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Arts & Entertainment, Music

Cianalas brings Celtic charm to Montreal

by Isobel Bray on

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With St. Patrick’s Day behind us but spring ahead, the lilting Celtic tunes of Montreal-based band Cianalas make the perfect soundtrack for a city shaking off the last chills of winter. The band played their first headline show on March 19 at Quai des Brumes, a dimly lit bar on rue St. Denis with eccentric artwork lining its walls. It was the perfect setting for Cianalas—who, in just six months, have gone from busking on the streets of Montreal to playing their first headline show to a packed crowd. The attendees reflected the broad reach of the genre: Mostly 20-somethings with a smattering of older listeners, a reminder that folk music has a way of bringing people together across generations. 

The night opened with Gráinne, a Montreal-based Irish band that also features a member of Cianalas. They moved between songs in Irish and English, combining classic favourites with original arrangements. Beneath the fiddle and steady beat of the bodhrán (an Irish drum), the lyrics conveyed much of what Irish traditional music is about—history with themes of loss and longing.

When Cianalas took the stage, they captured the room’s attention from the first note. People were up and dancing even in the crowded space. Brenna Logan (vocals, guitar), Abi Rees (accordion), Ella Partington (fiddle), and Isabel Hayler Hughes (fiddle) bring a kind of chemistry that only comes from musicians who truly love playing together. Their set was a mix of instrumental and lyrical pieces, moving seamlessly between high-energy dance tunes and slower melodic songs. Logan’s vocals were strong, and the band kept an easy rhythm together. 

One of the most striking things about Cianalas is how much they clearly love what they do, and their commitment to the craft. Even a brief technical mishap with the guitar couldn’t throw them off—the show must go on! They paused to thank the audience for supporting “Irish women in music,” a statement met with cheers from the crowd, reminding them of the tradition they are carrying forward, and the space they are making within it.

What makes Cianalas stand out isn’t just their technical skill or their ability to get a room dancing (though they do both with ease); it’s the feeling behind the music, the way it carries both history and home in it. Their name, Scottish Gaelic for “homesickness,” captures the sentiment perfectly. Hayler Hughes told The Tribune that they don’t see it as a longing to be elsewhere but, rather, as a deep-rooted connection to where they’re from. The name is fitting for a band made up of musicians from all over the U.K. and Ireland, who found each other in Montreal to build a new home together. Even though their music is rooted in Celtic tradition, they have also found musical inspiration in Quebecois folk music, further tying them to the city. 

Hayler Hughes also spoke about the serendipitous way the band came together. She and Rees, despite attending the same high school in England, only met properly at a folk session in Glasgow years later while at university. They both wound up in Montreal on exchange and busked around the Plateau together. After realizing they both knew Partington and Logan through sessions and open mics around Montreal, they decided to form Cianalas. Their story, like their music, is about connection—about the way people, places, and melodies find their way to each other.

Cianalas welcomed Gráinne back on stage for an encore featuring both Canadian and Celtic classics like “Northwest Passage” and “Wild Mountain Thyme,” which had the whole bar singing along. The night was a reminder of why live music matters, especially now when big-ticket concerts feel out of reach for so many. 

Cianalas hosts a weekly folk session at McLean’s Pub on Saturdays from 2-5 p.m., welcoming musicians of all levels to join. As for what’s next, they’re planning a summer tour and hoping to get into a studio to record some of their arrangements. In the meantime, make sure to get out and support your local artists, whether they’re just starting out or they’re seasoned favourites.

You can find Cianalas on Instagram @cianalas_music

Arts & Entertainment, Theatre

 TNC’s student-written production of ‘Sphinx’ reaches professional levels of wit

by Bianca Sugunasiri on

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There’s nothing like the sheer terror of waking up hungover to discover the bad decision your alter ego made the night before. Particularly when that bad decision saunters into your kitchen and greets you with cheerful full-frontal. If that’s not enough to push you over the edge, throw in an impending blizzard that will instantly kill anyone who ventures outside. 

This is the unfortunate life of Gus (Hayden Jackson, U3 Arts), forced to confront his drunken one-night stand within the confines of his studio. The casual and cocky Theo (Sam Snyder, U2 Arts) proceeds to needle his uptight ways, goading him into doing the Proust Questionnaire. They partake in the typical activities of prideful intellectuals, from insulting each others’ book tastes to sassy matches of chess. Their tension relieves itself in a galvanizing fit of passion which quickly turns to panic when Gus realizes that the man for whom his affection has grown is pure evil. An ambiguous ending leaves audiences wondering who Theo really was: The devil, or just another nonchalant man.  

From the first shocked exclamation to the last blood-curdling scream, Tuesday Night Cafe’s (TNC) production of Sphinx captivated audiences. The storyline, composed of commonplace dialogues and impactful silences, successfully conveyed the flawed intricacies of human relationships that so often elude attempts of romantic realism. Writer-directors Jack Bouchard (U2 Arts) and Odessa Rontogiannis (U2 Arts) embedded within humorous dialogue layers of awkwardly authentic connection. The limited confines of TNC’s space were stretched to creative capacity, enabling the audience to become flies on the walls of Gus’s apartment. And the acting felt so natural, as if the words were not lines, but conversations spilling from the actors’ lips. 

Jackson’s portrayal of Gus was rich with raw emotion, augmenting the intimate realism of the play. He fell fully into his character of the awkward tortured artist in body, delivery, and interaction. His Jesse Eisenberg-esque voice cracks and erratic intonation were effortless, and the shaking of his hands so realistic that it may have been mistaken for nerves. His frantic interactions with pans and paintbrushes brought the space alive whilst betraying his obsessive compulsion for control. 

Snyder’s enigmatic interpretation of Theo was dominating and eccentric, walking the tightrope of pleasure and spectacle. He projected carelessness in his body language: Sitting with his leg tossed in front of him, or intrusively rifling through Gus’s particularly placed belongings. His delivery of suggestive quips was skillfully natural; one example being his response to Gus’s rumination of not pegging him as a particular personality: “You didn’t peg me at all.” 

The duo’s chemistry was so natural that it felt like an intrusion to observe. The lack of seamlessness in their interactions mimicked the familiar ebb and flow of strangers turning friends. Even in scenes that were not meant to be intimate, Jackson and Snyder were able to create palpable tension through glances and body language. 

An honourable mention goes out to Ryan Jacoby (U0 Science), who plays Radio (literally); he stretched his role to its comedic limits. His delivery of well-placed interjections had audiences roaring with laughter. Whether it was a timely, high-volume condom ad—or the remarkably sentient comment of “Will you two just fuck already?”—Jacoby carved an unmistakable presence. He added a dynamic aspect to his static character by serving as a “Jim Halpert cam” for Gus, the two exchanging periodic glances at Theo’s flamboyance. 

The production made refreshingly clever use of sound effects, props, and stage direction. Whether it was to spotlight Radio, to disguise a quick change, or to preserve the confidentiality of the intimate scenes, “fades to black” were tactfully employed. Lifting the lights to reveal snippets of dialogue and interaction in and amongst the implied intimacy emphasized the closeness of sex that goes beyond the act itself.

Sphinx was a beautifully executed piece from inception to production—a wonderful example of McGill students’ creative talents. It exemplified the messiness of human connection whilst reminding us of how a one-night stand can go so terribly wrong. 

Features

The grassroots of change grow in the playground of conversation 

by Lulu Calame on

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An invitation to reinvigorate conversation

On a hot evening in August, I found myself pacing my small kitchen with my roommate and her brother, yelling and brooding and gesticulating like the politicians at Bretton Woods deciding the new postwar world order. In a moment of spontaneous curiosity, my roommate had picked a lemon out of the fruit bowl and asked the gallery of two: “If a lemon had a soul, where would it be?”

Our answers came more quickly and vehemently than one might anticipate, considering the subject.

Her brother sided immediately with the seed, which he said held the divine power of the lemon’s immortality (eye rolls in the stands). My roommate countered that, for God’s sake, the soul isn’t reproductive—it dies with the person (sorry—the lemon) and is pervasive, like the juice. I interjected on behalf of zest—that mystical ingredient of which a teaspoon makes a blueberry scone into a magical scone. That magic, I argued, is what makes a soul a soul—lemon or otherwise. My roommate’s brother, hung up on the juice argument, claimed that the juice was the blood rather than the soul, triggering our indignation over his brash equation of a lemon with human bodily fluids.

“The soul can’t be isolated and picked out like we’re goddamn heart surgeons,” my roommate said.

And so on…

Thus, by interrogating—with whimsy and a little absurdity—a lemon, we had brought to the surface the most fundamental of human questions, and with it, the beautiful enthusiasm with which we defended our own conceptions, and deeply held convictions, of its answer.

Part 1—The problem: Conversation, conformity, and the Other

Conversation is a uniquely human medium through which we relate to one another. It is a petri dish wherein social norms are constructed, and where these norms can either be upheld, challenged, or reconstructed.

Erving Goffman, a prominent 20th-century social interactionist, claimed that when an individual “is in the immediate presence of others, his activity will have a ‘promissory’ character.” This promise is a silent agreement between both parties in an interaction, each of whom is “expected to suppress his immediate heartfelt feelings” as a means of maintaining what Goffman describes as the “smooth working of society.” In other words, according to Goffman, our conversations must be palatable, avoiding the discomfort and conflict that would threaten society’s continuity.

Where has this “smooth working of society” gotten us? With strangers, we take pride in our ability to entertain empty conversations. Over lunch with an acquaintance, we ask after aunts and work and pets, furrowing our brows and following up thoughtfully about mortgages and dog fleas: “Lyme’s Disease is no joke, you know, my aunt got it once.” Sometimes, it takes years before we ask and answer questions freely with even our best friends. In fact, as we become ever more interconnected thanks to the conquest of digitalization, the loneliness epidemic is reaching unprecedented heights.

“Maybe the reason we make conversation the way we make it is because of the fear of the Other,” said Paul Yachnin, Tomlinson Professor of Shakespeare Studies at McGill, in a conversation about conversation with The Tribune. “So much of the conversation we regularly do is to save us from actually seeing the other person.”

This fear is evidenced in our shameless avoidance of divorce, income, trauma, aging, or the absurdity of modern western society in a conventional dinner setting. It is further evidenced by our acute discomfort when Goffman’s promissory agreement to preserve repression and politeness is breached—whether by childhood innocence or mental illness.

“In Shakespeare’s time, […] people were thought to be mad, but they were also thought to have something to say that other people wouldn’t grasp,” Yachnin said. “[Now,] as soon as someone is diagnosed with psychosis, we stop listening to the words coming out of their mouth.”

Though mental illness cannot be reduced to social nonconformity, the intensity with which we ignore or reduce the thoughts that it brings to the conversational surface exposes the depth of our fear of coming face to face with the arbitrarity, sadness, and vulnerability of real human life.

While palatable complicity is easier than confrontation under North American norms of nicety, it vilifies the delight of learning truly about one another, learning from one another, and connecting as the complicated and idiosyncratic individuals that we are. Kristine Nørgaard-Nielsen, in a wonderful article titled “The Paradox of American Friendliness,” describes Americans as peaches in their interactions—with soft, friendly outsides hiding an uncrackable pit.

Such compliance runs rampant even in our closest circles, where our habitual rhythms—while informed by a deeper understanding of personhood and history—still do not give space to lemons with souls, or for questions like what would you write your manifesto about? But doesn’t the zest of humanity lie in the wonderful hidden seeds of our unwritten manifestos?

How can we counter this avoidance? When conversational conformity runs so deep, what can we do to reinvigorate and expand our relationship to conversation with courage, authenticity, and play?

Feature Image

Part 2—On play: Throw the ball, or at least catch it

Embracing playful conversation opens the door to a kind of unconditional authenticity that taps into our shared human experience.

“[Playful conversation] is just playing around, hitting the ball, back and forth, laughing—just delighting in each other, rather than this dry information exchange,” said Mikayla Lynch, U3 Science, in an interview with The Tribune.

While engaging in this play is hard when you’re trained to habitually avoid it, you can begin to take bricks out of the wall of rote conversation through spontaneous, hypothetical interrogation.

The beauty of these questions is their universality: They work just as well on strangers as your closest friends. The lemon question, for example, could be posed as fruitfully to a stranger as to your own parents, who both, by virtue of being human, will offer an intriguing answer. In fact, the stranger might raise a more compelling point than your own mother.

While it might feel necessary to save our playfulness for only our innermost circles, it isn’t. Reflecting on the beauty of playful interaction in close friendship, Lynch poked at its potential to exist with strangers as well.

“When you get closer

Off the Board, Opinion

A love letter to crappy Chinese food

by Zoe Lee on

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I love crappy Chinese food. Don’t get me wrong, I love all types of Chinese food and would happily eat only rice for the rest of my days. But I love greasy, crappy mall Chinese food served in a plastic container with three divided sections: One for Canto-style chow mein noodles, one for sesame chicken, and one for steamed broccoli.

You may recoil and demand, “Zoe, aren’t you Chinese? How can you even stand this stuff? Why wouldn’t you want to profess your love for proper, authentic, wok-cooked Chinese food?” 

First of all, nothing tastes better after you’ve spent a day in Toronto’s crowded, overstimulating Eaton Centre. Second, who is to say what makes some Chinese food authentic and some not?

I recall my mom and I driving down Highway 401 as I proclaimed that chop suey, a Chinese stir fry dish—a category of Americanized Chinese cuisine—was a grossly inauthentic version of Chinese food and that “proper” Chinese food was better in every way. My mom disagreed; though modified for the North American palate, chop suey should be considered a valid version of Chinese food. She pointed out that it used to be one of the few ways newcomers to North America could earn a living, explaining its popularity compared to other jobs like working at laundromats or other menial labour.  Somewhere between the first waves of Chinese immigrants and the current domination of Chinese cuisine across North America, chop suey was created as a survival mechanism in a new and hostile environment.

To clarify, my mom doesn’t think that all chop suey is legitimate and told me that if Chinese people don’t cook it, it’s just glorified lo-fan (white person/American/foreigner) stir fry.

Being a second-generation Asian immigrant inspires reflection about my own authenticity. I love dim sum, but my limited Cantonese vocabulary means that all the pride I have in being able to order ha cheung (shrimp rice noodle rolls) in Chinese vanishes as soon as the cart lady begins conversing with me in a language I barely understand. If chop suey is automatically disregarded as culturally inauthentic, what chance do I have?

While criticized as an objective category, authenticity is commonly defined as something believed or accepted as real or true to itself. I argue that after years of enduring racism and xenophobia, what is more true to Chinese-American culture than a narrative of survival? No, they didn’t serve sweet and sour chicken before its creation in America, and no, you probably can’t order pig’s tongue at Panda Express. American-Chinese cuisine looks and tastes the way it does now because it was born through the innovation and early willingness of Chinese entrepreneurs to cater to a broader external market. This made Chinese restaurants distinctive among other ethnic minorities, perhaps explaining why the cast of Friends didn’t sit in their New York City apartment eating shawarma out of takeout boxes. Just as traditions are contingent and mutable, authenticity should be regarded in the same light.

Fuelled by American labour unions and anti-Chinese sentiments, the late 19th and early 20th centuries saw a national movement to counter the growing popularity of Chinese restaurants. Many Chinese businesses were perceived to be menaces to society, as they competed with American enterprises and were alleged to threaten the safety and morality of white women. Boycotts were staged against Chinese restaurants, but Americans loved chop suey so much that the non-violent boycotts were largely unsuccessful. In our conversations, my mom emphasizes that Chinese people are hard workers, thinking of her own parents (my gong-gong and po-po) who came to Canada with so little and sacrificed so much for their children. My grandfather ran his restaurant, Lee Choi Chop Suey Restaurant, for 25 years in Chicago’s Forest Park. It’s a cliché but the typical immigration story for a reason. The survival of Chinese immigrants is a story about evolution and adaptation to a new environment that wanted nothing to do with them. Today, Chinese restaurants are a cultural fixture as American as pie. So yes, I’ll keep eating my $12.99 Shanghai 360 combo two—mostly because it’s the best food-to-price value in the food court.

Commentary, Opinion

First Nation children have received a settlement of reckoning, not closure

by Monique Kasonga on

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The federal government’s recent $23 billion CAD settlement with the Assembly of First Nations (AFN) and plaintiffs in the Moushoom and Trout class actions for First Nations children harmed by Canada’s discriminatory child welfare system marks an important step in acknowledging the deep injustices and violence against Indigenous communities. The settlement is the product of years of legal battles, brought forth through the relentless advocacy of Indigenous leaders and organizations, that led to the Canadian Human Rights Tribunal (CHRT)’s 2016 ruling acknowledging Canada had willfully discriminated against First Nations children for decades. The settlement is, without question, historic—the largest of its kind in Canadian history—and a direct response to decades of the government’s neglect and systemic racism. But while financial compensation may provide a measure of restitution, it does not—and cannot—erase the ongoing impacts of Canada’s inequitable welfare policies. To call this settlement a full and final expression of justice would be to misunderstand the very nature of what justice means.

Indigenous children in Canada account for slightly over seven per cent of the country’s total child population, yet they make up more than 50 per cent of the children in the child welfare system. First Nations children in particular are over 17 times more likely to end up in the youth care system. Indigenous communities today continue to fight for their right to care for their own children. For decades, Canada’s child welfare system has perpetuated the colonial project of family separation, a legacy of residential schools and the Sixties Scoop—the forced removal of Indigenous children into non-Indigenous care, causing cultural loss and trauma. The Canadian government’s chronic underfunding of on-reserve child welfare and education services and its failure to uphold Jordan’s Principle—meant to ensure First Nations children receive essential care without jurisdictional disputes—only exacerbate these harms. 

As part of its 2016 ruling, the CHRT also demanded that Canada reach an agreement with First Nations to reform the child welfare system. In 2024, the federal government put forward a new $47.8 billion CAD reform proposal that was rejected by AFN leaders. These leaders claimed that the proposed 10-year reforms were inadequate to address ongoing structural issues. Further, some leaders felt the proposal favoured certain regions such as Ontario, particularly since it did not include children and families in the Northwest Territories (NWT)—an oversight that many took as a direct affront to legal equity. The exclusion was due to the fact that federal funding for child and family services in the NWT is provided through transfer payment agreements with the territorial government, not through the First Nations Child and Family Services Program. Chiefs from across the country voted to pass a subsequent resolution to ensure that NWT communities would be included in the reform proposal. 

Canada’s response to demands for inclusivity in reconciliation efforts reveals a priority for appearing committed to reform, even at the cost of dividing communities. Instead of working toward a national solution, the federal government announced last month that it is pursuing a separate deal with the Chiefs of Ontario and Nishnawbe Aski Nation to reform Ontario’s on-reserve child welfare system, stepping away from negotiations that include all provinces and territories. This move deepens the divide within First Nations communities and undermines the goal of achieving equitable child welfare for all. 

The Canadian public must stay engaged. Too often, the national focus on Indigenous issues fades once high-profile headlines disappear. With an upcoming election, there is growing urgency to secure a fair deal for First Nations welfare reform, especially as some Indigenous leaders have recalled the lack of funding and support for their communities during the Harper era. Regardless of which party wins the next majority, justice for Indigenous peoples, beyond simple monetary methods, must be a top priority. For students who can vote in the expected upcoming election, this is an opportunity to use your voice. For those who cannot vote, apathy and reticence are not the answer. Supporting Indigenous communities is crucial, on our own campus and beyond. 

That being said, money alone does not bring back stolen childhoods, repair fractured families, or undo the intergenerational damage caused by Canada’s policies. The recent government settlement is a necessary recognition of harm, but one that must be followed by concrete, comprehensive plans to actively prevent such harm from happening again.

Cross-Country / Track, Sports, Swimming

Moments of brilliance in the Red and White’s pursuit of the RSEQ and U SPORTS podiums

by Jenna Payette on

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At a university where academic rigour sets a high bar, McGill’s varsity athletes continue to raise it even higher—smashing school records and bringing home hardware to cap off a season to remember.

Between early morning practices and late-night study sessions, McGill’s track and field, badminton, and swimming teams have exceeded boundaries and delivered exceptional performances. This season, they shattered school records, earned personal bests, and brought home medals in all three colours at their respective championships. Much of this success can be attributed to the steady leadership guiding these teams, coaches and captains alike. 

McGill Men’s and Women’s Track and Field

The McGill track and field team delivered standout performances at the 2025 U SPORTS National Championships, hosted by the University of Windsor, capping off a season defined by relentless perseverance. The Redbirds and Martlets showcased their depth of talent, with the men’s team finishing second and the women’s team third at the Réseau du sport étudiant du Québec (RSEQ) Championships earlier this season—laying the foundation for a strong showing at Nationals.

At Nationals, the Martlets earned impressive top-10 finishes. Third-year sprinter/relay runner Donna Ntambue led the charge, capturing bronze in the women’s 60m and emerging as the team’s top point scorer. Second-year jumper Rebecca Warcholak impressed in the triple jump, placing seventh with an 11.88m leap, narrowly missing her personal best.

The Redbirds showed versatility, with all three of their relay teams—4x200m, 4x400m, and 4x800m—having qualified for Nationals. The 4x400m and 4x800m squads’ valiant efforts resulted in seventh-place finishes for both. Third-year sprinter/relay runner Luca Nicoletti shone across both relays and the 300m sprint, while first-year distance runner Ben Gates and third-year middle-distance/relay runner Sean Adams showcased remarkable endurance, competing in multiple relays.

For fourth-year men’s team captain Devin Chapple, the season epitomized growth that extended beyond the track. 

“It’s rewarding to look back at all the [personal bests] and incredible team moments that shaped my progression to captaincy,” Chapple wrote to The Tribune. “When you put in that work and see it pay off with a big performance, there’s no other feeling like it [.…] I see it as a privilege to train, and over time you realize how much fun you’re having.”

McGill’s track and field success at Nationals went beyond medals; it was a testament to shared ambition and the undeniable thrill of seeing dedication turn into achievement. With a powerful blend of veteran leadership and rising stars like Gates and Warcholak, the team’s future has never looked brighter.

McGill Men’s and Women’s Badminton

Despite a tough weekend at the RSEQ Championships, strong individual performances showed why McGill Badminton remains a force to be reckoned with.

Although several players battled injuries and illnesses throughout the tournament, the teams pushed through adversity and delivered impressive results. On the men’s side, third-year captain Nicolas Germain fought his way to a well-earned third place in men’s singles, showing tremendous perseverance and focus, especially in a tightly contested semifinal match.

The women’s team also had standout performances, led by fourth-year Eliana Zhang who captured gold in both women’s singles and women’s doubles, partnering with second-year Sammi Pan. By overcoming tough opponents such as L’Université du Québec à Montréal and Université Laval, they proved that McGill’s doubles play is defined not just by skill, but by exceptional teamwork and strategy.

Beyond the results on paper, what stood out most was the incredible team spirit. Germain emphasized in a statement to The Tribune how the cheering and support from teammates on the bench made a real difference during challenging matches. For Germain, who calls the team his “second family,” what defines McGill Badminton is its creation of lifelong friendships and a deep sense of belonging within the greater badminton community.

Germain also credited Head Coach Hooman Bagheri’s motivating and collaborative approach to fostering a supportive environment where players can thrive. 

“Having an open-minded coach who listens to everything we have to say is invaluable,” Germain wrote. 

Whether helping players refine specific skills or encouraging them to take on leadership roles, Hooman’s guidance has clearly been pivotal in shaping the team’s success.

Altogether, the RSEQ Championships were a true reflection of the team’s grit, chemistry, and desire to constantly improve, leaving them proud of how far they have come together.

McGill Men’s and Women’s Swimming

The McGill swim team delivered a historic performance at the 2025 U SPORTS National Championships, hosted by the University of Toronto, to solidify their place among Canada’s elite programs. Guided by Head Coach Peter Carpenter, the 2025 U SPORTS Women’s Coach of the Year, the Martlets and Redbirds demonstrated remarkable mental strength, resilience, and an unshakable team spirit.

The Martlets raised the bar at McGill, securing a historic second-place finish at Nationals—the highest in school history. Their achievement was fueled by their consistent effort, as they placed swimmers in nearly every final. Despite winning only five medals—two silvers and three bronzes—their ability to score points across the board was extraordinary.

The Martlets’ composure was built on the leadership of fourth-year captain Naomie Lo. Lo’s transformational approach to leadership uplifts her teammates, leaving a lasting impact on the team’s culture. 

“Some [athletes] need in-depth conversations to work through their challenges, while others prefer to seek help after they’ve processed their emotions […] embracing that there isn’t a one-size-fits-all approach to leadership has truly shaped how I support and guide those around me,” she wrote to The Tribune. 

Lo’s compassionate leadership style led the Martlets, especially during the highly anticipated relay swim. Lo, fifth-year Elizabeth Ling, third-year Iris Tinmouth, and second-year Maya McGhan powered through the 4x200m freestyle relay, setting the pool ablaze as they shattered the team record by an incredible five seconds and claimed a well-deserved silver medal. Lo explained how some team members felt burdened by a perceived “curse”—believing a fourth-place finish was inevitable, behind the consistent top three teams (University of Toronto, University of British Columbia, University of Calgary) who are bolstered by a handful of Olympians. 

This Nationals also marked the final appearance for Lo and Ling, inspiring an emotional and relentless fight to leave everything in the pool. The entire Martlet team continued to shine, with Lo’s prowess earning her silver in the 200m butterfly, while second-year Emilie de Chazal (200m butterfly), Ling (100m freestyle), and Tinmouth (800m freestyle) each claimed bronze.

The Redbirds also made waves, finishing fourth overall—a result that exceeded expectations and highlighted the program’s bright future. First-year phenom Loïc Courville-Fortin led the charge, breaking team and U SPORTS records in the 200m individual medley (IM) and 200m backstroke. His silver medal in the 200m IM, where he edged out Olympian Clement Secchi (BA ‘22)’s previous McGill record, was a highlight of the meet. Courville-Fortin added another podium finish with bronze in the 200m backstroke, while second-year Mats Baradat secured silver in the 400m freestyle. The Redbirds also set a new team record in the 4x100m IM relay, further underscoring their growing strength.

More than medals, it is the team’s culture that truly makes them stand out. Coach Carpenter described the team as “relentless,” an unstoppable group that rises to every challenge and never retreats. Captains Lo and sixth-year Bruno Dehem-Lemelin echoed this sentiment, emphasizing the familial bond that unites the team.

As the season concludes, all three teams look to the future with immense promise. With a blend of seasoned leaders and emerging talent, these programs are poised to continue their ascent, driven by a shared commitment to excellence. Their success at both the RSEQ Championships and U SPORTS Nationals is not just a reflection of their athletic ability, but also a celebration of the communities they have built—families that compete together, triumph together, and inspire together.

McGill, Montreal, News, SSMU

SSMU fights injunction against PAGIP in appeals court, demands anonymous plaintiff come forward

by Amelia H. Clark on

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The Students’ Society of McGill University (SSMU) attended the Court of Appeal on March 11 to debate the plaintiff, currently referred to as X, in an ongoing lawsuit pertaining to an injunction against the Policy Against Genocide in Palestine (PAGIP). X v. SSMU calls for the student union to pay for alleged irreparable damages amounting to $125,000 CAD experienced by the anonymous plaintiff, a former McGill student. The plaintiff side argued that the damages and injunction they have fought for are the result of SSMU planning to ratify PAGIP, which contains rhetoric they claim is antisemitic.

PAGIP was originally passed in the 2023 SSMU Fall Referendum, with 78.7 per cent of non-abstaining voters in favour. If ratified, it would mandate SSMU take an official stance in solidarity with Palestine and demand McGill divest from companies with ties to Israel. Shortly after SSMU announced the referendum results, X filed a demand for a provisional and interlocutory injunction on Nov. 21, 2023. They argued that PAGIP should not be enacted, as in doing so SSMU would violate its commitment to represent and facilitate dialogue among all its membership. 

On May 22, 2024, Quebec Superior Court Justice Shaun E. Finn granted X’s demand for an interlocutory injunction on the PAGIP and approved their request to file their suit anonymously. In the March 11 hearing, SSMU’s defence sought to appeal Justice Finn’s decisions.

Over the last year, SSMU’s legal team has fought for the injunction to be lifted, arguing that its Board of Directors retains the right to ratify motions passed by the student body. In the March 11 appeal hearing, SSMU argued that as X is no longer a McGill student, they cannot file for “ongoing damages” against the student union.  

The student union’s defense attorney, Sibel Ataogul, first presented SSMU’s general defense against X’s claim to compensation for alleged irreparable harm. She argued that X’s argument against PAGIP stemmed from ideology rather than genuine concerns for students’ safety, which Ataogul stated does not qualify as a credible basis for the claim.

Ataogul then invited the prosecutor, Michael Bergman, to justify his client’s claims that PAGIP’s ratification would be discriminatory and personally harmful to the plaintiff.  

Bergman stated that wording used in PAGIP was antisemitic and that ratifying the policy would put Jewish students on campus at a higher risk of harm. He then informed the court of an expert witness in antisemitic rhetoric he wished to call upon on a later date to explain how ratifying the motion would create further division on campus. 

“[SSMU is] free to adapt whatever resolutions they like,” Bergman said. “But a policy that on its face stands to be reasonably antisemitic will put Jew[ish] students in disdain.”

The court’s judge, Justice Christine Baudouin, refuted this claim, questioning Bergman as to why a specialist is necessary to argue that PAGIP’s rhetoric is antisemitic if it was immediately clear to his client that this was the case.  

In response, Bergman stated that the broader context PAGIP was introduced into during the 2023 referendum must be taken into account in the case. He referenced alleged threats made against X when some students discovered they controlled an Instagram account dedicated to the ‘No’ campaign, a movement that campaigned against PAGIP during the referendum period, as evidence of antisemitism on campus during Fall 2023.

Justice Baudouin pointed out that none of the messages X received showed direct intentions of violence and X was never harmed, leading the judge to question X’s anonymity in the case. The judge further expressed doubt about the university’s neutrality in this case, questioning if X’s legal team communicated with McGill on this issue.

“McGill has politics, the injunction is considered political,” Baudouin said. “McGill doesn’t have a position on this injunction? I find that surprising [….] McGill is the white elephant here.”

Ataogul seconded this point, stating that the prosecution’s claim that supporters of PAGIP would threaten violence was a baseless mischaracterization of SSMU members, meant to validate X’s anonymity. She ended her argument by stating that McGill was using X’s anonymity to obscure administrative objections to PAGIP’s ratification.

“Everyone knows who [X] is, and nothing happened,” Ataogul said. “McGill is hiding behind this student so they don’t have to reveal who’s opposing student democracy.” 

The court is currently deliberating on the issue of X’s anonymity. Should the judge rule in favour of SSMU, X will be mandated to either come forward or drop their charges. A trial on the merits of PAGIP will be decided at a future hearing. 

McGill, News, SSMU

“I have no idea what’s going to happen next”: SSMU VP University Affairs’ future uncertain following new agreement with McGill

by Shani Laskin on

More in McGill:

The Students’ Society of McGill University (SSMU) and the administration signed a new Memorandum of Agreement (MoA) on Feb. 28, outlining the terms of their relationship. However, a newly added clause barring students with any disciplinary record at McGill from serving as executives at SSMU has put current Vice-President (VP) University Affairs Abe Berglas at risk of removal from their position.

Under clause 14.4 of the new MoA, executives and directors at SSMU cannot have a disciplinary record at the University, cannot have been suspended from McGill, and cannot have been found responsible for an infraction of the Code of Student Conduct and Disciplinary Procedures. There is no recent precedent of an MoA between McGill and SSMU containing a clause pertaining to the disciplinary record of a student society executive.

In a March 14 disciplinary hearing with the Committee on Student Discipline, Berglas was found to have violated the Code based on an action they spearheaded at the start of the school year. Berglas told The Tribune that in August, they and four other students entered School of Religious Studies professor Douglas Farrow’s classroom and passed out pamphlets with select quotes from the professor’s published work which the demonstrators believed to be transphobic and homophobic. At the bottom of the pamphlet, Berglas wrote a note that students seeking support could reach out to their VP University Affairs email. This demonstration, which Berglas claimed took no more than two minutes, resulted in a charge of violating articles five and 10.c. of the Code. 

“One of the arguments I made in the [disciplinary] hearing was that this sort of awareness campaign of handing out flyers is part of my role, it’s part of the Trans Advocacy Plan,” Berglas said in an interview with The Tribune. 

Article five states that it is a violation of the Code to intentionally interfere with university activities and 10.c. writes that students cannot “create a condition that unnecessarily endangers or threatens or undermines the health, safety, wellbeing, or dignity of another person, [or] threatens to cause humiliation.” At the disciplinary hearing, the committee ruled that while Berglas had not violated 10.c., they had breached the Code under article five.

“The MoA makes the consequences of a finding of guilt much more severe—essentially puts my job at risk,” Berglas said. 

“The question is now whether McGill will try to enforce [the ruling],” they continued. “It’s possible that because the agreement was signed in the middle of my disciplinary process, I’ll be sort of grandfathered in, but there’s certainly nothing in the MoA that suggests that. So I have no idea what’s going to happen next.”

SSMU President Dymetri Taylor wrote to The Tribune that he doubts McGill will enforce clause 14.4 in this instance given their term will end on May 31. 

“Executive terms for this year are close to being concluded. Creating more work for the remaining Executives would only earn the ire of the current team,” Taylor wrote. 

According to Berglas, McGill inserted clause 14.4 into the new MoA 14 days before the old document was set to expire. This gave SSMU little time to contest the clause, as if the parties did not rapidly reach an agreement, SSMU would lose access to the University Centre and other rights afforded by the MoA. Berglas claims that SSMU tried to extend negotiations but that McGill refused. 

Responding to these allegations, the McGill Media Relations Office (MRO) wrote that the MoA reflects the interests of both signatories. McGill did not respond to questions on the timeline of 14.4’s insertion into the agreement.

“These provisions are rooted in McGill’s view—presumably shared by the SSMU as a signatory to the MoA—that students who hold significant fiduciary responsibilities […] should be credible, trustworthy leaders whose reputation and record are unblemished by a recent and/or serious offence under the Code of Student Conduct and Disciplinary Procedures,” the MRO wrote. 

Berglas contested the idea that the Code serves as an appropriate indicator of what defines a model student, and maintained that the clause could have a “chilling effect” on executives’ activism in the future by limiting avenues for dissent.

“Activists are so frequently told […] ‘if only you were less disruptive, you would be more effective,’” Berglas said. “And if I am doing the most minimal action I can think of […] and they’re deciding that even that two-minute silent handing out of flyers gets the level of obstruction, there’s really nothing any student can do to voice their discontent in a situation like this.”

Out on the Town, Student Life

Four gates, one Chinatown

by Jamie Xie on

More in Out on the Town:

At the very heart of Montreal, nestled alongside the bustling downtown blocks, is Montreal’s very own Quartier Chinois. Occupying roughly one square block, the neighbourhood is portrait-framed by four ornate Paifang gates—the most of any Chinatown in Canada—denoting the cardinal directions. 

Robert Frost once said “Good fences make good neighbours,” and the same could be said of those gates. As picturesque as they may be, the four gates embody a fundamental tension of immigration: The desire to carve out a home that reflects your cultural identity, at odds with the ongoing pressure to integrate into Western society. The four sides of the micropolis stand as a physical way to claim the space in response to the ongoing decline of the Chinese population in the area caused by gentrification starting in the 1970s, yet also a reminder of the limitations faced by the Chinese diaspora, marking out what space does and does not belong to them despite being a multigenerational community contributing to the wider city of Montreal.

With a history that goes as far back as the mid-to-late 1800s, Montreal’s Chinatown is one of the oldest Asian communities on the continent. It was first referred to by the term “Chinatown” in 1902 by the French newspaper La Presse. The area was initially residential, following a new wave of Chinese immigrants that arrived from British Columbia after completing the transcontinental railroad in 1885. Many moved to Montreal in hopes of escaping the systemic discrimination faced on the West Coast, particularly the Head Tax legislation, which charged Chinese immigrants $50 CAD per person for the privilege of working in Canada, later raised to $500 CAD. The Chinese Exclusion Act of 1923 banned the entry of Chinese immigrants for 24 years, impeding family reunions and community development. As a result of this unique cocktail of circumstances and systemic discrimination, Montreal’s Chinatown garnered a reputation as a sort of sketchy bachelor society of Mahjong gambling and criminal network disputes. Reflecting on the underground political turmoils, the newspaper La Patrie would describe Chinatown in 1936 as a place where “a simple spark is enough to trigger a vendetta.” 

Chinatown has changed a lot since the 1930s, becoming relatively commercial and tourist-accessible. It now intertwines historical reverence with a thriving participatory culture. As a result of a number of street widening and urban renewal projects introduced in the 1960s, Chinatown shrank by a third: Pagoda Park, three Chinese churches, a residential sector, and several family-run businesses were shut down to make room for the Palais des congrès, Complex Guy-Favreau and the Ville Marie Expressway. This, in turn, forced many residents to relocate, scattering much of the population to Côte-des-Neiges and Saint-Laurent. 

Today, Chinatown has much to offer to students visiting the area. Sun-Yat-Sen Park centres Chinatown as a public square for people to socialize and enjoy taichi in the summer. Alongside it is the pedestrian-only strip mall of rue de la Gauchetière, where street festivals are held during the Mid-Autumn Moon Festival and Lunar New Year. 

One of Chinatown’s famous features is its large and diverse food scene. Regardless of one’s taste, there is something for everyone. Visit the self-serve Hong Kong-style bakery Pâtisserie Coco or the Dragon’s Beard Candy stall for a unique sweet tooth treat. For a savoury fix, don’t miss out on soup dumplings from Sammi & Soupe Dumpling. If you’re in the mood for spice, Restaurant Kanbei specializes in Szechuan-style cuisine and is a local favourite for its numbing-spicy peppercorn flavours—try the Spicy Sichuan hot pot for the full effect. For an all-you-can-eat experience, Happy Lamb Hot Pot offers a free buffet for birthdays when you purchase a soup base. Don’t forget to swing by G&D Supermarket for all your Asian grocery needs.   

As Montreal’s Chinatown continues to grow and evolve today, it remains a living testimony to the resilience and cultural pride of the community which helped shape it, offering both a rich history and an accessible culinary experience for visitors and students alike. 

Sports

Big ticket: Ticketmaster and Fanatics forge new deal

by Reuben Noam on

More in Sports:

Fanatics has formed a commercial partnership with Ticketmaster to launch the Fanatics Ticket Marketplace, offered exclusively on the Fanatics App, which already stocks products such as sports apparel, e-sportsbooks, and fantasy sports games. While the deal promises convenience, concerns over pricing and corporate dominance remain. The parties have neglected to publish the financial details of the arrangement, but spokespeople from both companies have established that the deal involved no equity, meaning neither company nor any of their respective personnel has gained ownership stake in the other. 

By integrating Fanatics’ merchandise sales with Ticketmaster’s ticketing platform, the agreement aims to streamline purchases for sports consumers. Additionally, Ticketmaster may choose to integrate Fanatics’ merchandise into its platform, which the companies claim would create a unified experience for fans seeking both tickets and gear in a single transaction or through one account.

With a consumer base exceeding 100 million sports fans, Fanatics brings a vast audience to the partnership. Ticketmaster, which dominates live event ticketing, provides access to a global market of sports attendees. The collaboration is positioned as a step toward digital-first engagement, where fans can seamlessly transition between purchasing tickets and memorabilia.

Concerns arise from the large chunk of the marketplace that this deal is certain to corner, as both companies have faced criticism regarding their business practices. Ticketmaster has been scrutinized for its service fees and perceived market monopoly, with incidents such as the Eras Tour ticketing fiasco drawing both public and regulatory attention. Fanatics has its own challenges, including customer complaints over product quality and delayed deliveries.

While the partnership may simplify transactions, consolidating ticketing and merchandise within two dominant companies may reduce competition and lead to higher prices rather than providing savings or enhanced service quality.

As far as the future, the integration of ticketing and merchandise sales could lead to several developments, and the success of these initiatives will depend on execution. While a streamlined process could enhance convenience, questions remain about whether pricing structures will change or if additional fees will emerge under the new system.

The partnership objectively strengthens the market position of both companies, particularly against emerging competitors. Ticketing platforms such as SeatGeek and StubHub have sought to differentiate themselves through lower fees and customer-friendly policies—selling tickets through their platforms instead of through Ticketmaster is the significantly less caution-taped alternative. Meanwhile, brands such as Nike and Adidas compete with Fanatics for dominance in sports merchandise.

By integrating ticketing and retail, Fanatics and Ticketmaster create additional barriers for smaller companies attempting to enter the sports commerce space. This raises regulatory concerns about further industry consolidation and its potential effects on pricing and consumer choice.

The market success of the companies involved is well exemplified by Fanatics founder Michael Rubin, who has built a reputation not only as a sports business mogul but also as a key figure in celebrity circles. His widely publicized White Party, held annually in the Hamptons on July 4, attracts a guest list that includes high-profile athletes, entertainers, and business leaders. These gatherings have drawn criticism for their exclusivity and opulence. For some, Rubin’s lavish social lifestyle raises questions about Fanatics’ focus on consumer affordability and accessibility in sports commerce. The low confidence in its leadership makes it challenging to give the company the benefit of the doubt.

Public response to the announcement has been divided. Some fans may see the partnership as a positive step toward simplifying the purchasing process, while others express skepticism. There is reason to doubt the simple rationale that integrating ticketing and merchandise is mutually beneficial—often, customers buying tickets to a show will not choose to shell out for a shirt or poster at the same time. Thus, the real question of whether this benefits consumers or simply reinforces corporate dominance remains. The ultimate impact will depend on whether fans see tangible improvements in service and pricing.

While the Fanatics-Ticketmaster deal aims to enhance convenience and engagement, its long-term effects on pricing, competition, and consumer satisfaction remain uncertain. As the partnership unfolds, sports fans and industry analysts alike will be watching closely to determine whether it represents progress or further consolidation of corporate power in the marketplace.

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