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Art, Arts & Entertainment

Glimmers of art in everyday life at the MMFA’s Decorative Art and Design Pavilion

by Norah Adams on

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To my right stands a four-foot-tall ceramic vase with hands cupping its own belly. To my left, chairs built from large plains of vibrant primary colours. Directly in front of me is a bird’s nest half my height made from plush felt—inside resting three large eggs. As I continue to walk through the MMFA’s Decorative Arts and Design Pavilion, reopened on Sept. 13, a diverse melange of quirky items surrounds me. Most strikingly, the pieces of art orbit around a massive abstract piece created by Dal Chihuly in 2003: A twisting, ebbing horde of warm-toned blown glass, aptly titled The Sun. 

The museum’s reopened exhibit is a feat brought together by a host of keen-eyed art collectors. Notably featured is Liliane and David Stewart’s (the namesakes of the pavilion) 5000-piece art and design assemblage, a donation made to the MMFA in 2000. 

Taking in the exhibition is an overwhelming endeavour. One minute you find yourself examining Kantharos with Geometric and Plant Motifs, an Italian glass bowl crafted between 700-200 BCE, and the next studying a 2009 table lamp that resembles a plate of spaghetti. The broad strokes made by this installation are reflective of the expansive nature of decorative art: This type of art is characterized by the creativity applied to utilitarian objects, such as chairs and vases. This vast category leaves much liberty for what can fit into the exhibit, with the pavilion hosting items from earrings to a Smart Car. 

The considerable differences between pieces of the same use are shocking. The pavilion is home to many tea and coffee sets, each one entirely distinct from the last. Despite having the same function, artists can make a teapot entirely their own. For example, one glass museum case displays the Como Tea and Coffee Service, a sleek crowd of silver-plated vessels created in 1957. The set presents a futuristic tone, characteristic of the Mid-Century modern style popular in the 1950s. Within the same case sits Coral Firs Tea and Coffee Service, and Soup Tureen, a set of white earthenware carafes ornamented with wobbly orange trees sitting atop yellow hills. The troop of dishware was designed by Clarice Cliff, the mother of the Art Deco style, born in the 1930s. 

The fine details of service-based objects demonstrate human beings’ innate draw to art. It would be cheaper and easier if, throughout time, people simply designed one form of simple coffee set. Yet, we see that items are far more than pure usage: They function as vessels for creativity.

Noting the divergences among designs throughout time maps a history, for the art that people seek from moment to moment changes based on features of the period. As noted above, the 1950s tea and coffee set was boldly sleek, crafted in aerodynamic shapes, appearing almost spaceship-like. This cosmo-themed trend was influenced by the Space Race, a chase for the stars fought by the U.S. and the Soviets post-WWII. 

Design represents the forms of creativity that humans wish to interact with in their daily lives. Looking back at things, such as utensils and chairs, forges a relationship with people of the past. One can imagine a person during the Qing dynasty 200 years ago eating with their tortoise shell Portable Knife and Chopstick Set, admiring its sleek and compact design. 

Visiting the MMFA’s newly curated Pavilion of Decorative Art and Design is an eye-opener as to how art appears in our daily lives. People often take for granted the detail that goes into making the chairs that they sit on and the tables that they eat from. However, if one looks closer, they may be able to catch a glimpse of the little glimmers of creativity hiding all around us. 

The Arts and Design Pavilion is a new permanent exhibit at the MMFA. Tickets are available both online and in person. (Free for those aged 25 and under).

Behind the Bench, Sports

The odds stacked against athletes: The darker side of sports betting

by Zain Ahmed on

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The past decade has seen sports betting morph from a shadowy practice into a multibillion-dollar industry embedded in the heart of professional sports. With states across the U.S. legalizing gambling and Canada following suit in 2021, betting odds now flash across live broadcasts, podcasts casually reference parlays, and ESPN even operates their own sportsbook, known as ESPN Bet. What was once a shrouded subculture of sports has become a key facet of the fan experience, but in the wrong direction: Away from the love of the game. Behind sports betting’s flashy sponsorships and lucrative profits lie a set of troubling consequences that threaten athletes and fans alike.

A recent NCAA survey revealed that 58 per cent of participants aged 18 to 22 admitted to engaging in at least one sports betting activity in their teenage years. The number jumps to 67 per cent among students living on college campuses, many of whom report betting frequently and at higher rates. These statistics should alarm anyone concerned with youth well-being, especially considering colleges may inadvertently be fuelling such habits. Widespread exposure to gambling normalizes high-risk financial behaviour, particularly among students already navigating the financial and emotional instability of university life.

The negative effects reach well beyond the bettors themselves: Athletes at both collegiate and professional levels are bearing the brunt of gambling’s darker impulses. Countless players have described receiving anonymous direct messages after games from disgruntled bettors who claim they ‘ruined’ a parlay. These are not just harmless rants—messages often include violent threats, racial slurs, and in some cases, extend to players’ families and loved ones via online platforms. One key example of an increased rate of online hate towards athletes is NCAA’s March Madness. The line between passionate fandom and dangerous harassment is being erased by sports betting, in service of the toxic entitlement of gamblers who see athletes as little more than pawns in their gambling chess games.

The stakes for fans who have money riding on games distort the athlete-fan relationship tenfold. Instead of receiving admiration or criticism rooted in their performance, players face livid bombardment tied directly to someone else’s bank account. For younger college athletes, this creates an environment of pressure and hostility that will inevitably erode both their mental health and physical performance at terrifying rates.

Yet, while players grapple with these threats, leagues and media companies have doubled down on their partnerships with betting firms. The New York Times recently reported that leagues have signed massive deals with betting giants like FanDuel and DraftKings, with ESPN corroborating that leagues are actively using gambling to boost engagement and keep fans watching longer. Terrifyingly, these companies are not only profiting financially, but are consistently farming data from their users. The sports business model is leaning towards the notion that gambling profits come before athlete and fan protection.

Such crass corporate complicity ought to increase the leagues’ responsibility to protect athletes. At the very least, organizations should implement stricter safeguards, such as enhanced monitoring of online abuse, to protect athletes from harassment. Leagues should also reconsider their excessive use of gambling advertisements during events, which now dominate sports coverage in ways eerily reminiscent of cigarette ads in the 20th century. 

Permissive policymakers must also consider the overall costs of gambling revenues: The internal struggles of players that go unheard, and the battles between leagues and athletes regarding safeguarding. Studies already suggest that younger demographics are more susceptible to gambling addiction, with long-term consequences ranging from financial ruin to enduring mental health struggles. If universities are reporting majority participation rates in betting, we may be witnessing the beginning of a generational problem.

Sports are meant to inspire—to showcase human resilience, teamwork, and passion. When gambling overshadows the game itself, athletes are reduced to numbers on a betting slip, and fans fall into the façade of a rather sinister buzz of ‘competition’ and ‘excitement.’ The question is no longer whether betting will poison athletics, but how much sports leagues, their athletes, and their followers are willing to tolerate before stronger gambling regulation steps in. The world of sports, both college and professional, must act soon, or risk letting gambling rewrite the true spirit of competition.

Arts & Entertainment, Made at McGill

Made at McGill: ‘Scrivener Creative Review’ revives its past

by Safna Mama on

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Scrivener Creative Review doesn’t save the good china for special occasions. Whilst sitting down over candlelit tea with Izzi Holmes, Jacob Sponga, and Isabella McBride, the respective Editors-in-Chief and Managing Editor of McGill’s oldest literary magazine, one thing was clear: This is a publication deeply invested in creating and maintaining a timeless aesthetic. 

The conversation began with a brief history of Scrivener.

“Scrivener was founded in 1980 […] in the department of English. In our first few years, we published the likes of Leonard Cohen, Margaret Atwood, Louis Dudek, F.R. Scott, and P.K. Page. Scrivener seems to have continued pretty steadily throughout the 80s, 90s, and early 2000s, picking up such eminence as Anne Carson, Seamus Heaney, [and] Michael Ondaatje. It continued throughout the 2010s […] and then went dormant during the pandemic,” Sponga told The Tribune.

The current team relaunched its first issue last April and plans to release two new issues this year—one in the fall and one in the winter. They also seek to honour the magazine’s past, while looking towards the future, through its website. The Scrivener team digitally publishes key archival work, including an interview with Anne Carson from 1997 and four poems by Leonard Cohen from 1982. 

But their vision goes beyond nostalgia; they strive to build a community that connects readers and writers alike.

“We’re hoping to cultivate literary excellence, and perhaps even more than that, a sense of community both in Montreal and beyond,” Holmes said. 

Part of that vision is visual. Scrivener’s current design embraces a monochrome, minimalist, and intentional style that equally captures both its artistic value and literary merit. Sponga mentioned that the team is still experimenting with the design of the magazine, but it is clear that aesthetic cohesiveness remains key in their creative direction. 

But it is the team dynamic that best embodies the spirit of the magazine. With Scrivener’s storied history looming over the team, they delved into how it felt suited to take on this responsibility. In the spirit of true teamwork, each member answered for the other.

“Izzi, ever the industrious socialite, is a good fit for the magazine because she lends it a certain tempo,” said Sponga.

Homes in turn said, “I find Jacob’s care for language and aesthetics alike very impressive, and truly value his attentiveness to detail. Both make our magazine all the better.”

Holmes also singled out McBride, commenting on her work ethic.

 “I had Isabella in mind for Managing Editor because she puts the same amount of care into everything she does, whether that be sending emails, making schedules, or discussing the sentence structure of a short story.”

Scrivener’s expansive and diligent editorial board currently includes undergraduate students, graduate students, and PhD candidates across a number of disciplines at McGill. They collaborate over four sections: design, poetry, fiction, and nonfiction/interviews. 

A key moment for the team—and the culmination of their months of persistent work—was the launch party held on April 24, 2025, at Cardinal Tea Room.

Holmes said, “The launch was proof that what we were doing had worked and that we could reach an audience in real time. Everyone was excited about the contributors, with poems by Medrie Purdham and Derek Webster, as well as interviews with Montreal icons like Dimitri Roussopoulos and Gabrielle Drolet.” 

As someone who attended the launch, I completely understood Holmes; it was the perfect encapsulation of what it meant to be part of Montreal’s rich and dynamic literary community. The invited contributors, who had the chance to read their work aloud, were introduced by editors who had worked on the respective pieces, exemplifying the collaborative effort that went into publishing the magazine. Scrivener also invited other Montreal magazines—including Ahoy, Stimulant, and Soliloquies—to sell their own work. The launch truly showed Scrivener’s investment in art, literature, and most importantly, cultivating a sense of community with others who share these interests. 

Scrivener is accepting submissions for poetry, fiction, nonfiction, and art until October 6th. Copies of issue 46 are available at The Word Bookstore. For more, head to https://scrivenerreview.com.

Student Life

McGill Arts students face challenges in exchange matching for Winter 2026

by Eren Atac on

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Students in McGill’s Faculty of Arts faced unprecedented challenges in the matching process for the exchange program this year. Many students were not matched with any of their top choices for study-away, forced instead to choose from a narrow list of universities they never had any intention of going to.

In past years, students in the Faculty of Arts were able to study abroad with McGill’s exchange program or through Independent Study Away (ISA). The ISA program, separate from standard exchanges, allowed students to study abroad at schools not included in McGill’s list of official exchange partners. Through ISA, students could directly apply and pay tuition to their host university, rather than through McGill.

As of Summer 2025, students in the Faculty of Arts are no longer able to apply for ISAs outside of Canada. This means students wanting to leave the country can only apply to schools within McGill’s list of exchange partners, significantly reducing the number of options for studying abroad.

The exchange application process asks students to submit their top four study abroad choices to the Exchange Office. McGill then assigns each student their nominations based on a lottery, where students with higher GPAs are favoured to obtain their top choice.

Students applying for Winter 2026 exchanges often found that they were not nominated for any of their top four choices. They were then asked to reapply, this time from a short list of roughly 10 universities that were still available. In an interview with The Tribune, Samuel Hamilton, U2 Arts, explained the challenges he faced after not matching with any of his original top four choices.

“And [after I wasn’t matched with my top four], they also gave me a really short list of universities, like 10, [or maybe] a dozen,” Hamilton said. “Many of them didn’t have classes that counted for my degree. So, feasibly, it was kind of impossible for me to go there because it just wouldn’t count towards my degree.”

Hamilton further explained that even after submitting his new top choices from the shortlist, he still faced difficulties in matching.

“I re-submitted the form one minute after it opened, and I was like, okay, I probably got Leiden [my new top choice from the provided list] because what are the chances I don’t get that, you know?” he said. “And then I got an email three days ago, saying I got Helsinki. And I was like, guys, I submitted this form in one minute. How would I not get Leiden? Now you’re giving me my sixth option. [….] Surely, you could have given me my first choice off this really short list.”

Through a stroke of luck, Hamilton ended up matching with one of his original top choices, the University of Copenhagen, he told The Tribune. But the experience still left him frustrated and confused.

“I’m already really limited,” he stated. “I just felt quite frustrated by the lack of options and how unaccommodating they were.”

Alvise Ceolato, U3 Arts, was also denied any of his top choices and instead matched with the University of Iceland, he reported in an interview with The Tribune. Like Hamilton, this university was not present on the first or second set of choices he submitted to the Exchange Office. 

Ceolato also raised concerns regarding the potential financial ramifications of not being accepted to study abroad at any of your top universities. 

“People need to financially plan for where they end up going,” he said. “I was supposed to go to Singapore, and I ended up in Iceland. But, budgeting-wise, it’s extremely different, you know? So how can you expect people to be able to arrange that? In a way, you apply, and it’s still your choice. But I feel like it’s not really mindful of McGill.”

McGill, News, SSMU

SSMU BoD discusses meeting rules, member eligibility, and building protocol

by Clara Smyrski on

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The Students’ Society of McGill University (SSMU) held its first Board of Directors (BoD) meeting of the academic year on Sept. 16. 

The meeting began with Deputy Speaker Yasmin Beeai adopting the meeting agenda with zero opposition. Susan Aloudat, SSMU Vice-President (VP) University Affairs, successfully moved to postpone Beeai’s approval of the minutes until the next scheduled BoD meeting, as the minutes were not posted early enough for the Directors to review them in advance. 

Next, SSMU President Dymetri Taylor announced that Director Dylan Seiler resigned from the BoD the week prior, without reason for his resignation. Taylor also reported that VP Internal Zeena Zahida resigned from her position on Sept. 12, and a subsequent discussion on hiring a replacement will occur during the SSMU Legislative Council (LC) meeting on Sept. 25. 

The BoD then moved to discuss three motions, brought forward by Taylor, for approval. 

The first was about the 2025-2026 standing rules for the BoD, which outline the Board’s meeting operations and regulations. After the motion received no questions or debate in response, Beeai put the motion to a vote, which was unanimously approved. 

Taylor next introduced a motion disallowing the LC’s motion to appoint Councillor Meghan Lai to the BoD. SSMU regulations require BoD members to have completed 18 months at the university before joining, disqualifying Lai, who has only completed a year at McGill. 

Aloudat spoke on Lai’s promise as a candidate. 

“Councillor Lai would have been a great Director on the Board,” Aloudat said. “She’s been super engaged so far on [the] Senate Caucus, and she has been really responsive and great over the summer. So, if any of you are in SSMU in the future and you see that name, Meghan Lai, definitely keep her around.”

The disallowance motion was then approved unanimously. 

The Board moved to the third motion to approve building protocols for the University Centre. Taylor explained that these protocols are meant to ensure that the building has “rules regarding its usage, access rights, operating conditions, […] space agreements, tenancy, renovations, et cetera.” This motion was, again, approved unanimously, with no questions or debate. 

The BoD spent the rest of the meeting in confidential session. 

A previous version of this article stated that Dylan Seiler resigned from the SSMU Vice-President Finance role the week of Sept. 8, 2025. In fact, Seiler was never the VP Finance of SSMU, and instead resigned from his position on the Board of Directors the week of Sept. 8. The Tribune regrets this error.

Commentary, Opinion

Why regulating short-term rentals was a must for Montreal

by Nick Luther on

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Following a series of deadly fires in two short-term rental units in Old Montreal, city council passed a bylaw heavily restricting the short-term rental market, most principally limiting the timing and duration for which rental properties can be listed. Despite criticism from some homeowners and Quebec’s tourism department, these regulations are a necessary step in mitigating rent increases and addressing the housing crisis.

Montrealers are now able to rent out their primary residences only during the summer tourist season—for no more than 31 consecutive days—and require a permit to do so. Year-round Airbnb units are only allowed on certain streets. Quebec’s Tourism Department has expressed concern about potential cooling effects on tourism, while homeowners are worried about the loss of income generated by renting out their residences through platforms such as Airbnb. Despite these drawbacks, it is the government’s responsibility to prioritize its own citizens’ access to affordable housing.

Montreal, along with the rest of Canada, is experiencing a housing crisis, manifesting in an extreme surge in rent prices in the city. Between 2019 and the first quarter of 2025, average asking rent for two-bedroom apartments in the Montreal metropolitan area increased by 70.8 per cent, from $1,130 CAD to $1,930 CAD. For comparison, the metropolitan areas of Toronto and Vancouver saw average rent prices rise by 5.1 per cent and 27.3 per cent, respectively. 

Although housing in Montreal is generally cheaper overall than both aforementioned cities, the government’s decision to regulate short-term rentals is nonetheless necessary in its potential to slow down rent increases. Studies show that as Airbnb investors turn what was once long-term housing for a city’s residents into short-term rental properties, rents rise for the locals due to a decrease in supply. In New York City, for example, estimates indicate Airbnb may have increased average rents by $400 USD per year.

Even those who already have an apartment are not safe from evictions exacerbated by short-term rentals. In a phenomenon known as renoviction, landlords have begun evicting their tenants to make room for short-term rental properties. 

Students, who rely on affordable rentals during their studies, will particularly benefit from the implementation of a policy designed to address rent crises. As a city with over 180,000 university students, Montreal’s municipal government must do all it can to rein in this increase in rent prices; regulating platforms like Airbnb is a good starting point.

While a policy regulating Airbnb and other short-term rentals is not sufficient to fully fix Montreal’s high rent prices and housing crisis, it is a good first step to take. Limiting the ubiquity of short-term housing in Montreal will ease pressures on rent, while simultaneously preventing ‘ghost-town’ neighbourhoods and ensuring the safety of tourists.

Perhaps most importantly, these regulations will ensure both tourists’ and locals’ safety and prevent future tragedies similar to the two fires in Old Montreal. Both fires occurred in illegal Airbnbs, which were located in areas of the city where short-term rentals had been prohibited but unregulated. 

Before the implementation of the new law, owners would falsely claim properties as their primary residences to make renting them out easier. By January, over half of the short-term rental properties in Montreal did not comply with housing regulations. Since short-term rental platforms leave the detective work up to the cities they operate in, Montreal had trouble cracking down on rule-breaking properties. Now, in order to obtain the permit needed to rent part-time, owners must first prove that the property is their principal residence. Whether owners are renting their property outside of the allowed season, or renting without a permit, the new rules make it much easier to spot and stop illegal short-term rentals. 

As more and more housing units transform into profit-focused short-term rentals, communities and neighbourhoods suffer. The commodification of housing in Montreal has the potential to quickly turn charming, community-focused neighbourhoods into ghost towns full of empty Airbnb units in the off-season. You cannot have a neighbourhood if you do not have neighbours.  

Student Life

Blues on Blues’ policies 

by Simona Culotta on

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After Open Air Pub’s two-week bender of socialization, drinks, barbecuing, and dancing, students are looking to continue the party. While 4à7, Bar Des Arts, and Gerts are all up and running with the same schedule and system as last year, Blues Pub decided to switch things up.

This year, non-Engineering students interested in attending Blues are required to either RSVP for a ticket on Thursday to enter the pub on Friday, or be the plus-one of an Engineering student. This new system, intended to control capacity and reduce security implementation, seems to be stirring up controversy among the McGill student body—some approving, some neutral, and many disappointed. 

Frequent Blues participants like Dena Mathilde, U3 Arts, voiced strong sentiments against the new policy in an interview with The Tribune. 

“I absolutely do not support this decision […] because no other faculty bar is discriminating actively against other faculties with some sort of ‘legislation.’ In what world are you only allowing 100 [non-Engineering students]? What happens if 50 people come and it’s just lame? What are you gonna do?”

Mathilde stressed that adding a cap to entrees may disrupt the overall “fun and liveliness” of the event. She further explained that Blues is fun and popular because it’s “more [of] a spontaneous thing” to attend, and not a long ordeal that one has to prepare for days in advance. 

Juliette Whitecross, U2 Science, similarly questioned such faculty division.

“None of the other student bars have done this, so I don’t understand why they are doing it to [Blues] specifically. I know a lot of the Science kids will be disappointed, since Science students don’t have a designated bar that they can fall back [on].”

On the opposite side of the spectrum, Engineering students yielded mixed opinions. 

Aidan McKibbon, U3 Civil Engineering, detailed his approval of the new system, adding more context as to why Blues implemented these new rules in the first place. 

“I generally support the new admission system. I have non-Engineering friends and they just come with me and my Engineering friends. I like the idea that it’ll be less busy and I also enjoy spending time with my Engineering community so [….] I think it will encourage me to go more and see my Engineering buddies.”

Other Engineering students feel differently. In an interview with The Tribune, Romain Le Galliard, U3 Civil Engineering, said, “I’m against the policy because I feel like it’s just more fun when all faculties can get into Blues without tickets. I know that some people had trouble getting tickets because they sold out immediately when they came out.”

Le Galliard’s point suggests that the large number of interdisciplinary demographic students attending is what adds to the charm of the Blues experience. Once this barrier is in place, this diversity disappears. 

Across Engineering, Science, and Arts, students have mixed critiques of this system, voicing both costs and benefits. Most who expressed disapproval of the RSVP system also mentioned how this will discourage them from future appearances at Blues.

Mathilde added, “I actually don’t think that I will ever remember to [RSVP], and if this [system] continues I think that we will see a lot of people not be able to get in or make it to Blues this semester, which sucks because it’s really fun.” 

Only time will reveal the outcome of the new admission policy: Whether it succeeds in its mission, affects future turnout, or pushes Blues to evolve further into an Engineer-centric event.

Cycling, Sports

UAE Team Emirates wins Grand Prix de Cycliste Montréal for second consecutive year

by Hillary Wright on

Both cycling fans and pro-Palestine demonstrators gathered in Montréal’s Mont-Royal Park and its surrounding area for the 14th annual Grands Prix Cycliste de Montréal (GPC de Montréal) on Sept. 14.

The GPC de Montréal is the only top-ranked professional cycling series hosted in North America, and is a Union Cycliste Internationale (UCI) registered road race. It consists of two events: a 216 km race in Quebec City and a 209.1 km race through Montreal. The Montreal course features 17 laps of steep, winding roads on Mont-Royal, with a total elevation of 4,573 m. This year, 207 riders competed, including nine Canadians—seven of them representing the Canadian National Team.

Teammates Brandon McNulty and Tadej Pogačar of UAE Team Emirates were the first to cross the finish line. The duo completed the race in five hours and 14 minutes. McNulty, an American racer, crossed ahead of the famed Slovenian cyclist, Pogačar, by a friendly few milliseconds. Pogačar, a two-time winner of the GPC de Montréal—in 2022 and 2024—also holds the 2025 Tour de France title, the 2024 UCI World Road Championship, and an arguable position as one of the greatest cyclists of all time. Pogačar’s performance on Sept. 14 shaved 14 minutes off his winning GPC de Montréal time last year, despite disruptions caused by a protest along the av. du Parc race section.

The top Canadian result came from Hugo Houle of Israel—Premier Tech (IPT), who finished 45th, 15 minutes and one second behind McNulty. IPT was at the center of the day’s demonstrations, where an estimated 200 protesters gathered along the race barriers on av. du Parc to call on the UCI to exclude IPT from competition in light of Israel’s continuous acts of genocide in Gaza. 

Israel—Premier Tech has close ties to Montréal. Sylvan Adams, who has since moved to Israel, is a Quebec-born billionaire with a strong affiliation with McGill University and co-ownership of the IPT team. Adams has heavily contributed to the development of IPT since its inception in 2014, and has long been the subject of criticism from pro-Palestinian groups, notably for his publicly made declaration as a “self-appointed ambassador to Israel.”

The IPT’s connection to the province also derives from its title partner and sponsor, Premier Tech, a Quebec-based agricultural technology company. Further, these ties echo a $29 million CAD donation made by Adams in 2022 to McGill University to establish the Sylvan Adams Sports Science Institute (SASSI). This funding established a partnership between McGill, Adams, and Tel Aviv University, drawing further concerns from pro-Palestinian campus advocates as they push the university to cut all financial ties to Israel. 

Supported by various pro-Palestine and Gaza-affiliated Montreal cycling clubs, such as Bikers for Palestine—who shared details about the protest through their social media accounts—the demonstration at the GPC de Montréal also garnered support from Montreal’s chapters of Students for Palestine’s Honour and Resistance (SPHR). 

The Montreal protest followed demonstrations at the Vuelta a España, a three-week UCI race across Spain, where a crowd of nearly 100,000 called for Israel to be barred from international sporting events. Following the disruptions, which cut the championship race short, Spanish Prime Minister Pedro Sánchez Pérez-Castejón publicly urged for Israel’s exclusion from global competitions. The team stripped its uniforms of any direct references to Israel in response to the protests at the Vuelta. They wore their adapted uniforms in Montreal on Sunday. 

Looking ahead, Montreal will host the UCI World Championship from Sept. 20-27, 2026. Last held in Montreal in 1974, the event is expected to be the largest sporting competition in the city since the 1976 Olympic Games, bringing together 1,000 elite cyclists from more than 75 countries. 

This year’s GPC de Montréal highlighted the city’s prominent role in international cycling in two important ways: Its world-class competition, and the political debates at play within the sport. As Montreal prepares to host the 2026 UCI World Championship, it faces the challenge of balancing athletic excellence with questions of accountability beyond the race course. 

Arts & Entertainment, Film and TV

‘Adolescence’ swept the Emmys and made history

by Lia James on

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The 77th annual Emmy Awards had its usual share of glamour and viral moments, from stunning red carpet looks to controversial money countdowns. But the most memorable of all were the eight Emmys awarded to the Netflix limited series, Adolescence.

Adolescence is a reflection on how life for today’s youth has changed since the  COVID-19 pandemic. Consisting of four episodes all taken in one shot, the show focuses on a 13-year-old boy named Jamie (Owen Cooper) who is arrested as a suspect for the murder of his classmate. The show dives into several topics, including increased knife violence in the U.K. and how misogynistic content impacts the behaviour of young boys on the internet. The show discusses Jamie’s beliefs about women, originating from this misogynistic Red Pill content. 

The use of consecutive one-shot episodes throughout the mini-series immerses the audience in this boy’s mindset. When Jamie’s underlying issues of self-loathing are revealed, he abruptly switches from acting scared to angry and manipulative. With the audience still unsure of Jamie’s innocence, Cooper is able to create sympathy for his character. Acting in a single take requires perfect memorization of lines without making mistakes for an entire hour, a testament to his strong acting skills. 

Cooper won an Emmy for Outstanding Supporting Actor in a Limited Series, making history as the youngest man to win at just 15 years old. Many TV series cast adult actors as teenagers, resulting in a lack of authentic teenage representation. Cooper’s performance as Jamie takes a realistic look at the mindsets of teenage boys with unlimited internet access. Many teens were left on their own during the pandemic, and online media usage dramatically increased. Because Owen Cooper was also a young boy during the pandemic, he can relate to this online childhood culture unlike an older actor. 

The series writer and co-editor Stephen Graham wanted to cast an unknown northern English boy to play Jamie, increasing the impact of Cooper’s win. Cooper said during his acceptance speech: “When I started these drama classes, I didn’t expect to be in the United States, never mind here.” Cooper’s win emphasizes that you do not need to be born with powerful connections or have film credits to your name to become successful in the acting world.

Graham won the categories of Best Lead Actor in a Limited Series, playing Jamie’s father, and Outstanding Limited Series with co-creator Jack Thorne. Actress Erin Doherty, who played Jamie’s psychologist Briony, won Best Supporting Actress in a Limited Series. 

In the series, Briony attempts to understand Jamie’s mindset, leading him to express a variety of emotions, ranging from arrogance to aggravation. The third episode depicts the last meeting between the accused and his psychologist, creating a sense of exigency in their conversation. The episode begins with her questioning Jamie, which soon turns into a conversation about the stabbing of his classmate Katie. Their final scene shows Briony breaking down into tears after Jamie reveals information about his consumption of disturbing online content. This final scene elicits an emotional response from the audience, grasping the impacts of the Red Pill content that many young boys consume.

The show generated popularity on its own; it became Netflix’s second most-watched English-language series ever. It has been shown across schools in the U.K. as a way to spark conversations with young people about harmful social media use. 

Stephen Graham told the Associated Press that he wanted to focus on the “relatively normal” life of people accused of crimes similar to Jamie’s. Graham said, “We’re all maybe accountable. School. Society. Parents. Community.” 

Hopefully, this recognition can provoke similar action among schools in other countries—especially in North America, where the Emmys are filmed and originate. With 7.4 million people viewing this ceremony, it may guide more people to educate themselves on the extremely relevant issues among youth today that are brought up in the show: Issues that can mean life or death.

McGill, Montreal, News

“Palestine on Campus” screening highlights security crackdown on Montreal student activists

by Mairin Burke on

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On Sept. 16, The Rover—an independent, reader-funded news outlet in Montreal—hosted a screening and panel discussion to showcase their first-ever documentary, Palestine on Campus, at Collectif MTL’s St. Catherine location. The 30-minute film, created by The Rover’s managing editor Savannah Stewart and producer and videographer Justin Khan, follows the recent hostilities inflicted on pro-Palestine student activists by their own university administrations.

Through interviews with McGill and Concordia students—including former Vice-President External of the Students’ Society of McGill University Hugo-Victor Solomon, professors at McGill and Dawson College, and legal experts—Palestine on Campus portrays a recent security crackdown across Montreal higher education that targets pro-Palestine activists. 

The screening began with The Rover’s founder, Christopher Curtis, addressing the crowd of approximately 40 attendees about the importance of Palestine on Campus’s investigation.

“Almost all of the mainstream news stories about the Gaza encampment in Montreal perform mental gymnastics to avoid talking about the role that our institutions play in supporting genocide,” he said.

The documentary was followed by a panel, moderated by Stewart. One panelist, Gwendolyn Schulman, is a McGill alum who helped lead the successful anti-South African apartheid movement on campus in the 1980s and co-founded CKUT‘s long-running Amandla! program.

On the panel, Schulman noted the troubling differences between the anti-apartheid struggle and pro-Palestine activism for divestment from companies complicit in the genocide of Palestinians on McGill’s campus today.

“Even when we did our sit-ins and our demonstrations, […] the one thing McGill did not do ever was [call] the police, and it never used private security firms against us,” she stated. “In fact, it was the exact opposite. They were so concerned about their public image that they wouldn’t let the police anywhere close. [….] We were never criminalized for what we did. We were never threatened with being expelled.”

Joining Schulman on the panel was Rine Vieth, a sociolegal scholar who contextualized how the increasing risks university student and faculty activists for Palestine face are unfolding just as much in Canada as they are, very visibly, in the United States. They also discussed how McGill’s recent austerity measures have been accompanied by an incongruous increase in the amount of private security employed by McGill, reflecting the “neoliberalization of higher education.”

“McGill is ostensibly a public university,” Vieth stated. “These are our tax dollars being used to fund this.”

Vieth and Schulman spoke alongside Danna Ballantyne, the Concordia Student Union (CSU)’s External Affairs & Mobilization Coordinator. Ballantyne discussed the struggles the union has faced since Concordia launched an ongoing investigation into the CSU for allegedly violating administrative policies during a Special General Meeting in January 2025. During the meeting, approximately 94 per cent of attending undergraduates voted in favour of Boycott, Divestment, and Sanctions (BDS) protocols for Palestine. 

“There is absolutely nothing more dehumanizing than asking someone to talk bureaucracy while their friends and family are being murdered,” Ballantyne said. “The investigation is really not the main thing here. There’s a genocide happening. [….] Our friends are still dying at the end of the day. [….] You know, they call us a fringe minority, [but] most of us showed up to that meeting and [voted in favour of the BDS motion] when they said, ‘Do you want to divest?’”

Ballantyne concluded by describing how to address burnout as an activist, advising that “the more people in [one’s] entourage care, the less tired” they will feel continuing the fight for Palestine.

“If there’s one thing that all of us have, that everyone in Gaza needs right now, is connection,” she implored. “Please just make a friend from Gaza and talk to them. [….] Answer someone’s [Instagram] story […] and say, ‘We’re with you.’ [….] It makes every difference to them, and it’ll remind you what’s going on.”

Schulman also noted the importance of holding university communities accountable by preserving institutional memory.

“McGill celebrates itself for being the first Canadian university to divest. They never point out that they fought us tooth and nail and we won,” she proclaimed. “Eventually, [pro-Palestine activists] are going to win [the fight for divestment], […] and McGill is going to claim credit [again]. [….] We know what McGill was and what McGill has become, and what it needs to become down the road.”

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