covered.

Boissonnault highlighted the ability of millennials to communicate on social media and emphasized how personal LGBTQ2 issues can be.

“We want to engage youth, […] seniors, […] people at the university, and in civil society because this is not only […] a government approach,” Boissonnault said. “Where can we find […] civil society activists that are going to help us not just tell the stories and adjust the wrongs of the past, but really figure out ‘How do we build together and move together’?”

After the informal discussion at Gerts, Boissonnault participated in a roundtable meeting to discuss the major issues facing the Quebec LGBTQ2 community. Attendees included Florence Ashley Paré, a trans law student at McGill and an active member of the LGBTQ2IA+ community. Paré attended the event as a representative of OutLaw, a club for queer students and their straight allies based in the Faculty of Law.

Boissonnault followed up on a number of issues, especially Quebec-specific problems, of which he was previously unaware: Bill C-16, which made discrimination based on gender identity illegal, and the repeal of Bill C-36, a piece of legislation that threatens sex workers, were both discussed, according to Paré.

“I must say that Randy Boissonnault was very receptive to our comments […],” Paré said. “I'm very excited for changes that might come out of that, but I also recognize that large-scale systemic changes are unlikely coming from a Liberal government.”  

Paré said that changes to funding will be difficult, given the misinformed actions of the federal government and the widespread collaboration needed to achieve progress.

“Improving queer and trans lives necessitates funding of community organisations, and the defunding of [Action Santé Travesti(e)s et Transsexuel(le)s du Québec (ASTT(e)Q)] in Montreal is a really hard blow for the trans communities around here […],” Paré said.  “I hope that they increase funding across the board because [only] funding events, such as Pride, is wholly insufficient, and some might even say inadequate, given the depoliticization and corporatization of Pride over its long history.”

Boissonnault said that the event was a productive experience.

“Every time I get to be a part of a conversation like this, I’m learning, and so that’s the kind of information I’m going to be able to take back to my colleagues in government and to inform the Prime Minister’s Office,” Boissonnault said. “It [was] a great visit to McGill [….]”

Editorial, Opinion

Students must hold representatives accountable through appropriate channels

A tweet from Arts Representative to the Students’ Society of McGill University (SSMU) Igor Sadikov, reading “punch a zionist today,” has been subject to intense controversy for inciting violence against Zionist students. Thus far, the debate surrounding the tweet and, in particular, Sadikov’s interpretation of Zionism, has been understandably divisive and heated. Without minimizing the gravity of the issue, the question of the appropriate definition of Zionism is rooted in a deeply complex and sensitive ideological and geopolitical debate, for which student forums are not always the appropriate venue. Regardless of the issue at stake, however, as influential figures and the representatives of a diverse constituency, student representatives should be held to a higher standard of conduct than others. Students must ensure that their politicians meet this standard while representing student interests responsibly and productively. 

When taking on any job, one accepts the responsibilities and expectations attached to the role. For student representatives, these responsibilities include being cognizant of the influence of their position and faithfully representing their constituents. These expectations are substantial, as are the consequences of failing to meet them. 

McGill’s Student Code of Conduct, which Provost and Vice Principal Christopher Manfredi evoked in an email condemning Sadikov’s tweet, affirms that it is unacceptable for anyone to incite violence against a group or individual. While every student is equally bound to the Code of Conduct, leniency when addressing its violation varies. Student representatives are afforded positions of power so that they might affect positive change on behalf of their constituents. While this influence is most obvious when acting in a professional capacity, it inevitably extends to campus discourse in general. Whether through a statement in a council meeting or through a personal tweet, when a student representative chooses to speak, they cannot forget that their voice and their message are amplified. Should their message be an incitement of violence, they will face consequences from the appropriate institutions.

Student representatives are afforded positions of power, so that they might affect positive change on behalf of their constituents. While this influence is most obvious when acting in a professional capacity, it inevitably extends to campus discourse more generally.

Student representatives must also be mindful of their mandate—that is, to effectively represent student interests. With a society as large and diverse as the McGill student body, and a system of representation embodied in individuals rather than in parties, the idea of perfect representation is an illusion. A representative’s views will never wholly reflect those of every single constituent, nor should students expect them to—everyone is entitled to his or her own political opinions. However, a student representative’s personal opinions should be expressed with careful regard for their role as a representative. Holding different views from a peer is one thing—violently denouncing a group that one purportedly represents is another. To make a statement that not only disagrees with, but endangers a particular group within a constituency, is a failure of representation. 

When a representative fails his or her constituents in these ways, they must be held accountable—but this process must occur through the appropriate channels. In the case of Sadikov, the Arts Undergraduate Society (AUS), the SSMU, and the McGill administration have taken steps to this end: the AUS has formally requested his resignation, and Manfredi released a statement condemning the tweet and hinting at disciplinary action. While a motion to impeach Sadikov from the SSMU Board of Directors has failed, the possibility and process to do so remains open. 

Students have demanded that Sadikov face formal consequences for his tweet. Students can and should hold their representatives accountable for their actions. Steps on both sides, however, must be taken carefully and responsibly. In addition to widespread backlash on social media, Sadikov has received threats of violence. Inciting violence against Sadikov violates the Student Code of Conduct in the same way that his tweet did—whatever the debate, advocating violence from either side is wrong and narrows the space for safe discussion. 

Students should take to the institutional channels available to hold their representatives accountable, such as messaging representatives directly and submitting executive reviews. These steps should be taken when student representatives fail, of course, but also before that point. It is a representative’s responsibility to reflect student interests and values; as constituents, it is students’ responsibility to continuously hold their representatives to these expectations. It is only through such mutual and ongoing participation that democratic systems of government, such as SSMU, can function.

 

Science & Technology

Scientists for Love encourages connections through the senses

Love is in the air and, according to the Montreal-based organization Scientists for Love, it is also in our senses. On Feb. 9, founders Amy Chartrand and Leigh Kotsilidis spoke during the Science Undergraduate Society’s (SUS) Academia Week 2017 “Stranger Things,” introducing the audience to a new method for building human connections.

“[Scientists for Love is] an organization devoted to the scientific study and advancement of love in all its forms,” Kotsilidis said. “Not just the love that you might feel for a romantic partner, also the love you share with family members, friends, and even complete strangers.”

While brainstorming project ideas in Casa Del Popolo, Chartrand and Kotsilidis realized that it was more difficult to engage with the people physically around them than through virtual platforms, such as Tinder and Facebook.

“We were totally surrounded by a sea of people we thought were really interesting and cool, but we had no way to bridge the gap and talk to them,” Chartrand said. “What is going on with our interactions that we can’t bridge the gap in this room, but we have no problem connecting with people on all sorts of social media?”

They looked to the scientific method for a solution that would help people develop connections through social interactions.

“We thought, ‘What if we tested all five senses […] to see if the senses themselves, if when examined in isolation, could make a prediction of who you would be compatible with?’” Chartrand said. “It was all a big joke, until we started actually thinking about it and talking to people about it.”

Their first event, “Speed Dating for the Senses and the Sensitive,” launched in January 2014. They tested each smell, taste, hearing, sight, and touch during the night through five experiments, which measured each sense in isolation.

Chartrand and Kotsilidis illustrated their method on their McGill audience. It began with putting on blindfolds and listening to the count of 10 by several different voices and picking the most attractive voice. Then, audience members experienced the touch of another participant while blindfolded and listening to music. The event culminated with looking at several participants in the eyes without speaking. These experiments were all developed to encourage connection through atypical means with a focus on the effect of the senses.

(Alex Gardiner / The McGill Tribune)
(Alex Gardiner / The McGill Tribune)

 

“What we are doing is part science, part performance art,” Kotsilidis said. “We consider the science we do not for us, but for the participants. All the data and all the information we gathered throughout the evening is handed over to all the participants to analyze and draw their own conclusions.”

Unlike psychological studies aimed at gleaning generalizable findings, these experiments are designed to connect individual participants to each other and enable them to gain a better understanding of themselves. They use the scientific method to inspire connections by leaving the analysis to the participants.

“We really believe that there is a truth in your own perception of your own experience as a human being, and so for us, if you examine your own perception of your own experience through the scientific method, then you are a scientist,” Chartrand said.

 

Scientists for Love have will have their next event March 18, 2017.

 
Arts & Entertainment, Theatre

“Intractable Woman” tells story of gendered journalism and censorship

In the 9/11 gallery theatre of the Newseum in Washington D.C., a quote by Rod Dreher is marked on the wall like a silent, certain truth: “There are three kinds of people who run toward disaster, not away: Cops, firemen and reporters.” Imago Theatre is an independent theatre company located in Montreal, dedicated to bringing to life the stories of unstoppable women. Their latest production, Intractable Woman, is not only a stellar homage to the work of Russian journalist Anna Politkovskaya, but a timely reminder of fighting for free speech under oppressive regimes. Directed by Micheline Chevrier, the production offers a poetic and productive theatre experience. 

Focused on the writings of Anna Politkovskaya—the only journalist to report on the 1999 Second Chechen conflict between Russia and Chechen separatists—the play considers themes of silencing, censorship, and freedom of expression. The lyrical text of playwright Stefano Massini, moulded by Chevrier’s vision, is delivered effortlessly by a compact, multi-ethnic cast of three women. 

Chevrier elaborated on her artistic vision in choosing the diverse cast. 

“I didn’t want people to think this happened only to a Russian journalist,” Chevrier explained. “Journalists all over the world, of incredible backgrounds, [from] all kinds of countries, get killed for being journalists. For me, it was important that you see three women of various backgrounds on stage, to see them take her spirit on. In the end, they don’t really become her so much as they become her words.” 

The narrative is structured into 21 scenes, all drawing upon incidents in Politkovskaya’s life. To make the events coherent for the stage was, according Chevrier, challenging. Substantial attention had to be given to staging the relentless, flurrying life of Politkovskaya without distracting the audience from the essence of the narrative.

 “It’s all about finding the balance between the words and everything else on the stage,” Chevrier explained.  

This balance is reflected in the chilling austerity of the production’s design. If only one word were to be used in describing the aesthetic of the play, it would be ‘minimalist.’ All aspects of the production design exhibit nuanced simplicity. For example, the set, developed by Eo Sharp, reflects the thematic hierarchy of the narrative. At the forefront is a compact three-tiered set, subordinated to the pipeline that traverses the troubled land. The highest level, however, is reserved for a screen on which Politkovskaya’s writing appears during the stage action. The constant presence of written words on stage emphasises the importance of writing: Its ability to impact change, to shape lives for better and for worse.

The influence of authorship on objectivity in journalism in a running theme in Intractable Woman. In one scene, Anna comes across a war film on state-controlled television that claims to be a true story. A quick dissection, however, reveals the clear propaganda motive behind the piece. While Politkovskaya is shown to condemn bias in media, the play does not simplify her as the pinnacle of journalistic integrity. Standing in front of a fire fuelled by human bodies, Anna’s documenting of the endless catalogue of violence is halting, but she perseveres. With tears in her eyes, she challenges the perception that journalism is easy because it is only about reporting facts. Intractable Woman captures, with vivifying rawness, the inner conflict of Politkovskaya to stay objective during her reporting on horrifying human rights violation.’

The ultimate message of Intractable Woman is constant vigilance. 

“[We must] not take for granted what we have, [that] things need to be fought for, debated, questioned,” Chevrier said. 

The production’s pacing is relentless and its tone biting: a lyrically descriptive encapsulation of Anna Politkovskaya’s life, Intractable Woman is a fierce commentary on taking action—which seems more relevant now than ever before.

 

Intractable Women runs Feb. 9 to Feb. 18 at the Centaur Theatre. Tickets reservations are available through the venue’s website.

Science & Technology

Green Chemistry can lead Canada to be the next global superpower

The McGill Canada Excellence Research Chair in Green Chemistry and Green Chemicals Robin D. Rogers spoke at the Cutting Edge Lecture series on Feb. 9 at the Redpath Museum. Rogers work focuses on creating ionic liquids for cleaning using the principles of Green Chemistry—that is, designing chemical products that reduce environmental degradation.

His lecture—titled, “Canada can be the World’s economic superpower in the non-fossil fuel world and Green Chemistry can get us there”—revealed the scope of Rogers’ ambition.

“Maybe what I would do is take you through a personal story and see if we could ever arrive at the rather grand title that is up there today,” Rogers said.

Rogers grew up in Athens, Alabama. By the time he was two years old, he knew he wanted to become a scientist.

“To me, the 1960s were about science and technology,” Rogers said. “This was the race to the Moon. This was when to be a scientist or an engineer was the pre-eminent job that one would want to have.”

In this atmosphere, Rogers was inspired to attend the University of Alabama to study chemistry.

Then, something changed. Rachel Carson’s ground-breaking book, Silent Spring, was released in 1962 and the public’s perception of science began to shift. Chemists were perceived as creating toxic chemicals that pollute the planet and the number of environmental regulations began to increase.

“One thing that chemists do is we make things,” Rogers said. “We make new chemicals and these chemicals, a lot of times, get out into society and are used for some purpose.”

Rogers emphasized the need to test for potential toxicity in newly released chemicals.

Chemistry, as Rogers explained, can be used to protect the environment; but, unless it is bridged with other disciplines, it isn’t enough. Because of sustainability’s interdisciplinary nature, Rogers has developed a “three-legged stool” for sustainable development. The three legs are: Environmental integrity, social responsibility, and economic viability.

“I can tell you there’s a third leg academics never want to talk about,” Rogers said. “[Which is that] you have to make money.”

As a scientist, Rogers explains how he had to think about creating a business model. Though it wasn’t his area of expertise, he started his own company, 525 Solutions, in order to innovate and develop some of his new ideas. Particularly interested in using salts to break down compounds, his company focused on the development of ionic liquids. Unfortunately, his company was declined a grant from the U.S. Department of Energy, so Rogers sought inspiration elsewhere.

When the 2010 BP oil spill happened, Rogers went to see what he could do to help. He realized people were paying $100,000 a month to dispose of the shrimp shells that littered the Gulf of Mexico. Rather than shipping these crustacean shells off to a landfill, Rogers saw potential because the shells contained chitin.

As a naturally occurring biomolecule, chitin has economic value due to its flexibility and strength. Not only that, but the ionic liquid Rogers had previously developed could dissolve the shell, so all that remained was the chitin. The chitin industry is a $63 billion world-wide industry and no chitin producer currently operates in the United States.

Eventually, Rogers and his team were able to obtain a grant for their ionic liquid design. Now, Rogers is working on turning renewable polymers into products.

“I don’t want to replace anything,” Rogers said. “I want to eliminate it.”

Rogers came to McGill because he believes that Canada has all three of the legs for sustainable development. Unlike other resource-restricted countries, Canada has the opportunity for sustainable harvest of its raw materials. Canada also has the social fabric, intellectual capital, and natural resources to make sustainable goals a reality.

Rogers believes Canada can become a global economic superpower by developing new products from renewable polymers through the use of his tool: Green Chemistry.

Science & Technology

The academic journal detectives behind Retraction Watch

The atmosphere was electric in the New Residence Ballroom on Feb. 3. Tables were filled with the energetic chatter of graduate researchers and professors in anticipation of the academic journal retraction detective: Ivan Oransky. Oransky and his partner Adam Marcus founded the popular blog Retraction Watch in 2010 to record when academic papers get retracted, how many retractions each researcher has, and the reason for every retraction.

There are many factors that can lead to the retraction of an academic paper. Oransky’s presentation, “Retractions, Post-Publication Peer Review, and Fraud: Scientific Publishing’s Wild West,” demonstrated multiple scenarios for why academic papers might be retracted.

When Ivan Oransky and his partner started the blog, they did not anticipate it to be as successful as it is today.

“[I thought that we] would post a few things a couple times a month and hope that maybe [our] mothers would read it,” Oransky said.

Today, Retraction Watch has a readership of more than 150,000 people per month. According to Oransky, the rate of retractions increased tenfold from 2000 to 2010.

Until six to eight months ago, he thought the rise in retractions might be because more academics were paying attention.

“[I thought] that we were simply better at catching all of these problems,” Oransky said. “[But] the number of papers published only grew by 44 per cent [during this time period …] so, in that case, the growth of retractions outpaced the growth of papers being published.”

According to Retraction Watch, of these papers, two-thirds are retracted due to misconduct, 20 per cent due to honest errors, and the rest for reasons unknown.

Retraction Watch has a leaderboard of 30 individuals and the number of retractions they have had. Coming in first with 183 retractions is Yoshitaka Fujii, an anesthesiology researcher who got caught publishing results that were too good to be true. Fujii also happened to spend two years at McGill as a research fellow during the 1990s.

According to Oransky, when someone’s results are too beautiful, “it really means the opposite.” John Carlisle tried to replicate Fujii’s results and found that the likelihood of achieving them was statistically close to impossible. Fujii was forced to retract his papers and was dismissed from his associate professorship at the Japanese University where he had conducted his false research.

Papers aren’t always retracted for negative reasons. Nathan Georgette—at the time, an undergraduate student at Harvard—retracted a paper he had written in high school after conducting further research and finding mistakes in his original paper. Georgette also proves that retractions don’t always ruin careers. He went on to the Harvard Medical School and is successfully continuing his research in epidemiology.

Although the world of retractions and scientific publishing consists of a matrix of opaque procedures and regulations, scientists are rewarded for admitting their mistakes. Oransky and his team at Retraction Watch not only educate the public on the multiplicity of reasons behind retractions, they also ensure that the world is aware of mistakes when they happen.

Basketball, Martlets

Potvin’s late three lifts McGill to victory over UQAM

McGill Martlets
55

UQAM Citadins
50

In the dead of winter, a crowd of McGill students in swimsuits and beachwear came to Love Competition Hall to see Martlets basketball (7-6) down the visiting UQAM Citadins (7-6) 55-50 on Feb. 9’s Beach Night.

With a bevy of turnovers from both squads, neither team was able to capitalize and gain a substantial lead in the first half. Despite the Citadins struggles as a unit, senior centre Jessica Lubin had a dominant first half performance, netting 12 points and 5 rebounds.

“[Lubin] is probably one of the top post players in the country,” Martlets Head Coach Ryan Thorne said.

Up by two points at halftime, the Martlets enjoyed some much-needed rest before breaking out in the third frame. Momentum swung McGill’s way as a pair of threes from sophomore guard Fredericke Laflamme stretched McGill’s lead to 12 points before the fourth quarter.

“I think the girls did a good job knocking down shots when they needed to,” senior Martlets centre Alex Kiss-Rusk said. “We took a few reckless ones that were kind of lucky going in, but we did a good job.”

In the final frame, the game began to unravel for the Martlets. Turnovers and missed shots pumped life back into the UQAM attack. With 30 seconds left, the Citadins clawed back from a double-digit deficit to tie the game at 50. After a McGill timeout, Kiss-Rusk set an off-ball screen to free up senior guard Frederique Potvin for the clutch three to regain the lead.

“We tried to run this play twice in the game, but it didn’t really work out,” Potvin said “But then Alex set me a really great screen and my defender got caught in it and I was wide open, so I didn’t have a choice but to hit it.”

On the next possession, the Citadins air-balled a three that would have tied the game before the Martlets converted a pair of free throws to ice the game.

“It was for sure a tough game, but we had a 16 point lead,” Potvin said. “I wish we had kept the lead, but we still pulled that off, so that’s all that matters.”

While Lubin finished the game with 21 points and 18 rebounds for UQAM, it was McGill’s balanced attack that prevailed. Gladys Hakizimana, Kiss-Rusk, and Laflamme all finished the game with double-digit points and combined for 13 rebounds.

The Martlets will head across town to take on the Concordia Stingers on Feb. 16. With their playoff spot secure, the team’s focus will be on preparing for what lies beyond the upcoming match.

“[This next game] is about improving every week as we head into playoffs,” Thorne said. “It’s not necessarily about Concordia, it’s more about us being better.”

 

Moment of the Game: An off-ball screen from Alex Kiss-Rusk freed up Frederique Potvin for an open three to give McGill the lead with 16 seconds left in the game.

Quotable: “When we were in trouble is [when] we got stagnant [….] We wanted someone to win the game one-on-one, and we’re not that team.” —Martlets Head Coach Ryan Thorne on team cohesion

Stat Corner: McGill was outscored in the paint 34 to 16 by UQAM.

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